Sutherland Peter a a (33 results)

Condition: Good. Used book that is in clean, average condition without any missing pages.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Very Good. 1st Edition. PAGES CLEAN AND UNMARKED.

Hardcover. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less 1.

Condition: Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.

Condition: Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Hardcover. Condition: As New. Hardcover with slipcase. The book is absolutely spotless and undamaged. No signs of wear. The slipcase has a few minor marks and scratches. Book and slipcase will be bubble-wrapped and carefully packed in a sturdy box to ensure safe transit.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condition: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Paperback. Condition: Used; Very Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Hard Cover. Condition: Very Good. No Jacket. Edges a bit rubbed. 1926 Hard Cover. 412 pp. Black boards, gilt titles and rules, blind-stamped RHS insignia on front board. Several plates, including engravings and reproductions of photographs. Includes articles on Charles Williamson, French loans during our Revolutionary War, the history of the Italians in Rochester from 1876 to 1926, etc.

Soft cover. Condition: Very Good. 44 pages. Ross McKibbin "Will Labour get the message?" / Ian Gilmour "Mummified Thatcherism" / \David Sylvester "Memories of a Pet Lamb" / Patrick Collinson "Under the Molehill: An Elizabethan Spy Story" / Jorie Graham - poems / Peter Campbell at the National Gallery / John Sutherland "Book Business: Publishing Past, Present and Future".

paperback. Condition: Very Good. Paperback--cover slight wear--otherwise, excellent condition.

Card Wrappers. Condition: Very Good. First Edition. 71pp. Covers a little handled. Book.

Soft cover. Condition: Very Good. 88 pages. The World's Loneliest Island - Arthur Scholes on Heard Island, Antarctica; All Aboard for Adventure (part II) - Five young Americans set out in a sailboat for tropic seas; The Indians of Guatemala - colourful glimpses; Mountain Rescue - A Night Adventure on Bedean nam Bian, the loftiest mountain in Argyllshire, Scotland; The Warning - a tale of premonition; The Mysterious Stranger - a tale from the wilds of Tibet; Poll Chunk's Son - A Drama of Real-Life in the mountains of Kentucky; Noosing Wild Buffalo in Ceylon; The Hidden Pass - A strange story of the early days of Canadian railway development and the "Ice-Man of Revelstoke"; Land Without Women - the holy community of Mount Athos and its monestary of Simonpetra; A Riddle of the Bush - an Australian story; The Robin Hood of Sicily; In the Shadow of Ju-Ju - remarkable cases from West Africa; Pirate Treasure - Pirates were not unknown in Newfoundland at the time of the American War of Independence; Quack Doctors in Burma. Illustrated in black and white. (SL#253).

Paperback. Condition: New.

Paperback. Condition: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks.

Heft/Zeitschrift. Condition: leichte Gebrauchsspuren. 1000 copies. READY TO SEND! Very good condition - like new - international shipping In deutscher Sprache. n. pag. (arr. 50 p.) 235 x 165 mm.

Condition: New. In.

Condition: New.

Paperback. Condition: New.

Condition: New.

Paperback. Condition: Brand New. 1st edition. 216 pages. 8.50x6.00x0.50 inches. In Stock.

Paperback. Condition: Like New. Like New. book.

Hardback. Condition: New.

Soft cover. Condition: New. 30 pages : illustrations (some colour) ; 21 cm. Catalogue of an exhibition held at the Redfern Gallery, London, 15 February - 23 March 1989. Includes : Patrick Procktor RA, Paul Feiler, Keith Vaughan, Francis Davison, Adrian Heath, Stanley William Hayter, Christopher Wood, Sir Terry Frost RA, Merlyn Evans, Alan Reynolds ,Ivon Hitchens, Prunella Clough, Graham Sutherland, Arthur Lett-Haines, Peter Lanyon, Sir Cedric Morris, Michael Ayrton, Ben Nicholson, John Minton page.

