Stull Henry (15 results)

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Unbound. Condition: Very Good. Henry Stull (illustrator). 1st. full page w/3 engravings: St. Lawrence River, Canada; 1.General view of the Great ice-pack; 2. Cutting Out a steamer; & 3. Sinking of the Western Belle .Nice, and suitable for framing Size: 11'' x 15.5".

Unbound. Condition: Very Good. Henry Stull (illustrator). 1st. full page w/12 engravings: 1. Yearlings at Play; 2. The old Homestead; 3 Bring Up By Hand; 4. On the Sick List; 5. Halter-Breaking a Youngster; 6. Enquirer; 7. "Bob" Major-domo; 8. Imported Great Tom; 8. Bonnie Scotland's grave; 9. Trainig colts for Transport; 10. Gen. H.G. Hardiong; 11. The yearling Stable; 12. Group of celebrated Stud Matrons .Nice, and suitable for framing [marginal repair at top right] Size: 11'' x 15.5".

Condition: Used.

Condition: Used.

Condition: Used.

Disbound. Condition: Very Good. Thomas Nast - Henry Stull - Frank Hall - (illustrator). First Edition - Original Issue. This is an Original, complete issue of 20 pages (includes Supplement) dated June 21, 1879 -- Vol. 23, No. 1173 -- Profusely illustrated with wood cut engravings -- Light moisture stain around edges, otherwise very nice condition -- The Front Cover has a full page engraving by Thomas Nast titled " 'The Old National Spirit' Is Gone (For The Present). 100,000 Went Up The Hill, And The Hero Of 100,000 Battles (Or Bottles) Called Them Down Again" -- Page 484 has a full page engraving titled "The New Iron Pier At Long Branch, Now In Process Of Construction" -- Page 485 has an article on Leadville, Colorado, near the sight of the first discovery of carbonate ores in 1876, which contained large amounts of lead and small amounts of silver. The article is accompanied by three engravings, titled as follows: "View In Chestnut Street", "Interior Of Shaft House", and "View In Harrison Avenue" -- Pages 488 & 489 have a double page centerfold, which has several engravings by various artists titled "The Paris Salon--Some American Contributions To The Exhibition" -- Page 492 has a full page engraving by Henry Stull titled "At Jerome Park" (horse racing) -- Page 493 has a full page engraving by Thomas Nast titled "The David Davis Boom. The 'Independent' Senator, By Sitting On The Party-Line Fence So Long, Has Completely Obliterated It." -- Pages 498 & 499 have a double page engraving by Frank Hall titled "Discipline And Dissipation" -- Many articles related to these engravings and other events occurring at the time, as well as very interesting advertising -- We store and ship each Harper's Weekly issue in a large zip lock plastic sleeve with a board insert for stiffness. They are shipped flat and never folded or rolled up.

Colour-printed lithograph mounted on card as issued. Engraved by Armstrong and Company after Stull. Very good condition. A charming image from "American Racing Horses," a collection of prints depicting some of the most eminent race horses in America during the late 19th century. Primarily renowned for his distinctive images of racehorses, Henry Stull was one of the most prominent equestrian artists in late 19th- and early 20th-century America. As a youth, he migrated from his native Canada to the United States, where he settled in New Rochelle, New York. In addition to his paintings of horses and animals, many of which were issued as lithographs, Stull produced numerous illustrations for Leslie's Weekly Magazine. His works can be found in many important collections such as the New York Jockey Club, the National Museum of Racing Hall Fame, and the Kentucky Derby Museum. Cf. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, vol. 13, p. 332.

Colour-printed lithograph mounted on card as issued. Engraved by Armstrong and Company after Stull. Very good condition apart from a skillfully repaired 1 1/4" tear in the top right margin. A charming image from "American Racing Horses," a collection of prints depicting some of the most eminent race horses in America during the late 19th century. Primarily renowned for his distinctive images of racehorses, Henry Stull was one of the most prominent equestrian artists in late 19th- and early 20th-century America. As a youth, he migrated from his native Canada to the United States, where he settled in New Rochelle, New York. In addition to his paintings of horses and animals, many of which were issued as lithographs, Stull produced numerous illustrations for Leslie's Weekly Magazine. His works can be found in many important collections such as the New York Jockey Club, the National Museum of Racing Hall Fame, and the Kentucky Derby Museum. Cf. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, vol. 13, p. 332.

