Stanoff Jerrold (5 results)

Paper. Condition: Very Good. Catalogue of books for sale. Stapled spine. Condition notes - 583 items described. Pages: annotated in red, bright, tight. Cover: gray dk gray artwork+ black titles front, black text back; modest edge/shelfwear, delivery information inked back, paperclip rusty to back.

Paperbound. Condition: Very Good. illustrated paper wraps, unpaginated, (approx. 30 pp) Catalogue 62, Plays, stories, haiku, fiction, geisha, proverbs, anghologies [sic], classic, dictionaries, Far Eastern bibliography, drama, tales, traditions, customs, legends, ghosts, prose, modern fiction, childrens. very good cond. Size: 8 vo, Book.

[New York 1984, Ukiyo-e Society America. Buff wrappers, A-4 size, 9p., stapled, as new. OBSCURE, FIRST & ONLY EDITION This is perhaps the first real monograph covering the works of Hashimoto Sadahide, his bird's eye view maps, processions and other prints related to Yokohama and foreigners in the Yokohama are. * The essay uses several examples from the author's and a library collection to illustrated the skill and technique of Sadahide. * *** WHO WAS UTAGAWA SADAHIDE [GOUNTEI] 1807-73]: Was to become one of the most famous Yokohama print artists of his time. He used several "Go" or "studio names:" Kenjiro, Gountei, Gyokuoh, Gyokuran, Gyokuransai, Gyokurantei, Sadahide [a "Go" which stuck]. He is perhaps one of the first after Hokusai, to use what is now commonly called a "bird's eye" view or perspective from a cloud-level advantage point. He as tremendous great skill to imagine himself in the clouds, looking down upon the landscape as if he were a 'bird.' His ability to correctly put into perspective a long and wide view of the Tokaido, Yokohama, Yoshiwara and other geographic areas of Japan in a charming and wonderfully realistic map-like projection. Few artists could capture with such detail and artistic, pictorial representation these beautiful and artful images. . Sadahide earned his position in the period Genre art of the times, creating memorable and delightful walking maps of the Tokaido, the gay quarters of the Yokohama Yoshiwara prostitution area and adjacent place. . Sadahide's "bird's eye" views are "SINE PARI" i.e. "Without Equal" in the period genre of Japanese color woodblock printing. He stood out with type of 'pictorial map' and continued to make standard Oban-size prints of foreigners and their life style in Yokohama. . It is of great interest, to observe Robert's comments written in 1976, where he missed the "wave" of interest mounting about Sadahide. This cataloger wrote an article about Sadahide in 1984 which was presented to the Ukiyo-e Society of America, few of any members even knew of Sadahide nor had they noticed his stunning and exceptional artistic works. . Currently [2016], some thirty-two years later, a generation later, Sadahide has finally 'arrived' and gone 'main-stream,' dealers, collectors and museums throughout the world know his name [finally !!]. . Per Roberts: "He was a pupil of Kunisada. A prolific but 'minor' printmaker [per Roberts published book date of 1976, since that time this artist's works have become important, famous and highly collectable] and illustrator, producing some theatrical prints I the Osaka manner as well as prints of traditional Japanese subjects and, after Yokohama was opened to the West, of contemporary industrial scenes and foreigners. Also made political cartoons and copied many makers who presented their works at the Paris Exposition of 1866, receiving the Legion d'Honneur for his part I the exhibition. Sometimes called a member of the Yokohama school. One of the last to depict Ukyo-e subjects. his effective and decorative prints show the influence of Western perspective and Chiaroscuro.:" Roberts below, p.135. He is now well-collected by world-wide museums. His name is now the source of a a WikiPedia article ! . * In 1868, the first year of Meiji, it was reported Sadhide ranked the best-selling Ukiyo-e artist. He died in 1878 or 1879,shortly after producing a print of Yokohama the size of a tatami mat [ca 1 x 2 meters. . The first exhibition dedicated to Sadahide's work was held in 1997, subtitled: "SORA TOBE UKIYO-E SHI: THE UKIYO-E ARTIST WHO FLIES IN THE SKY. See below for this reference. . *** REFERENCES: KANAGAWA KENRITSU REKISHI HAKUBUTSUKAN.: YOKOHAMA UKIYOE TO SORATOBU ESHI, GOUNTEI SADAHIDE: SPECIAL EXHIBITION: YOKOHAMA UKIYO-E: LIFE & WOODCUT WORKS OF GOUNTEI SADAHIDE. [A Woodblock Print Artist of the Mid-19th Century] * KANAGAWA KENRITSU HAKUBUTSUKAN: YOKOHAMA UKIYO-TO SORATOBU ESHI GOUNTE SADAHIDE. THE UKIYO-E ARTIST WHO FLIES IN THE SKY. * STANOFF, Jerrold G.: SADAHIDE. [Utagawa Gountei Sadahide], A Lecture Delivered to the Ukiyo-E Society of America, New York, April, 1984. * ROBERTS, Laurance P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING, SCULPTURE, CERAMICS, PRINTS, LACQUER, p.135. * SADHIDE: Per Wikipedia article below: . "Utagawa Sadahide [1807-c.1878-79], also known as Gountei Sadahide, was a Japanese artist best known for his prints in the ukiyo-e style as a member of the Utagawa school. His prints covered a wide variety of genres; amongst his best known are his Yokohama-e pictures of foreigners in Yokohama in the 1860s, a period when he was a best-selling artist. He was a member of the Tokugawa shogunate's delegation to the International Exposition of 1867 in Paris." Quoted from below entry: . WA KENRITSU HAKUBUTSU KAN. comp. SHUTAISEI YOKOHAMA UKIYO-E.YOKOHAMA UKIYO-E PRINTS. [Covers 95% of All Yokohama-e Published] * *** Color scans of this and most others are posted to our website.

