Stokes Ryan (26 results)

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: New. Satan.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: New.

Paperback. Condition: Brand New. 275 pages. 8.75x5.75x0.75 inches. In Stock.

Taschenbuch. Condition: Fine. leichte Gebrauchsspuren / minor wear---. nein.

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Paperback. Condition: New.

Soft cover. Condition: Very Good. Daly, Simon (illustrator). 1st Edition. 15pp, oversized stapled booklet, contain two articles on St. Fechin. The first is the text of a lecture delivered by Canon G. T. Stokes to the Royal Society of Antiquaries of Ireland and published in their Journal in 1892. The second is a translation of an old Gaelic life of St. Fechin which itself was a translation from an earlier Latin life of the Saint, translated by Whitley Stokes. Light creasing to the covers, small upper edge stain to front cover. In a protective mylar sleeve. SCARCE - with only 1 copy listed in OCLC.

Paperback. Condition: New.

Hardcover. Condition: As new. Quarto. Hardcover. Spine bound in orange cloth with black titles and illustrated paper boards. No jacket, as issued. 287 pages : color illustrations ; 32 cm. "Ethel Carrick explores and celebrates this remarkable artist who contributed significantly to Australian and international art for over 50 years. Carrick's work radiates with luminous light, colour and energy; predominantly focusing on crowds, in all their diversity and interconnection. This publication will accompany the National Gallery exhibition Ethel Carrick, which will be the first retrospective of her work in over 40 years, the most comprehensive to date, and will shine new light on her life and works. Carrick (1872-1952) was a truly transnational artist who was born in Britain and lived and worked primarily in France and Australia. She was one of the first post-impressionist artists to exhibit in Australia, and yet her significant artistic contributions and amazing life story are not known to a wide audience. Deborah Hart, Head Curator, Australian Art, passionately guides the reader through an absorbing, thorough and richly visual exploration of Ethel's life and art. This is supported by seven focus essays from Rebecca Blake, Angela Goddard, Emma Kindred, Jenny McFarlane, Denise Mimmocchi, and Juliette Peers, which cover such diverse topics as Carrick's affectionate and iconic portrayals of Manly Beach and the modern surfer girl, her North African travels, and her remarkable artistic records and philanthropy during World War II. This publication includes new research illuminating an artist who has been too long overshadowed. This stunning volume features a modern design and bursts with colour, complementing Carrick's oeuvre. The inclusion of very generously illustrated large reproductions and details of paintings allow the reader to appreciate their stunning detail to full effect"--Publisher's description.

Condition: new.

Softcover. Condition: VG+. Light shelf wear. Quarto. Softcover. Illustrated wraps. 127 pages : colour illustrations ; 32 cm. "On the occasion of the National Gallery of Australia's 40th anniversary, the gallery commissioned revered Chinese-Australian artist Lindy Lee to create a work of great ambition, one that would be the most significant of Lee's career and permanently installed in the gallery's forecourt: a beacon for many generations to come. 'Ouroboros' is the result of such an invitation. This book traces the arc of its making, of the many threads that are woven together by many hands to make such a project possible. It seeks to offer context for how this monumental work came to be. In its pages you will encounter the infinite: the cosmos, the expansive, the unending. You will also find the deft precision of technical drawings-the blueprints for feats of engineering unpreceded in Lee's practice or in the work of Urban Art Projects (UAP), the fabricators or this immersive sculpture. The awe of 'Ouroboros' is bound to both that which is eternal and that which is exact. The design of this book seeks to bring you closer to both the conceptual undercurrents and the material quality of 'Ouroboros' itself. It is a guide to both mechanism and metaphor." Half-title page verso.

