Steven Ten Thije (36 results)

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. pp. 496.

Paperback. Condition: new. Paperback. Is art only art insofar as it refuses to be useful? At a moment when the boundaries between public and private have been radically redrawn-politically, economically and culturally-how do we understand art's ability to know the world, to develop our ethics, to express our sense of historical belonging and to be, in different ways to different people, useful? "What's the Use?" takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out. Propositional and speculative-and deliberately inconclusive-the theorists and artists included in this volume seek an answer to a familiar question: how can art know, and change, the world? Is art only art insofar as it refuses to be useful? Or do art practices serve a broader purpose? We are in an age that has seen the re-drawing of boundaries between state and civil society, with boundless markets, unstable geopolitics and the all-pervasive effects of the Internet. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: Very Good.

Paperback. Condition: New.

Paperback. 504 pages. Text in English. As new. Is something only art when it is autonomous and without use? Or does art serve a broader purpose? The starting point of What's the Use? Constellations of Art, History, and Knowledge is that art is an integral part of social, economic and political processes and is best understood in dialogue with them rather than as a 'thing in itself'. From different angles, writers and artists demonstrate how the exchange between art, use, knowledge and history works out, past and present. A book that takes a position, speculates and is deliberately inconclusive, mapping a diverse field of ideas and examples. 777g.…

Condition: New. 2015. 01st Edition. Paperback. . . . . .

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Gebraucht / Used. Paperback. Good. 169pp.

Paperback. Condition: Brand New. 01 edition. 504 pages. 9.25x6.75x1.75 inches. In Stock.

Condition: New. 2015. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Condition: As New. Unread book in perfect condition.

Condition: New.

Softcover. Condition: Sehr gut. 1. Auflage. Z : 364 pages, 16 color & 82 b/w illustrations - An anthology. L'Internationale is a trans-institutional network of five major European museums and artists' archives (Moderna galerija Ljubljana; Július Koller Society Bratislava/Vienna, MACBA Barcelona, Van Abbemuseum Eindhoven, M HKA Antwerp). Taking as its starting point these five museums and their respective collections, "L'InternationalePost-War Avant-Gardes Between 1957 and 1986" presents a wide range of case studies, historiographical and theoretical essays that reconsider a period in art history that, according to the established canon, has been almost exclusively dominated by Western Europe and North America. In questioning this canon the publication works to acknowledge the existence of and to explore a dispersed, multi-polar, and at times interconnected neo-avant-gardist field that existed (long) before it became common to think according to frameworks of globalization or trans-nationalism.…

Condition: New. pp. 496.

Condition: New. pp. 496.

Condition: Very Good.

Paperback. Condition: New.

Taschenbuch. Condition: Neu. Neuware - Is art only art insofar as it refuses to be useful At a moment when the boundaries between public and private have been radically redrawn--politically, economically and culturally--how do we understand art's ability to know the world, to develop our ethics, to express our sense of historical belonging and to be, in different ways to different people, useful What's the Use takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out. Propositional and speculative--and deliberately inconclusive--the theorists and artists included in this volume seek an answer to a familiar question: how can art know, and change, the world.…

Kartoniert / Broschiert. Condition: New. KlappentextrnrnIs iets pas kunst als het autonoom en zonder nut is? Of dient kunst een breder doel? Het uitgangspunt van What s the Use? Constellations of Art, History, and Knowledge is dat kunst een integraal onderdeel is van sociale, economisc.

Paperback. Condition: new. Paperback. Is art only art insofar as it refuses to be useful? At a moment when the boundaries between public and private have been radically redrawn-politically, economically and culturally-how do we understand art's ability to know the world, to develop our ethics, to express our sense of historical belonging and to be, in different ways to different people, useful? "What's the Use?" takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out. Propositional and speculative-and deliberately inconclusive-the theorists and artists included in this volume seek an answer to a familiar question: how can art know, and change, the world? Is art only art insofar as it refuses to be useful? Or do art practices serve a broader purpose? We are in an age that has seen the re-drawing of boundaries between state and civil society, with boundless markets, unstable geopolitics and the all-pervasive effects of the Internet. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condition: New.