Compiled by Jerrold G. Stanoff. Unpublished paper, PHOTO COPY of typed manuscript,stiff folder, 163p., appendix, NEW, UNUSED,22 x 28 cm., A4 size, 3-hole punched. FIRST & ONLY TRADE EDITION . *** **** *** . . FIRST AND ONLY EDITION . . . ISSUED IN TWO EDITIONS: . . . THE AUTHOR'S SIGNED & HAND NUMBERED EDITION OF 25 COPIES . . . OR IN THE TRADE EDITION [Not Limited, not Signed] * This bibliography was part of a Master's of Library and Information Science requirement at University of California, Los Angeles California, 1972. . * This bibliography is a correction and update to the first major and classic work by P.D. & Ione Perkins' 1934 work: LAFCADIO HEARN: A Bibliography of His Writings. . Several editions of Hearn's works were issued after 1934, which were could not listed in the original Perkin's work which probably went to press sometime in 1933. . This SUPPLEMENT and CHECK LIST provides those lacking items. This work, together with the Perkins work gives a more complete picture of the works written by Lafcadio Hearn from his first published title in 1879 down to those up to 1972. . * This SUPPLEMENT, updates Perkins, covering later editions, new titles, ephemera & association copies, dealer's catalogues, other obscure and scarce resources. . THE ARRANGEMENT: This work is arranged chronologically, that is by the year of publication, beginning with titles from 1882-1931, continuing with A CHECKLIST of Hearn writings from 1932-1972. . ENTRY FORMAT: The format of each entry includes: the imprint: place, date and publisher; with all subsequent editions cited, each on a single numbered page. In the case that a location was meaningful, that too was cited. Pagination, Limited Edition statement is also included where appropriate. . Following Perkins' format, a slash "/" is used to show where the words on the title page are separated and go to the next line, a common bibliographic method of showing this information. . *** Lafcadio Hearn is a person we have special interests in. We maintain a substantial collection of his Manuscripts, First Editions, Sets, Limited Editions as well as trade editions, please visit our website for a free current list of holdings. . You may also email us and send your desiderata list. . *** ESSENTIAL REFERENCE SOURCE: This book is an essential resource for any serious collector, bibliographer, American and Japanese literature collectors and collections, curators of special collections, and Hearn researchers. . * ISSUED IN TWO EDITIONS: a.: AUTHOR'S SIGNED, HAND-NUMBERED LIMITED FIRST & ONLY EDITION OF 25 HAND-NUMBERED COPIES. With a separate limitation page. . This is a photo copy of the original edition, with the addition of the "Limitation" statement page. . b.: THE "TRADE" EDITION Identical to the above, but is NOT have the Author's Signed, Hand-Numbered, Limited Edition of 25 Copies. . *** UNPUBLISHED COPYRIGHT PROTECTED MASTER'S THESIS This is my personal research results, an unpublished Master's Thesis as partial requirement for a Master's Degree. . It was never published, it is only available from us. This work is copyright protected from 1972 without expiration under United States copyright laws, International copyright and U.S. intellectual property laws. . Any party wishing to copy, use or quote from this should contact the author or his family trust for written permission. . The copyright is held by the author: Jerrold G. Stanoff and his family trust. . Copying or reproducing any part without the express consent of the author or his trust is strictly prohibited under Federal Copyright Laws. This work is Copyright protected as our Intellectual Property. . ***.

