Tériade E Ed (15 results)

Hardcover. Condition: Good. Large format (36 x 26 cms) volume, bound in cardboard covers with an illustrated jacket in colour. Good in an incomplete jacket. A post-war collection of Bonnard's unpublished work over the previous 15 years, including landscape paintings and pastel drawings in colour and many of his characteristic nude sketches. The front panel of the jacket illustration (The Sun) is an original lithograph by Bonnard made especially for this issue of Verve. This is largely complete (just a small loss at the spine and at the bottom corner), but the remainder of the jacket is missing. The card covers are securely attached, but the backstrip is also lost. Internally the pages are clean and unmarked and the colour illustrations are bright with no trace of foxing. The French text is confined to a brief introduction and captions to the illustrations based on Bonnard's contemporary notes. Photos by Brassai. A piece of Art History at a realistic price. More photographs available on request. Please note that if ordering from abroad, any customs charge will be the responsibility of the buyer. All proceeds of sale go to LOROS, a Hospice Charity serving Leicestershire and Rutland.…

Soft cover. Condition: Very Good. Illustrated wraps show some smudges, toning at extremities, edgewear. Corners are worn, with small chip. See photos. Spine, darkened and split in pieces, is reinforced with tape. See photos. Binding is partially disbound; interior gatherings are intact, front and back are loose. See photos. Illustrations, black and white photographs and color plates, are bright and clear, with a little toning at edges. Complete with 4 lithos. Interior is gently age-toned. Inside pages are free of writing and intentional marks.** PS2025.1015** 132 pages. 10.5 X 14 inches** Issue number three of the first volume of one of the great art periodicals of all time, in the English edition. Color wraps by Pierre Bonnard. Richly illustrated with b/w illustrations, color plates, and 4 original lithographs in color by Marc Chagall, Joan Mirò, Abraham Rattner, and Paul Klee. All present and in very good condition. Condition is Very Good- with damage and reinforcement to spine, and loose gatherings. Interior is Very Good, with all plates Very Good and complete.** Essays translated from the French by Robert Sage.** Printed in Paris. Typography and color process work by Imprimerie des Beaux Arts. Heliogravure in colors by Draeger Frères. Heliogravure in black and white by Néogravure. Lithography by Mourlot Frères.** "Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. Seller Inventory #010341"**.…

Soft cover. Condition: Good. 1st Edition. Softcover heavy ply board, last issue of Verve published before occupation of Paris by Germans mentioned on slip pasted to tp, G+ as edgewear and bumped corners, folio, Matisse double covers and Matisse front and back cover lithograph with Matisse signature and number written into the litho stone. Other lithographic prints on fine art stock, calendar by Andre Derain, usual wear with library brown tape along spine affecting the "V" of Verve slightly. Double page color print by F. Leger (1940), other prints as noted in index (see photo) all in fine condition. Scholarly article by Malraux on cinema.…

Cloth. Condition: Very Good. None Issued. 1st Edition. Bound in cloth covered boards--the aforementioned cloth is fraying a bit, and seems ill-chosen for the work at hand, depicting, as it does, some European villa and sundry patterned flowers. The interior is very bright, with all lithographs present. Owner's name and appealingly weird insignia to front end paper.…

Hardcover. Condition: FINE. Dust Jacket Condition: Fair. First Edition. Tall 4to, 35.5cm., sewn binding in original lithograph paper over cards, with original acetate dust jacket. Introductory essays in French by Paul Valery and E.A. Van Moe. WIith small tipped in color plate of L'Institution de L'Ordre de Saint-Michel, followed by 12 tipped in color plates reproducing Fouquet's illustrations for The Antiquities of Josephus. The original acetate jacket is tattered and severed, but it has kept the lithograph wrappers over boards very clean and bright, text itself very fresh and sharp.…

Paperback. Condition: Very Good. Editions Albert Skira January 1933 Binding: Trade Paperback Picasso cover is intact save some minor chips at it's edges . the spine has been crudely repaired. Seminal art document on modern art and surrealism . $NRP.

Hardcover. Condition: very good(+). First edition. Folio in yellow and illus jacketed thin stiff boards; Unpaginated, 43 leaves; illustrations (some color, some mounted), leaves of plates (some color); 36 cm. In French. Includes cover design & an original full-page color lithograph by Pierre Bonnard. Entire issues appears to be deiciated to Bonnard an dhis works. Photos by Brassai. Tiny chip to jacket spine; minor to mild external wear chiefly to edges and spne; some mild spotting to last few pages; all in all, very good to about very good(+). Binding is tight.…

Folio (35,5 x 26,3 cm.). [42] Bl. mit 1 Orig.-Farblithographie von Pierre Bonnard und zahlr. teils farb. Abbildungen und Tafeln. Farbig illustr. Orig.-Pappband in Farblithographie von P. Bonnard. Sondernummer der berühmten Kunstzeitschrift über den Post-Impressionisten Pierre Bonnard (1867-1947). Mit Texten von Bonnard und einem Essay von Angèle Lamotte "Le bouquet de roses" von 1943. - Rücken restauriert, Deckel etwas berieben, sonst gut erhalten. Sprache: französisch. …

