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Tedone Gaia (7 results)

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  • Language: English

    Published by Yale University Press, 2012

    0300178670 / 9780300178678

    • Softcover

    Seller: Better World Books, Mishawaka, IN, U.S.A.Better World Books

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    Condition: Used - Very good

    US$ 19.84

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    Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Language: English

    Published by Whitney Museum of American Art, 2012

    0300178670 / 9780300178678

    • Softcover

    Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore

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    Condition: Used - Very good

    US$ 14.75

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    Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

  • Language: English

    Published by Whitney Museum of American Art February 2012, 2012

    0300178670 / 9780300178678

    • Softcover

    Seller: The Word Is Change, Brooklyn, NY, U.S.A.The Word Is Change

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    Condition: Used - Very good

    US$ 20.00

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    Trade Paperback. Condition: VG.

  • Language: English

    Published by Whitney Museum of American Art, 2011

    0300178670 / 9780300178678

    • Softcover

    Seller: ANARTIST, New York, NY, U.S.A.ANARTIST

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    Condition: Used

    US$ 20.00

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    Softcover, 152 pages; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

  • Language: Italian

    Published by Mimesis, 2026

    9791222320915

    • Softcover

    Seller: libreriauniversitaria.it, Occhiobello, RO, Italylibreriauniversitaria.it

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    Condition: New

    US$ 26.16

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    Quantity: 7 available

    Condition: NEW.

  • Language: Italian

    Published by Mimesis, 2026

    9791222320915

    • Softcover

    Seller: Libro Co. Italia Srl, San Casciano Val di Pesa, FI, ItalyLibro Co. Italia Srl

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    Condition: New

    US$ 26.16

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    Brossura. Condition: new. Sesto San Giovanni, 2026; br., pp. 248, cm 13,9x21. (Eterotopie. 1087). "La natura ibrida della curatela digitale" esplora in modo approfondito lo sviluppo storico della curatela digitale, dalle esperienze pionieristiche degli anni Novanta fino alle recenti esplorazioni nel metaverso e nella cultura algoritmica. La curatela digitale si è distaccata dai protocolli "tradizionali" delle gallerie e delle istituzioni museali e ha risposto all'evoluzione tecnica e socio-culturale degli strumenti digitali - dalla rete all'interfaccia, dalle piattaforme agli strumenti algoritmici e di IA. Combinando ricerca teorica e pratica con l'analisi di casi studio, le autrici esaminano il ruolo della tecnologia nel contesto culturale, mettendo in evidenza l'importanza della curatela digitale come metodo di lavoro e approccio alla riflessione critica. Rivolto a professionisti, studenti e appassionati, questo libro stimola un dibattito sulle pratiche curatoriali contemporanee, sulla tecnologia e sull'innovazione digitale come un intreccio complesso di fattori economici, socio-culturali e politici strettamente interconnessi e sul ruolo del museo e dell'istituzione culturale nel presente. Libro.…

  • Language: English

    Published by Museum; Yale University Press (Distribution), 2012

    0300178670 / 9780300178678

    • Softcover

    Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS

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    Condition: New

    US$ 1,976.00

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    Paperback. Condition: New. This thought-provoking volume offers a critical reevaluation of the term foreclosure: it can refer not only to a forced eviction but also to processes of exclusion?a shutting down of recognition, reflection, and debate. Through work in photography, film, video, installation, and performance, the seven artists represented in this volume (Kamal Aljafari, Yto Barrada, Tania Bruguera, Claude Closky, Harun Farocki, Allan Sekula, and David Shrigley) investigate the expanded meaning of foreclosure by reexamining the systems that have produced crises, instead of focusing on the aftermath. Four discerning essays from a team of international curators discuss foreclosure as both a generative concept and a curatorial strategy, allowing the text itself to become a platform for critique. …