Strobl Gerwin (61 results)

Paperback or Softback. Condition: New. The Germanic Isle: Nazi Perceptions of Britain. Book.

Hardcover. Condition: Good. No Jacket. 1995 hardcover published without jacket/ex-library with usual markings/clean & unmarked text.

Condition: New.

Hardcover. Condition: Very Good. 1st Edition. Unread.

Condition: New.

Condition: New. An account of Nazi preoccupation with Britain as a role model, even during the war. Num Pages: 288 pages, 36 b/w illus. BIC Classification: 1DBK; 1DFG; 3JJG; 3JJH; HBJD; HBLW; JPS. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 16. Weight in Grams: 430. . 2007. Illustrated. paperback. . . . . …

Zahlreiche Abbildungen. Einband leicht bestoßen und angestaubt, innen gut. (Kunst). Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Paperback. Condition: Good. This book explains Hitler's view of Britain as both Nordic ally and role model. Gerwin Strobl shows that there was a surprising level of affection for Britain and British culture among ordinary Germans, from the discourses of the 1920s to the vigorous anti-British propaganda of the war years. Despite Hitler's tactical duplicity at Munich, there is overwhelming evidence that one of the Nazis' fundamental objectives was to forge an alliance with Britain and to emulate the 'ruthlessness' of the British Empire in dealing with eastern Europe. For the German public, admiration of Britain and enjoyment of its culture were enduring factors, even during Goebbels' frequent attacks; but both the Reich.…

Condition: New. Explores the origins of Nazi theatre and the role of theatre in German national life. Series: Cambridge Studies in Modern Theatre. Num Pages: 356 pages, 18 tones. BIC Classification: 1DFG; 3JJH; AN; JPFQ. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 154 x 229 x 27. Weight in Grams: 554. . 2009. 1st Edition. paperback. . . . . …

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 341 pages. Spine of dust jacket slightly torn.

Condition: New. An account of Nazi preoccupation with Britain as a role model, even during the war. Num Pages: 288 pages, 36 b/w illus. BIC Classification: 1DBK; 1DFG; 3JJG; 3JJH; HBJD; HBLW; JPS. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 16. Weight in Grams: 430. . 2007. Illustrated. paperback. . . . . Books ship from the US and Ireland. …

Condition: New. Explores the origins of Nazi theatre and the role of theatre in German national life. Series: Cambridge Studies in Modern Theatre. Num Pages: 356 pages, 18 tones. BIC Classification: 1DFG; 3JJH; AN; JPFQ. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 154 x 229 x 27. Weight in Grams: 554. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland. …

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Brand New. 1st edition. 353 pages. 8.75x6.00x0.75 inches. In Stock.

Condition: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

hardcover. Condition: Acceptable. Connecting readers with great books since 1972. Used textbooks may not include companion materials such as access codes, etc. May have condition issues including wear and notes/highlighting. We ship orders daily and Customer Service is our top priority.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Based on extensive archival research, this is a comprehensive study of theatre in the Third Reich. It explores the contending pressures and ambitions within the regime and the Nazi party, within the German theatre profession itself and the theatre-going public. Together, these shaped theatrical practice in the Nazi years. By tracing the origins of the Nazi stage back to the right-wing theatre reform movement of the late nineteenth century, Strobl suggests that theatre was widely regarded as a central pillar of German national identity. The role played by the stage in the evolving collective German identity after 1933 is examined through chapters on theatre and Nazi racial policy, anti-religious campaigns and the uses of history. The book traces the evolving fortunes of theatre in the Third Reich, to the years of 'total war', and the resulting physical destruction of most German playhouses.…

Condition: Very Good.

Condition: New.

gebundene Ausgabe. Condition: Sehr gut. 8°, X, 274 Seiten mit einigen Abbildungen, OPbd. mit illustr. Originalumschlag - sehr guter Zustand - 2000. MA6750 ISBN: 0521782651 Sprache: Englisch Gewicht in Gramm: 640.

Condition: New.

Condition: New. Explores the origins of Nazi theatre and the role of theatre in German national life. Series: Cambridge Studies in Modern Theatre. Num Pages: 354 pages, 18 tones. BIC Classification: 1DFG; 3JJH; AN. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 24. Weight in Grams: 690. . 2007. 1st Edition. hardcover. . . . . …

Paperback. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: New. pp. x + 274 Index.

Hardcover. Condition: Brand New. 274 pages. 9.00x6.00x0.75 inches. In Stock.

Hardback. Condition: New. Based on extensive archival research, this is a comprehensive study of theatre in the Third Reich. It explores the contending pressures and ambitions within the regime and the Nazi party, within the German theatre profession itself and the theatre-going public. Together, these shaped theatrical practice in the Nazi years. By tracing the origins of the Nazi stage back to the right-wing theatre reform movement of the late nineteenth century, Strobl suggests that theatre was widely regarded as a central pillar of German national identity. The role played by the stage in the evolving collective German identity after 1933 is examined through chapters on theatre and Nazi racial policy, anti-religious campaigns and the uses of history. The book traces the evolving fortunes of theatre in the Third Reich, to the years of 'total war', and the resulting physical destruction of most German playhouses. …

Condition: New. Explores the origins of Nazi theatre and the role of theatre in German national life. Series: Cambridge Studies in Modern Theatre. Num Pages: 354 pages, 18 tones. BIC Classification: 1DFG; 3JJH; AN. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 24. Weight in Grams: 690. . 2007. 1st Edition. hardcover. . . . . Books ship from the US and Ireland. …

Condition: New. pp. 354.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book explains Hitler's view of Britain as both Nordic ally and role model. Gerwin Strobl shows that there was a surprising level of affection for Britain and British culture among ordinary Germans, from the discourses of the 1920s to the vigorous anti-British propaganda of the war years. Despite Hitler's tactical duplicity at Munich, there is overwhelming evidence that one of the Nazis' fundamental objectives was to forge an alliance with Britain and to emulate the 'ruthlessness' of the British Empire in dealing with eastern Europe. For the German public, admiration of Britain and enjoyment of its culture were enduring factors, even during Goebbels' frequent attacks; but both the Reich leadership and ordinary Germans otherwise lacked first-hand knowledge of Britain, while independent sources were suppressed. The book includes a number of unusual and striking illustrations, most of which will be unfamiliar to modern readers.…