Hard Cover. Condition: Good. No Jacket. Spines faded, boards a bit rubbed, volume four is a former library copy whose binding does not match other volumes (these were released in several different colors). 1931 Hard Cover. Complete in four volumes. viii, [2], 403, [1]; viii, [2], 431, [1]; vi, [2], 419, [1]; viii, [2], 483, [3] pp. 8vo. Essays and articles celebrating one hundred years of Rochester, New York, including contributions by various authors. The first three volumes include poems about Rochester, and the fourth the music for the Centennial Hymn composed for the occasion. Includes Volume 1: Beginnings, Volume 2: Home Builders, Volume 3: Expansion, and Volume 4: Jubilee.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.

4°, ca. 100 S., farb. Abb., 1 T-Shirt (schwarze Variante), Brosch. in Plastiktasche, Tadellos. EA. Ex. Nr. 705/1000. - Enth. Beiträge von/zu «Luke Barber-Smith, Hennie Haworth, Insert | VIA, Michael Perry, Insert | VIA, Metro, Peter Sutherland, Booklet | Leica, Nieves Pick, adicup ? New York, NY, Martine Barrat, Yamandu Roos, Cyprien Gaillard. Sound in Print | Mike Maxwell, Sound in Print | Keith Andrew Shore, 90078 | Artist Unknown. 90078 | Dave Bevan, Fama Instante» - «Arkitip?s beginnings were humble. While the magazine began with a 50 copy, hand stapled run in late 1999, those first copies look more sophisticated than most other ?zines? you might have considered in the same category. The covers were silk-screened on corrugated cardboard and the docutek used to replicate the black & white art in the magazine rivaled the performance of most offset printers. It had a great homemade feel that was bona fide quality. Excellence in production is still of primary importance to Arkitip today. Artists contributing to the magazine respect this, as they know their art will not be compromised in any way. Today, Arkitip is a hand numbered 4/color art book. The fact that the magazine publishes site specific work at a lower price point than what hangs on gallery walls makes it available to art collectors of all economic levels. Each issue is like an original piece of art in and of itself. The magazine?s founding principles remain as they were when we began:- Support the arts- Promote freedom of expression- Make art affordable and accessibleArkitip Magazine serves these principles every day by its very existence. What began as a creative project between friends has become a full fledged business and a worldwide source for groundbreaking art and design today.5 Things you might not know about Arkitip:Site specific artwork:Arkitip delivers original, site specific artwork in every issue. The assignment for the artists who contribute is to create something original to run in the magazine. Artists have the opportunity to design and layout the art they contribute as well. Making a contribution to Arkitip is like creating your own ?installation? that is then distributed around the world. It?s like a traveling exhibition that you can take home.We put it out there:Supporting freedom of expression has never been an easy thing, but the magazine has successfully published the art of many controversial artists. Some of these artists have contributed work that had never been published before (or since), because it was considered too controversial. Using the magazine as a medium, Arkitip provides artists with a platform for open expression. We believe this helps keep the true spirit of art alive.No compromise:Arkitip is a completely home grown, self-supporting operation. We have complete control over all aspects of the magazine?s content, design, manufacturing, marketing and distribution. This gives us the freedom to feature any type of art we think is relevant because no one is attempting to assert his or her influence. Maintaining autonomy is crucial to Arkitip, as it allows us to create a completely unique and distinctive product.No art snobs:Arkitip accepts artwork from professionals and amateurs, so you don?t have to have an MFA to contribute. The only requirement is that we like the project. Our taste is not the same as the mainstream art establishment, so anyone is eligible. We have literally hundreds of submissions each month so not everyone makes the cut but if you think you have an original project, we?d love to hear about it. The magazine strikes a balance between unknown artists and well-known artists alike.The future:The evolution of Arkitip is vital to its success. We are constantly thinking and re-thinking the role of creativity in our lives and the magazine is currently exploring new avenues to document this. Stay tuned for more features in the magazine that document the artistic process.» 1100 gr. Schlagworte: Kunst - 20 Jht. nach 1945, Kunst - Grafikdesign.

Leather Bound. Condition: New. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2018, utilizing the invaluable guidance of the original edition published many years ago in 1853. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 267, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 267.