Paperback. Condition: new. Paperback. Many people today think of Satan as a little red demon with a pointy tail and a pitchforkbut this vision of the devil developed over many centuries and would be foreign to the writers of the Old Testament, where this figure makes his first appearances. The earliest texts that mention the Satanit is always the Satan in the Old Testamentportray him as an agent of Yahweh, serving as an executioner of evildoers. But over the course of time, the Satan came to be regarded more as Gods enemy than Gods agent and was blamed for a host of problems.Biblical scholar Ryan E. Stokes explains the development of the Satan tradition in the Hebrew scriptures and the writings of early Judaism, describing the interpretive and creative processes that transformed an agent of Yahweh into the archenemy of good. He explores how the idea of a heavenly Satan figure factored into the problem of evil and received the blame for all that is wrong in the world. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -'The Satan: How God's Executioner Became the Enemy is a history of the origin, shaping, and reshaping of beliefs about (the) Satan. It traces the development of ideas pertaining to this figure from the earliest references to the Satan in the Hebrew Bible to the varied depictions of the Satan and his evil forces in the Jewish and Christian literature of the late Second Temple period. It explains the origin of this tradition as evidenced in the Hebrew Scriptures and describes the interpretive process that transformed an agent of God into the preeminent antagonist and archenemy of good' 304 pp. Englisch.

Condition: New. Print on Demand pp. 304.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1909. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 401, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 401 401.

Condition: New. Print on Demand pp. 304.

Condition: New. PRINT ON DEMAND pp. 304.

Paperback. Condition: new. Paperback. Many people today think of Satan as a little red demon with a pointy tail and a pitchforkbut this vision of the devil developed over many centuries and would be foreign to the writers of the Old Testament, where this figure makes his first appearances. The earliest texts that mention the Satanit is always the Satan in the Old Testamentportray him as an agent of Yahweh, serving as an executioner of evildoers. But over the course of time, the Satan came to be regarded more as Gods enemy than Gods agent and was blamed for a host of problems.Biblical scholar Ryan E. Stokes explains the development of the Satan tradition in the Hebrew scriptures and the writings of early Judaism, describing the interpretive and creative processes that transformed an agent of Yahweh into the archenemy of good. He explores how the idea of a heavenly Satan figure factored into the problem of evil and received the blame for all that is wrong in the world. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condition: new. Paperback. Many people today think of Satan as a little red demon with a pointy tail and a pitchforkbut this vision of the devil developed over many centuries and would be foreign to the writers of the Old Testament, where this figure makes his first appearances. The earliest texts that mention the Satanit is always the Satan in the Old Testamentportray him as an agent of Yahweh, serving as an executioner of evildoers. But over the course of time, the Satan came to be regarded more as Gods enemy than Gods agent and was blamed for a host of problems.Biblical scholar Ryan E. Stokes explains the development of the Satan tradition in the Hebrew scriptures and the writings of early Judaism, describing the interpretive and creative processes that transformed an agent of Yahweh into the archenemy of good. He explores how the idea of a heavenly Satan figure factored into the problem of evil and received the blame for all that is wrong in the world. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condition: Neu. The Satan | How God's Executioner Became the Enemy | Ryan E. Stokes | Taschenbuch | Kartoniert / Broschiert | Englisch | 2019 | Wm. B. Eerdmans Publishing Company | EAN 9780802872500 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Many people today think of Satan as a little red demon with a pointy tail and a pitchfork--but this vision of the devil developed over many centuries and would be foreign to the writers of the Old Testament, where this figure makes his first appearances. The earliest texts that mention the Satan--it is always 'the Satan' in the Old Testament--portray him as an agent of Yahweh, serving as an executioner of evildoers. But over the course of time, the Satan came to be regarded more as God's enemy than God's agent and was blamed for a host of problems.Biblical scholar Ryan E. Stokes explains the development of the Satan tradition in the Hebrew scriptures and the writings of early Judaism, describing the interpretive and creative processes that transformed an agent of Yahweh into the archenemy of good. He explores how the idea of a heavenly Satan figure factored into the problem of evil and received the blame for all that is wrong in the world.