Stricker Bernhard (51 results)
Published by Aachen, 1988
- Softcover
Seller: Wissenschaftliches Antiquariat Köln Dr. Sebastian Peters UG, Köln, GermanyWissenschaftliches Antiquariat Köln Dr. Sebastian Peters UG
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Add to basketBroschur. Condition: gut. 165 S. : graph. Darst. ; 21 cm, Bibliotheksexemplar, Aufkleber, Einband mit Folie verstärkt, Dreieckstasche. Sprache: deu.
- Softcover
Seller: BargainBookStores, Grand Rapids, MI, U.S.A.BargainBookStores
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Paperback or Softback. Condition: New. Geistesgegenwart und Nachdenklichkeit: Kleine Formen der Intervention. Book.
- Softcover
Seller: California Books, Miami, FL, U.S.A.California Books
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Condition: New.
- Softcover
Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Softcover
Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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Paperback. Condition: New.
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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US$ 31.21
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Paperback. Condition: New.
- Softcover
Seller: medimops, Berlin, Germanymedimops
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Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
- Softcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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US$ 27.62
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PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.
Published by Fischer, Frankfurt a.M., 1999, 1999
- Softcover
Seller: Versandantiquariat Kerzemichel, Wittenberge, GermanyVersandantiquariat Kerzemichel
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US$ 14.43
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142 S., 8°, Obrosch., Name a. VS, gutes Exemplar.
- Softcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Condition: New. In.
- Hardcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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hardcover. Condition: New.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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US$ 36.76
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Hardcover. Condition: Brand New. 175 pages. German language. 6.26x0.67x9.25 inches. In Stock.
Über Hochstapelei - Perspektiven auf eine kulturelle Praxis
Foerster, Anna; Funk, Jannis; Herrmann, Anne; Lempp, Felix; Porombka, Stephan; Pfister, Roland; Schwanebeck, Wieland; Schwarz, Katharina; Spieler, Sophie; Stopczynski, Lukas; Stricker, Bernhard; Thede, Sebastian; Veelen, Sonja; Wierschem, Markus; Wirth, R
- Softcover
Seller: Einar & Bert Theaterbuchhandlung, Berlin, GermanyEinar & Bert Theaterbuchhandlung
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Taschenbuch. Condition: Wie neu. Nachahmung, Täuschung, Experte, Universität, Literatur, Betrug, Liebe, Gegenwartskultur, Theatralität, Hochstapelei, Elite, Kulturgeschichte, Lüge, Kulturelle Praxis.
- Hardcover
Seller: PBShop.store US, Wood Dale, IL, U.S.A.PBShop.store US
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US$ 100.17
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Seller: PBShop.store UK, Fairford, GLOS, United KingdomPBShop.store UK
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US$ 100.79
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HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.
- Hardcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Hardback. Condition: New. A Wittgensteinian approach to the multi-disciplinary and pluralistic study of popular culture.This collected volume makes an incisive contribution to the field of philosophy of culture, filling a gap between the relevant scholarship in cultural studies and philosophy. It focuses on Wittgenstein as a phi…losopher deeply concerned with culture, and aims to establish his work as an alternative to existing (Marxist, post-structuralist, etc.) approaches to the study and criticism of popular culture. In a series of essays, this volume showcases the great - and largely overlooked - potential of Wittgenstein's philosophical method for cultural studies: Here, we find a particularist methodology for studying popular culture that 'clarifies' standards of measurement in discussing such issues as the 'quality' of art. Through conceptual clarification, we can gain a properly pluralistic understanding of normative dimensions in culture without collapsing into either relativism or generalised constructivism. In avoiding what Wittgenstein characterises as 'void and unfair' generalisations, his philosophy seems very well suited to the study of popular mass art, mass media and popular subcultures.The essays outline the methodological framework of Wittgensteinian approaches to philosophy and conceptual analysis. Each essay demonstrates their merits by looking at particular examples such as analyses of popular films and TV series, detective fiction, comics, or shared practices of fandom, and by engaging with and analysing approaches to criticism of pop in a Wittgensteinian way (e.g., following up on work by the Frankfurt school, Roger Scruton).Section 1 ('Wittgenstein on culture and the popular') lays the conceptual groundwork in highlighting the pluralistic ways in which Wittgenstein conceives 'culture'. Section 2 ('Wittgenstein and popular culture') focusses on how Wittgensteinian methods of analysis and criticism enhance our understanding of popular culture either by offering an application of Wittgensteinian thinking to concrete examples out of a wide range of possible materials or by confronting Wittgenstein with another theoretical approach to the field of popular culture. The essays in section 3 ('Wittgenstein in popular culture') will showcase, then, the different ways in which Wittgenstein and his work have themselves become points of reference in popular culture, including (but not limited to) the iconicity of the philosophical genius writing his masterpiece in the trenches of the First World War, the appropriation of isolated concepts outside their philosophical context ('family resemblance') or the uses of Wittgenstein's gnomic sentences in the form of quotes wavering between brilliance and banality ('What one cannot speak of, thereof one must be silent').