Unpublished paper,PHOTO COPY of typed manuscript,stiff wrs., 163p., appendix, NEW,UNUSED,22 x 28 cm., A4, 3-hole punched. *FIRST & ONLY AUTHOR'S SIGNED & HAND NUMBERED EDITION OF 25* . *** **** *** . . FIRST AND ONLY EDITION . . . ISSUED IN TWO EDITIONS: . . . THE AUTHOR'S SIGNED & HAND NUMBERED EDITION OF 25 COPIES . . . OR IN THE TRADE EDITION [Not Limited, not Signed] * This bibliography was part of a Master's of Library and Information Science requirement at University of California, Los Angeles California, 1972. . * This bibliography is a correction and update to the first major and classic work by P.D. & Ione Perkins' 1934 work: LAFCADIO HEARN: A Bibliography of His Writings. . Several editions of Hearn's works were issued after 1934, which were could not listed in the original Perkin's work which probably went to press sometime in 1933. . This SUPPLEMENT and CHECK LIST provides those lacking items. This work, together with the Perkins work gives a more complete picture of the works written by Lafcadio Hearn from his first published title in 1879 down to those up to 1972. . * This SUPPLEMENT, updates Perkins, covering later editions, new titles, ephemera & association copies, dealer's catalogues, other obscure and scarce resources. . THE ARRANGEMENT: This work is arranged chronologically, that is by the year of publication, beginning with titles from 1882-1931, continuing with A CHECKLIST of Hearn writings from 1932-1972. . ENTRY FORMAT: The format of each entry includes: the imprint: place, date and publisher; with all subsequent editions cited, each on a single numbered page. In the case that a location was meaningful, that too was cited. Pagination, Limited Edition statement is also included where appropriate. . Following Perkins' format, a slash "/" is used to show where the words on the title page are separated and go to the next line, a common bibliographic method of showing this information. . *** Lafcadio Hearn is a person we have special interests in. We maintain a substantial collection of his Manuscripts, First Editions, Sets, Limited Editions as well as trade editions, please visit our website for a free current list of holdings. . You may also email us and send your desiderata list. . *** ESSENTIAL REFERENCE SOURCE: This book is an essential resource for any serious collector, bibliographer, American and Japanese literature collectors and collections, curators of special collections, and Hearn researchers. . * ISSUED IN TWO EDITIONS: a.: AUTHOR'S SIGNED, HAND-NUMBERED LIMITED FIRST & ONLY EDITION OF 25 HAND-NUMBERED COPIES. With a separate limitation page. . This is a photo copy of the original edition, with the addition of the "Limitation" statement page. . b.: THE "TRADE" EDITION Identical to the above, but is NOT have the Author's Signed, Hand-Numbered, Limited Edition of 25 Copies. . *** UNPUBLISHED COPYRIGHT PROTECTED MASTER'S THESIS This is my personal research results, an unpublished Master's Thesis as partial requirement for a Master's Degree. . It was never published, it is only available from us. This work is copyright protected from 1972 without expiration under United States copyright laws, International copyright and U.S. intellectual property laws. . Any party wishing to copy, use or quote from this should contact the author or his family trust for written permission. . The copyright is held by the author: Jerrold G. Stanoff and his family trust. . Copying or reproducing any part without the express consent of the author or his trust is strictly prohibited under Federal Copyright Laws. This work is Copyright protected as our Intellectual Property. . ***.