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Published by Manchester University Press, 2018
ISBN 10: 152610640X ISBN 13: 9781526106407
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Published by Manchester University Press, 2018
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Language: English
Published by Manchester University Press, 2018
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Published by Manchester University Press, 2018
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Language: English
Published by Manchester University Press, GB, 2018
ISBN 10: 152610640X ISBN 13: 9781526106407
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Hardback. Condition: New. This book takes on a key problem in the history of drama: the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the female performer to centre stage. It integrates new approaches to drama, gender and patronage with a performance methodology to explore how the women of fifteenth-century Metz enacted varied kinds of performance that extended beyond the theatre. For example, decades before the 1468 play, Joan of Arc returned from the grave in the form of an impersonator named Claude. Offering a new paradigm of female performance that positions women at the core of public culture, Performing women is essential reading for scholars of pre-modern women and drama, and is also relevant to lecturers and students of late-medieval performance, religion and memory.
Language: English
Published by Manchester University Press, 2018
ISBN 10: 152610640X ISBN 13: 9781526106407
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Published by Manchester University Press, Manchester, 2018
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Hardcover. Condition: new. Hardcover. This book takes on a key problem in the history of drama: the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the female performer to centre stage. It integrates new approaches to drama, gender and patronage with a performance methodology to explore how the women of fifteenth-century Metz enacted varied kinds of performance that extended beyond the theatre. For example, decades before the 1468 play, Joan of Arc returned from the grave in the form of an impersonator named Claude. Offering a new paradigm of female performance that positions women at the core of public culture, Performing women is essential reading for scholars of pre-modern women and drama, and is also relevant to lecturers and students of late-medieval performance, religion and memory. -- . This study investigates the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Integrating new approaches to drama, gender and patronage, it offers an original paradigm of female performance that positions women at the core of public culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Language: English
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ISBN 10: 152610640X ISBN 13: 9781526106407
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Published by Manchester University Press 2018-09-03, 2018
ISBN 10: 152610640X ISBN 13: 9781526106407
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Add to basketHardcover. Condition: Brand New. 263 pages. 8.50x5.50x1.00 inches. In Stock.
Language: English
Published by Manchester University Press, 2018
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Language: English
Published by Manchester University Press, GB, 2018
ISBN 10: 152610640X ISBN 13: 9781526106407
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Hardback. Condition: New. This book takes on a key problem in the history of drama: the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the female performer to centre stage. It integrates new approaches to drama, gender and patronage with a performance methodology to explore how the women of fifteenth-century Metz enacted varied kinds of performance that extended beyond the theatre. For example, decades before the 1468 play, Joan of Arc returned from the grave in the form of an impersonator named Claude. Offering a new paradigm of female performance that positions women at the core of public culture, Performing women is essential reading for scholars of pre-modern women and drama, and is also relevant to lecturers and students of late-medieval performance, religion and memory.
Condition: New. This study investigates the exceptional staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Integrating new approaches to drama, gender and patronage, it offers an original paradigm of female performance that posi.
Language: English
Published by Manchester University Press, GB, 2018
ISBN 10: 152610640X ISBN 13: 9781526106407
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Add to basketHardback. Condition: New. This book takes on a key problem in the history of drama: the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the female performer to centre stage. It integrates new approaches to drama, gender and patronage with a performance methodology to explore how the women of fifteenth-century Metz enacted varied kinds of performance that extended beyond the theatre. For example, decades before the 1468 play, Joan of Arc returned from the grave in the form of an impersonator named Claude. Offering a new paradigm of female performance that positions women at the core of public culture, Performing women is essential reading for scholars of pre-modern women and drama, and is also relevant to lecturers and students of late-medieval performance, religion and memory.
Language: English
Published by Manchester University Press, GB, 2018
ISBN 10: 152610640X ISBN 13: 9781526106407
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Hardback. Condition: New. This book takes on a key problem in the history of drama: the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the female performer to centre stage. It integrates new approaches to drama, gender and patronage with a performance methodology to explore how the women of fifteenth-century Metz enacted varied kinds of performance that extended beyond the theatre. For example, decades before the 1468 play, Joan of Arc returned from the grave in the form of an impersonator named Claude. Offering a new paradigm of female performance that positions women at the core of public culture, Performing women is essential reading for scholars of pre-modern women and drama, and is also relevant to lecturers and students of late-medieval performance, religion and memory.
Language: English
Published by Manchester University Press Sep 2018, 2018
ISBN 10: 152610640X ISBN 13: 9781526106407
Seller: AHA-BUCH GmbH, Einbeck, Germany
Buch. Condition: Neu. Neuware - This book takes on a key problem in the history of drama: the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the female performer to centre stage. It integrates new approaches to drama, gender and patronage with a performance methodology to explore how the women of fifteenth-century Metz enacted varied kinds of performance that extended beyond the theatre. For example, decades before the 1468 play, Joan of Arc returned from the grave in the form of an impersonator named Claude. Offering a new paradigm of female performance that positions women at the core of public culture, Performing women is essential reading for scholars of pre-modern women and drama, and is also relevant to lecturers and students of late-medieval performance, religion and memory.
Language: English
Published by Manchester University Press, Manchester, 2018
ISBN 10: 152610640X ISBN 13: 9781526106407
Seller: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condition: new. Hardcover. This book takes on a key problem in the history of drama: the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the female performer to centre stage. It integrates new approaches to drama, gender and patronage with a performance methodology to explore how the women of fifteenth-century Metz enacted varied kinds of performance that extended beyond the theatre. For example, decades before the 1468 play, Joan of Arc returned from the grave in the form of an impersonator named Claude. Offering a new paradigm of female performance that positions women at the core of public culture, Performing women is essential reading for scholars of pre-modern women and drama, and is also relevant to lecturers and students of late-medieval performance, religion and memory. -- . This study investigates the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Integrating new approaches to drama, gender and patronage, it offers an original paradigm of female performance that positions women at the core of public culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Published by [New York] : [Picador?], [1999]., 1999
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Manuscript / Paper Collectible
Condition: Good. 4 x 6 inches. Very Good. Printed both sides. Extremely Scarce.Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.