- Hardcover
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
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US$ 124.53
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Hardcover. Condition: new. Hardcover. This volume makes an incisive contribution to the field of philosophy of culture, filling a gap between the relevant scholarship in cultural studies and philosophy.In outlining the potential of Wittgenstein's philosophy for the study and criticism of popular culture, it aims to establish his… work as an alternative or addition to existing approaches (Marxist, post-structuralist, etc.) in the field of popular culture theory. The essays outline the methodological framework of Wittgensteinian approaches to philosophy and conceptual analysis. Each essay demonstrates their merits by looking at particular examples such as analyses of popular films and TV series, detective fiction, comics, or shared practices of fandom. Thus, we encounter varieties of what it means to engage with approaches to criticism of pop in a Wittgensteinian way. This volume makes an incisive contribution to the field of philosophy of culture in outlining the potential of Wittgenstein's philosophy for the study of popular culture, focusing on concrete examples: from detective fiction and comics, to TV series and football fandom. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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US$ 23.74
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Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering.
- Hardcover
Seller: Rarewaves USA, HEBRON, KY, U.S.A.Rarewaves USA
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US$ 133.41
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Hardback. Condition: New. A Wittgensteinian approach to the multi-disciplinary and pluralistic study of popular culture.This collected volume makes an incisive contribution to the field of philosophy of culture, filling a gap between the relevant scholarship in cultural studies and philosophy. It focuses on Wittgenstein as a phi…losopher deeply concerned with culture, and aims to establish his work as an alternative to existing (Marxist, post-structuralist, etc.) approaches to the study and criticism of popular culture. In a series of essays, this volume showcases the great - and largely overlooked - potential of Wittgenstein's philosophical method for cultural studies: Here, we find a particularist methodology for studying popular culture that 'clarifies' standards of measurement in discussing such issues as the 'quality' of art. Through conceptual clarification, we can gain a properly pluralistic understanding of normative dimensions in culture without collapsing into either relativism or generalised constructivism. In avoiding what Wittgenstein characterises as 'void and unfair' generalisations, his philosophy seems very well suited to the study of popular mass art, mass media and popular subcultures.The essays outline the methodological framework of Wittgensteinian approaches to philosophy and conceptual analysis. Each essay demonstrates their merits by looking at particular examples such as analyses of popular films and TV series, detective fiction, comics, or shared practices of fandom, and by engaging with and analysing approaches to criticism of pop in a Wittgensteinian way (e.g., following up on work by the Frankfurt school, Roger Scruton).Section 1 ('Wittgenstein on culture and the popular') lays the conceptual groundwork in highlighting the pluralistic ways in which Wittgenstein conceives 'culture'. Section 2 ('Wittgenstein and popular culture') focusses on how Wittgensteinian methods of analysis and criticism enhance our understanding of popular culture either by offering an application of Wittgensteinian thinking to concrete examples out of a wide range of possible materials or by confronting Wittgenstein with another theoretical approach to the field of popular culture. The essays in section 3 ('Wittgenstein in popular culture') will showcase, then, the different ways in which Wittgenstein and his work have themselves become points of reference in popular culture, including (but not limited to) the iconicity of the philosophical genius writing his masterpiece in the trenches of the First World War, the appropriation of isolated concepts outside their philosophical context ('family resemblance') or the uses of Wittgenstein's gnomic sentences in the form of quotes wavering between brilliance and banality ('What one cannot speak of, thereof one must be silent').
- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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US$ 120.79
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Condition: New. In.
- Hardcover
Seller: THE SAINT BOOKSTORE, Southport, United KingdomTHE SAINT BOOKSTORE
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US$ 127.83
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Hardback. Condition: New. New copy - Usually dispatched within 4 working days.
- Hardcover
Seller: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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US$ 140.30
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Hardback. Condition: New. A Wittgensteinian approach to the multi-disciplinary and pluralistic study of popular culture.This collected volume makes an incisive contribution to the field of philosophy of culture, filling a gap between the relevant scholarship in cultural studies and philosophy. It focuses on Wittgenstein as a phi…losopher deeply concerned with culture, and aims to establish his work as an alternative to existing (Marxist, post-structuralist, etc.) approaches to the study and criticism of popular culture. In a series of essays, this volume showcases the great - and largely overlooked - potential of Wittgenstein's philosophical method for cultural studies: Here, we find a particularist methodology for studying popular culture that 'clarifies' standards of measurement in discussing such issues as the 'quality' of art. Through conceptual clarification, we can gain a properly pluralistic understanding of normative dimensions in culture without collapsing into either relativism or generalised constructivism. In avoiding what Wittgenstein characterises as 'void and unfair' generalisations, his philosophy seems very well suited to the study of popular mass art, mass media and popular subcultures.The essays outline the methodological framework of Wittgensteinian approaches to philosophy and conceptual analysis. Each essay demonstrates their merits by looking at particular examples such as analyses of popular films and TV series, detective fiction, comics, or shared practices of fandom, and by engaging with and analysing approaches to criticism of pop in a Wittgensteinian way (e.g., following up on work by the Frankfurt school, Roger Scruton).Section 1 ('Wittgenstein on culture and the popular') lays the conceptual groundwork in highlighting the pluralistic ways in which Wittgenstein conceives 'culture'. Section 2 ('Wittgenstein and popular culture') focusses on how Wittgensteinian methods of analysis and criticism enhance our understanding of popular culture either by offering an application of Wittgensteinian thinking to concrete examples out of a wide range of possible materials or by confronting Wittgenstein with another theoretical approach to the field of popular culture. The essays in section 3 ('Wittgenstein in popular culture') will showcase, then, the different ways in which Wittgenstein and his work have themselves become points of reference in popular culture, including (but not limited to) the iconicity of the philosophical genius writing his masterpiece in the trenches of the First World War, the appropriation of isolated concepts outside their philosophical context ('family resemblance') or the uses of Wittgenstein's gnomic sentences in the form of quotes wavering between brilliance and banality ('What one cannot speak of, thereof one must be silent').
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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US$ 187.63
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Hardcover. Condition: Brand New. 250 pages. 9.02x6.00x1.00 inches. In Stock.
- Hardcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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US$ 125.33
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Hardback. Condition: New. A Wittgensteinian approach to the multi-disciplinary and pluralistic study of popular culture.This collected volume makes an incisive contribution to the field of philosophy of culture, filling a gap between the relevant scholarship in cultural studies and philosophy. It focuses on Wittgenstein as a phi…losopher deeply concerned with culture, and aims to establish his work as an alternative to existing (Marxist, post-structuralist, etc.) approaches to the study and criticism of popular culture. In a series of essays, this volume showcases the great - and largely overlooked - potential of Wittgenstein's philosophical method for cultural studies: Here, we find a particularist methodology for studying popular culture that 'clarifies' standards of measurement in discussing such issues as the 'quality' of art. Through conceptual clarification, we can gain a properly pluralistic understanding of normative dimensions in culture without collapsing into either relativism or generalised constructivism. In avoiding what Wittgenstein characterises as 'void and unfair' generalisations, his philosophy seems very well suited to the study of popular mass art, mass media and popular subcultures.The essays outline the methodological framework of Wittgensteinian approaches to philosophy and conceptual analysis. Each essay demonstrates their merits by looking at particular examples such as analyses of popular films and TV series, detective fiction, comics, or shared practices of fandom, and by engaging with and analysing approaches to criticism of pop in a Wittgensteinian way (e.g., following up on work by the Frankfurt school, Roger Scruton).Section 1 ('Wittgenstein on culture and the popular') lays the conceptual groundwork in highlighting the pluralistic ways in which Wittgenstein conceives 'culture'. Section 2 ('Wittgenstein and popular culture') focusses on how Wittgensteinian methods of analysis and criticism enhance our understanding of popular culture either by offering an application of Wittgensteinian thinking to concrete examples out of a wide range of possible materials or by confronting Wittgenstein with another theoretical approach to the field of popular culture. The essays in section 3 ('Wittgenstein in popular culture') will showcase, then, the different ways in which Wittgenstein and his work have themselves become points of reference in popular culture, including (but not limited to) the iconicity of the philosophical genius writing his masterpiece in the trenches of the First World War, the appropriation of isolated concepts outside their philosophical context ('family resemblance') or the uses of Wittgenstein's gnomic sentences in the form of quotes wavering between brilliance and banality ('What one cannot speak of, thereof one must be silent').
- Hardcover
Seller: Books Puddle, New York, NY, U.S.A.Books Puddle
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US$ 261.85
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Condition: New.
- Hardcover
Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH
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US$ 34.59
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Buch. Condition: Neu. Neuware - Untersuchungen kulturwissenschaftlicher Aspekte der Kalendertexte des »Rheinländischen Hausfreunds« zum 200. Todestag von Johann Peter Hebel (1770-1826).Mit den Kalendertexten des »Rheinländischen Hausfreunds« avancierte Johann Peter Hebel (1760-1826) zum »populären Klassiker« (R. Minder), dessen…Texte sich einer bis heute ungebrochenen Beliebtheit erfreuen.Die Autor\*innen des Bandes zeigen in exemplarischen Lektüren die vielfältigen Anschlussmöglichkeiten von Hebels kalendarischen Texten an aktuelle kulturwissenschaftliche Phänomene und Debatten auf. Dazu zählen etwa Zirkulationsweisen kleiner Formen, journalistische Publikationsformate und serielle Schreibweisen, Konzepte des Populären und Praktiken der Popularisierung von Wissen oder Phänomene des medienkulturhistorischen Wandels im Verständnis von Zeit und Gegenwart. Die Vielseitigkeit von Hebels kalendarischem Schreiben wird durch die Vielfalt der medienkulturwissenschaftlichen Forschungsperspektiven gespiegelt. An Hebels 200. Todestag zeigt sich so erneut die andauernde Lebendigkeit seiner Texte.
Seller: Celler Versandantiquariat, Eicklingen, GermanyCeller Versandantiquariat
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Condition: Used
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Add to basketHerder, Freiburg, 1967.Kosmologische Vorstellungen in Dokumenten aus zwei Jahrhunderten,271 S.,10 Abb.,Ln.U.--- 750 Gramm.
- Softcover
Seller: Rarewaves USA United, HEBRON, KY, U.S.A.Rarewaves USA United
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US$ 32.78
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Paperback. Condition: New.
- Hardcover
Seller: moluna, Greven, Germanymoluna
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US$ 31.02
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Condition: New.
- Hardcover
Seller: moluna, Greven, Germanymoluna
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US$ 34.59
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Condition: New.
