Stuart Krimko (38 results)

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Very Good+. Paperback. Binding sound, text clean, very light shelfwear. 184 pages. Illustrated. Heavy book: priority or international shipping may require additional charges. Book.

Softcover. Condition: Fine. Plates unmarked & perfectbound in paper wraps. Monographs & Retrospectives; 8vo - over 7¾" - 9¾" tall.

Hardcover. Condition: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condition: Fine. 160 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Book still in original publisher shrink wrap. No remainder mark.

First Edition. First edition. Oblong softcover. 95 pages. Exhibition catalog for a show that ran June 5 through October 2, 2005. Text in English and German with essays by Jonathan Miller and Stuart Krimko. Includes numerous illustrations. A fine copy in wrappers. As new and still in the publisher's shrinkwrap.…

Softcover, 184 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condition: Very Fine. 2008. Nice Firm Clean copy ! Unmarked. Book is a PAPERBACK. 180 pages. 0263.

Condition: as new. Appears unread. May have a retail sticker on back cover or remainder mark on the text block.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Jennifer Guidi s sand paintings mix oil paint with sand to create surfaces of color and texture. Evolving from her earlier figurative works, these abstract sand paintings evoke the traditions of landscape and naturalist painting. Accomplished by applying a thick layer of sand to the painted ground and then making precise marks while the sand is still wet, the paintings luminous qualities and their textured relief register and generate minute shifts in perception, creating their own sense of ambient light. These physical and tactile emanations are based on her observations of light in Los Angeles, where she lives and works, and where hazy skies caused by the atmospheric conditions of the West Coast, as well as the city s man-made pollution, make for extra-brilliant sunsets. The fourteen paintings in the exhibition also include Guidi s first triangular-shaped canvases, in a spectrum of colors, placing the organic accumulations of paint and sand within a sharp geometry. Catalog of an exhibition at Gagosian, Hong Kong, from March 26-May 12, 2018 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. Jennifer Guidi s sand paintings mix oil paint with sand to create surfaces of color and texture. Evolving from her earlier figurative works, these abstract sand paintings evoke the traditions of landscape and naturalist painting. Accomplished by applying a thick layer of sand to the painted ground and then making precise marks while the sand is still wet, the paintings luminous qualities and their textured relief register and generate minute shifts in perception, creating their own sense of ambient light. These physical and tactile emanations are based on her observations of light in Los Angeles, where she lives and works, and where hazy skies caused by the atmospheric conditions of the West Coast, as well as the city s man-made pollution, make for extra-brilliant sunsets. The fourteen paintings in the exhibition also include Guidi s first triangular-shaped canvases, in a spectrum of colors, placing the organic accumulations of paint and sand within a sharp geometry.…

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New. 2019. Paperback. . . . . .

Paperback. Condition: Brand New. 72 pages. 10.25x8.75x0.25 inches. In Stock.

Condition: New.

Hardcover. A white casebound book. The title is in black lettering down the spine. Pages: (8), 9-301, (2). Profusely illustrated with a majority black-and-white images. "From 1969 until 2009, Max Protetch's gallery, first in Washington, DC, and then later in New York City was a vibrant gathering place for art, architecture, politics and ideas. Richly illustrated with previously unpublished materials from the gallery's archive, this volume provides insight into the early careers of some of contemporary art's most enduring figures. Protetch was an advocate for Minimalism and Conceptual and Pop art in the 1970s; architecture in the late '70s and 1980s; and beginning in the 1990s, a broad range of contemporary art, including from China. Protetch advocated for artists such as Vito Acconci, Jo Baer, Robert Barry, Donald Judd, Dan Flavin, On Kawara, Robert Mangold, Sol LeWitt, Dan Graham and Lawrence Weiner; and architects such as Michael Graves, Tadao Ando, Peter Eisenmann, Frank Gehry, Zaha Hadid, Rem Koolhaas, Daniel Libeskind, Samuel Mockbee, Aldo Rossi and Robert Venturi." Contents are as follows: Introduction -- Chronology / text by Irene Hofmann; with recollections by Max Protectch -- Exhibition history -- Max Protectch : on the cutting edge / James Wines -- If these walls could talk / Fred Bernstein -- Politics, social justice, and Max Protectch Gallery / Irene Hofmann -- The timelessness of timeliness / Stuart Krimko -- Max Protetch Gallery staff. VG: Exlibrary book. Sticker at the base of the spine. Thee stickers on back end page.…

Condition: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: New. No Jacket. 1st Edition. First edition 2007, first printing, no previous printings listed. Published in conjunction with the exhibition by JRP | Ringier / Gurgur Editions. Trade softcover in stiff wraps without DJ as issued. Condition new, square, tight and crisp book, no edgewear, corners not bumped, spine not creased, no names, no underlinings, no highlights, no bent page corners, not a reminder. 8vo, 184 pages, illustrated throughout.…

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 17 x 23 cm, Hardcover, 184 pages, 72 color & 58 b/w illustrations - This first monograph presenting an exhaustive selection of the artwork of Tobias Putrih illuminates the thought and methodology of the artist.

Condition: New.

Paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 320 pages. 10.00x10.75x1.46 inches. In Stock.