Tatton Brown William (8 results)

Condition: Good. shelf wear, hardcover Used - Good 1987 All purchases support Project HOME - ending homelessness in Philadelphia.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. Dust Jacket Condition: Good. Some wear to the dust jacket, bookseller's marks and some marking to the page edges. Shipped from the UK in recyclable card packaging.

rilegato hardcover. Condition: Ottimo (Fine). CR33.SCopertina editoriale in cartone rigido ,30 cm., in lingua inglese, volume in ottime condizioni,  illustrato, copertina e interno in ottimo stato, 224  pagine circaCopertina come da foto ISBN/ASIN 0851392997. Book.

Hardcover. Condition: Very Good. No Dustjacket. First Edition. 210 pages. No dustjacket. Shimny black hardback binding, wear/small creases to spine-ends, some wear to boards' corners, bottom corners a bit curled. Pages clean, sound and unmarked.

Condition: gut. 2010. Roman Cameo Glass in the British Museum In englischer Sprache. pages.

Paperback. Condition: New. Cameo glass represents the ultimate achievement in Roman luxury glass, and the British Museum has the world's largest and finest collection. This comprises over seventy pieces, including two of only a dozen surviving complete cameo glass vessels: the celebrated Portland Vase, the greatest surviving example of Roman cameo glass, and the Auldjo Jug, each with its complex and intriguing history. The catalogue, begun by Veronica Tatton-Brown and William Gudenrath of the Corning Museum of Glass, has been revisited and enhanced by Paul Roberts of the British Museum and David Whitehouse and William Gudenrath of the Corning Museum of Glass. This publication presents the collection in its entirety for the first time. Each piece is illustrated in colour and line drawing, with full description and discussion. The book also presents the results of ground-breaking new research. The authors construct a comprehensive context, using archaeological, technological, iconographic and typological evidence to look at the origins of cameo glass and its place in contemporary Roman art and craftsmanship. They also propose a relative and absolute chronology for cameo glass, and suggest possible models for the organisation of the workshop(s) that produced it.…

Hard Cover. Condition: Good. [Por]., DipArch Friba, ., CB MA Ariba AADIp. The Architectural Press. London. 1986. De 31x22 cm. Com [x], 210 págs. Encadernação do editor. Ilustrado. Exemplar com danos na cabeça da lombada e assinatura de posse na folha de anterrosto. Language: Inglês / English Location/localizacao: I-2-G-14.…