Unbound. Stull, Henry (illustrator). Reprint (1st pub. 1881-1882). High-quality full-size color reproduction from The Celebrated Horses of America. On textured stock, mounted on board in shrinkwrap. Overall ca. 24 x 20 inches, image ca. 15 x 11 inches. Reflections in the photo. The Celebrated Horses of America was a lavish collection of chromolithographed portraits of 24 running and trotting horses, "from paintings by the best artists." Original prints from it are very scarce. Maud S., "Queen of the Turf," consistently broke her own world records and was a coast-to-coast celebrity during her years of trotting exhibitions against time. Shipping/handling will be extra. Please keep this in mind when ordering. Very good (slight rubbed spots here and there; mount is chipped and edgeworn).

Unbound. Stull, Henry (illustrator). Reprint (1st pub. 1881-1882). High-quality full-size color reproduction from The Celebrated Horses of America. On textured stock, mounted on board in shrinkwrap. Overall ca. 24 x 20 inches, image ca. 15 x 11 inches. The Celebrated Horses of America was a lavish collection of chromolithographed portraits of 24 running and trotting horses, "from paintings by the best artists." Original prints from it are very scarce. Unraced Harold 413 sired Maud S. and later became one of the most successful Standardbred broodmare sires ever. Stull (1851-1913) was the leading 19th-century American painter of Thoroughbreds and Standardbreds. Shipping/handling will be extra; please keep this in mind when ordering. Very good (slight rubbed spots here and there; mount is chipped and edgeworn).

Unbound. Stull, Henry (illustrator). Reprint (1st pub. 1881-1882). High-quality full-size color reproduction from The Celebrated Horses of America. On textured stock, mounted on board in shrinkwrap. Overall ca. 24 x 20 inches, image ca. 15 x 11 inches. The Celebrated Horses of America was a lavish collection of chromolithographed portraits of 24 running and trotting horses, "from paintings by the best artists." Original prints from it are very scarce. Messenger Duroc 106, a son of Hambletonian, headed Stony Ford Stud for over 20 years. If he was as ugly as John Hervey once described him, this is a flattering portrait. Shipping/handling will be extra; please keep this in mind when ordering. Very good (slight rubbed spots here and there; mount is chipped and edgeworn).

Unbound. Stull, Henry (illustrator). Reprint (1st pub. 1881-1882). High-quality full-size color reproduction from The Celebrated Horses of America. On textured stock, mounted on board in shrinkwrap. Overall ca. 24 x 20 inches, image ca. 15 x 11 inches. The Celebrated Horses of America was a lavish collection of chromolithographed portraits of 24 running and trotting horses, "from paintings by the best artists." Original prints from it are very scarce. The Strathmore - Santa Claus male line produced Lou Dillon, the first 2-minute trotter. Shipping/handling will be extra; please keep this in mind when ordering. Very good (slight rubbed spots here and there; mount is chipped and edgeworn).

Photogravure, coloured by hand, by Goupil & Co., after Stull. A fine hand-coloured portrait of a filly whose prize money totalled $112,471 between 1886 and 1891. She won 47 of her 82 starts during this period. "Firenze was a small filly bred by Dan Swigert in 1884. She was sired by Glenelg out of the mare Florida, by Virgil. James Ben Ali Haggin purchased Firenze for $2,600. Small in stature, she grew to only 15 hands, but her racing presence was large. At 3 Firenze won all the major stakes for fillies and at 4, 5, and 6 she was named Champion Handicap Female. As champion filly or mare for four consecutive years, Firenze raced against colts 69 times and beat them regularly over all distances. She beat the mighty Hanover at 1 1/4, 1 1/2, and 1 3/4 miles; beat Kingston twice, and gave The Bard his only defeat of 1888. Rider, trainer, racing official, and Hall of Fame member James McLaughlin knew such great fillies as Miss Woodford, Imp, Beldame, Artful, Pan Zareta, and Regret, but claimed that Firenze was the best of all." (National Museum of Racing and Hall of Fame).