4°. [2] Bl., 66, (1) S. mit zahlr. Abbildungen. Farbig illustr. Orig.-Kartonumschlag (von Max Ernst). Wichtiges Heft der bedeutenden Zeitschrift. - Mit 9 Fotografien von Raoul Ubac, davon 4 zu dem Artikel "Miroirs" von Pierre Mabille und 5 zu dem Artikel "Eritis sicut dii." von Maurice Heine. Außerdem enthält das Heft eine Aufnahme von Brassai (nach Jacques Berthier) zu dem Beitrag "L'homme qui perd son ombre" von Paul Recht und Reproduktioen von Arbeiten von André Masson, Georges Seurat, Hans Arp, Max Ernst, Yves Tanguy, Wolfgang Paalen, Botticelli, Piero di Cosimo und Bartolomeo Veneto. - Der in Köln geborene Fotograf R. Ubac (d. i. Rudolf Gustav Maria Ernst Ubach, 1910-1985) lebte und arbeitete seit 1929 mit Unterbrechungen in Paris. - "Wenn Man Ray versucht hatte, die Form durch ein vor das Objektiv geschobenes Prisma aufzulösen, so ist Ubac seinerseits der Ansicht, man müsse die Materie selbst zum sprechen bringen. Er entwickelt die Vorstellung, hinter dem schmalen Schleier, der die Dinge umhüllt, existiere eine andere Wirklichkeit im latenten Zustand. Fünfzig Jahre später wird Dieter Appelt das Prinzip für seine Serie überlagerter Gesichter wieder aufnehmen. Ubac schafft durch das Mittel des kontrollierten Zufalls und durch die Auflösung der Materie eine neue Bilderwelt" (C. Bouqueret in Koetzle). - "Le Minotaure, die letzte bedeutende Zeitschrift des Surrealismus, zeigt die Bewegung in ihrer neuen Phase: der Surrealismus ist zu einer Bewegung geworden, dessen künstlerische Lehren allgemeine Anerkennung gefunden haben und die ungeheure Anziehung auf die dichterischen und künstlerischen Kräfte ausüben. Minotaure wird die luxuriöseste vielseitigste Zeitschrift und die mit der breitesten Wirkung" (H. Bolliger). - Rücken restauriert, sonst gut erhalten. An important issue of this leading journal. Featuring 9 photographs by Raoul Ubac, 4 of which accompany the article 'Miroirs' by Pierre Mabille and 5 of which accompany the article 'Eritis sicut dii.' by Maurice Heine. The issue also contains a photograph by Brassai (after Jacques Berthier) accompanying the article "L'homme qui perd son ombre" by Paul Recht, and reproductions of works by André Masson, Georges Seurat, Hans Arp, Max Ernst, Yves Tanguy, Wolfgang Paalen, Botticelli, Piero di Cosimo and Bartolomeo Veneto. - The Cologne-born photographer R. Ubac (i.e. Rudolf Gustav Maria Ernst Ubach, 19101985) lived and worked in Paris, with interruptions, from 1929 onwards. - "Whilst Man Ray had attempted to dissolve form by placing a prism in front of the lens, Ubac, for his part, believed that matter itself must be made to speak. He developed the idea that, behind the thin veil enveloping things, another reality exists in a latent state. Fifty years later, Dieter Appelt would revisit this principle for his series of superimposed faces. Through the use of controlled chance and the dissolution of matter, Ubac creates a new visual world" (C. Bouqueret in Koetzle). - "Le Minotaure, the last major journal of Surrealism, showcases the movement in its new phase: Surrealism has become a movement whose artistic principles have gained widespread recognition and which exerts an immense attraction on poetic and artistic forces. Le Minotaure is set to become the most lavish, most versatile journal, and the one with the widest reach" (H. Bolliger). - Spine restored, otherwise in good condition. Sprache: französisch. …

Softcover. Condition: Very good. No jacket. Cover by Henri Matisse. In French. Some shelfwear.

December. Folio. 112 pp. Spine sunned, else very good plus in wrappers with light edgewear and short splits to base and crown. US distributor sticker on title page. Translations from the original French by Robert Sage. Contributions by Gide, Bataille, Caillois, Lorca, Michaux, Vollard, Matisse, and several others. The four original lithographs by Léger, Miro, Rattner, and Bores are all present.…

Softcover. Condition: Very good. No jacket. Scarce in it's original slipcase. Book has a cracked spine. Slipcase is worn and broken in parts.

Paperback. Condition: Very Good+. First Edition. Color lithographs; Heliogravure photos, color; Folio 13" - 23" tall; 132 pages; Paris: Verve, No. 3 (OctoberDecember 1938). English-language edition. Oversize folio paperback in color lithograph wraparound covers by Pierre Bonnard. Contains four original color lithographs (Chagall, Miró, Rattner, Klee) representing the "Four Seasons" suite, along with striking color lithographs of Indian divinities and works by Matisse, Chagall, Rembrandt, and others. Richly illustrated throughout with heliogravures, drawings, and photographs. Literary contributions by Malraux, Valéry, Michaux, Bataille, Caillois, Tagore, and others. A landmark issue exemplifying Tériade's synthesis of Eastern and Western visual traditions and avant-garde modernism. Complete, with all plates and lithographs present. Light sun fading to the unlettered spine edge; lightly shelf-bumped at the top front corner with a superficial stress dent to the top corner of all pages; just minor shelf evidence to cover edges and surfaces. VG to VG+ . Oversize book likely to require additional charges for expedited or international shipping.…

Soft cover. Condition: Fine. Folio, malliol covers, a Fine unopened copy in a Very Good Box with some spotting edge wear.(Byside).

First Edition. Large softcover, good with tear and some loss to rear of dustwrapper, front hinge broken, slight foxing and toning, especially to endpapers, one corner bumped. Frontispiece is original lithograph by Pierre Bonnard, still bright, slightly toned at edges, one corner slightly bumped.