Sutherland W Mark (18 results)

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Fine. Twelve sheets printed both sides approx. 22.8 x 10.2cm tucked into insided pockets of a corrugated cardboard folder with cover illustration affixed. A visula and linguistic homage to jazz greats. Initialed and dated on inside rear pocket by author in year of publication.

Softcover. First Edition. pp. 269. 8vo. Pictorial covers, photographic frontispiece. No detectable flaws, contents clean and unmarked with tight, sound binding; near fine. Since the 1970s, Louis Bird, a distinguished Aboriginal storyteller and historian, has been recording the stories and memories of Omushkego (Swampy Cree) communities along western Hudson and James Bays. In nine chapters, he presents some of the most vivid legends and historical stories from his collection, casting new light on his people's history, culture, and values. Working with the editors and other contributors to provide background and context for the stories, he illuminates their many levels of meaning and brings forward the value system and world-view that underlie their teachings. Students of Aboriginal culture, history, and literature will find that this is no ordinary book of stories compiled from a remote, disconnected voice, but rather a project in which the teller, deeply engaged in preserving his people's history, language, and values, is committed to bringing his listeners and readers as far along the road to understanding as he possibly can.

Softcover. First edition. pp. 269. 8vo. Pictorial covers, photographic frontispiece. No detectable flaws, contents clean and unmarked with tight, sound binding; near fine. Since the 1970s, Louis Bird, a distinguished Aboriginal storyteller and historian, has been recording the stories and memories of Omushkego (Swampy Cree) communities along western Hudson and James Bays. In nine chapters, he presents some of the most vivid legends and historical stories from his collection, casting new light on his people's history, culture, and values. Working with the editors and other contributors to provide background and context for the stories, he illuminates their many levels of meaning and brings forward the value system and world-view that underlie their teachings. Students of Aboriginal culture, history, and literature will find that this is no ordinary book of stories compiled from a remote, disconnected voice, but rather a project in which the teller, deeply engaged in preserving his people's history, language, and values, is committed to bringing his listeners and readers as far along the road to understanding as he possibly can.

Soft cover. Condition: Near Fine. 1st Edition. Twelve double-sided sheets, each approx. 22.8 x 10.2cm, loosely held in a corrugated cardboard folder with illustration affixed. Exploring the formal possibilities of language, image and sound via a jazz background. Just a little light, inevitable wear to the cardboard. Although not stated, one of 250 copies, this copy initialed by the artist in 1997; an additional card/bookmark by him is also included. Signed by Artist.

Paperback. Condition: Brand New. 25 ed edition. In Stock.

Paperback. Condition: new. Paperback. Davidson's Principles and Practice of Medicine Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: new. Paperback. Davidson's Principles and Practice of Medicine Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. 28pp staple bound booklet with 4pp white card covers. Single concrete poem based on rain drops. Each page is a 200% magnification of the previous page. Dusty cover edges. Slight shelf wear to fore edge corners. Clean inside pages.

Softcover. Condition: Very Good. Collection of 40 coil-bound 8.5x11 pages, each with texts and images that the author describes as "graphemes." In the author's description: "This work could be described as both a 'pataphysical bookwork and Wittgenstein's legacy. I attack the physical conventions of standard book form. The text/images (graphemes) were created by cutting up a dictionary then drawing images and text from a paper bag. titles came later (please refer to Duchamp's readymades)." Fine copy, edition of 100. From the collection of Canadian poet and founding editor of Underwhich Editions, Paul Dutton.

Softcover. Condition: Very Good. Collection of 32 pages of images and lyric poems (double-sided), coil-bound. These are the lyric poems that became the 1992 CD of the same name, released by the BarKing Boys Music Co. The collection of poetry is not listed on Sutherland's otherwise expansive archive. Wrapped in burlap and as new. From the collection of Canadian poet and founding editor of Underwhich Editions, Paul Dutton.

Condition: Gut erhalten. Kleinauflage. Eine Schachtel aus Altpappe (ca. 32 x 23 x 5,8 cm) gefüllt mit: Müll (1 x geknüllte Kunst [geknülltes Papier mit Text]), 2 Postkartenbögen a 16 Motiven, 1 Poster gefaltet, Interview Anka Becker (+ Rezept), Interview Mutti, Text Franzi (handschriftlich, intim), Text Herr Balkenhol (wissenschaftlich-kritisch), 1 Aufkleber [hier 2 weitere Aufkleber] zum freien Platzieren auf der Schachtel, Impressum, Inhaltsverzeichnis. Herausgeber Dr. Thomas Wurzel. Konzeption und Layout: Bernhard Balkenhol und Daniel Behrendt. Texte: Bernhard Balkenhol, Daniel Behrendt, Franziska Martinsen. Scans: Axel Boronczyk. Druck: Thiele + Schwarz, Kassel. Beiliegend : Crush (Zerknetschte Fruchtsaftdose) von W. Mark Sutherland. Kasseler Kunstvereinsheim Kassel, Germany, 2007. Monogrammiert WMS 07. Auflage: 20 von 48. Lang: deutsch 999 g.

No Binding. Condition: Very Good. Collection of 40 8.5x11 concrete poems, one per page (single-sided). Unbound; collected in a brown cardboard box. In the author's description: "This bookwork could be sub- titled a theory of silent cinema or a storyboard for silent cinema. The grid like structure on the page creates an optical phenomena known as after-image (please note: the illusory dots that appear in the space between the cells of the tiny cinema screens on the page). Beyond the first and last page there is no particular page order, so this book can be used as a shuffle text (if one wishes)." No signs of aging; a fine edition. From the collection of Canadian poet and founding editor of Underwhich Editions, Paul Dutton. Edition of 100 copies.

No Binding. Condition: Very Good. Collection of 280 concrete poems (140 pages, both recto and verso). Unbound; collected in a brown cardboard box. In the author's description: "The antecedents for this work are the journals Art & Language (1970's), Artforum (1970/80) and a good number of critical texts on Post-Minimalism, Post-Structuralism, etc. Phrases culled from these sources are juxtaposed to one another to create philosophical conundrums regarding contemporary aesthetics and poetic practice. Some of these phrases are particularly powerful when placed on objects (like mirrors, combs, buttons, empty boxes, etc.). I have used this strategy in a number of gallery exhibitions and it has proven to be quite successful in stimulating critical discourse and in some cases laughter." From the collection of Canadian poet and founding editor of Underwhich Editions, Paul Dutton. Edition of 100 copies.

No Binding. Condition: Very Good. Collection of 29 pages of images and text (single-sided); some concrete poems, some descriptors of images. Unbound; collected in a brown cardboard box. In the author's description: "The cardboard box format of this bookwork is a tip of the hat to Duchamp's Green Box, White Box and Boite en Valise. Parts I and II are parsed texts from approximately 20 different critical sources including books by Schwarz, Lebel, Richter, Cabanne, Paz, etc. as well as journal interviews with Duchamp. Part II includes some of Duchamp's favorite puns and even an excerpt from Dick Higgins Glasslass (was this piece written as an homage to The Large Glass and Duchamp?). Part III is constructed from found images and texts acting as readymades and/or assisted readymades." A fine copy. From the collection of Canadian poet and founding editor of Underwhich Editions, Paul Dutton. Edition of 100.