Teh David (39 results)

Hardback. Condition: Very Good. The interplay of the local and the global in contemporary Thai art, as artists strive for international recognition and a new meaning of the national. Since the 1990s, Thai contemporary art has achieved international recognition, circulating globally by way of biennials, museums, and commercial galleries. Many Thai artists have shed identification with their nation; but "Thainess" remains an interpretive crutch for understanding their work. In this book, the curator and critic David Teh examines the tension between the global and the local in Thai contemporary art. Writing the first serious study of Thai art since 1992 (and noting that art history and criticism have lagged behind the market in recognizing it), he describes the competing claims to contemporaneity, as staked in Thailand and on behalf of Thai art elsewhere. He shows how the values of the global art world are exchanged with local ones, how they do and don't correspond, and how these discrepancies have been exploited. How can we make sense of globally circulating art without forgoing the interpretive resources of the local, national, or regional context? Teh examines the work of artists who straddle the local and the global, becoming willing agents of assimilation yet resisting homogenization. He describes the transition from an artistic subjectivity couched in terms of national community to a more qualified, postnational one, against the backdrop of the singular but waning sovereignty of the Thai monarchy and sustained political and economic turmoil. Among the national currencies of Thai art that Teh identifies are an agricultural symbology, a Siamese poetics of distance and itinerancy, and Hindu-Buddhist conceptions of charismatic power. Each of these currencies has been converted to a legal tender in global art-signifying sustainability, utopia, the conceptual, and the relational-but what is lost, and what may be gained, in such exchanges.…

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardback. Condition: Very Good. The interplay of the local and the global in contemporary Thai art, as artists strive for international recognition and a new meaning of the national. Since the 1990s, Thai contemporary art has achieved international recognition, circulating globally by way of biennials, museums, and commercial galleries. Many Thai artists have shed identification with their nation; but "Thainess" remains an interpretive crutch for understanding their work. In this book, the curator and critic David Teh examines the tension between the global and the local in Thai contemporary art. Writing the first serious study of Thai art since 1992 (and noting that art history and criticism have lagged behind the market in recognizing it), he describes the competing claims to contemporaneity, as staked in Thailand and on behalf of Thai art elsewhere. He shows how the values of the global art world are exchanged with local ones, how they do and don't correspond, and how these discrepancies have been exploited. How can we make sense of globally circulating art without forgoing the interpretive resources of the local, national, or regional context? Teh examines the work of artists who straddle the local and the global, becoming willing agents of assimilation yet resisting homogenization. He describes the transition from an artistic subjectivity couched in terms of national community to a more qualified, postnational one, against the backdrop of the singular but waning sovereignty of the Thai monarchy and sustained political and economic turmoil. Among the national currencies of Thai art that Teh identifies are an agricultural symbology, a Siamese poetics of distance and itinerancy, and Hindu-Buddhist conceptions of charismatic power. Each of these currencies has been converted to a legal tender in global art-signifying sustainability, utopia, the conceptual, and the relational-but what is lost, and what may be gained, in such exchanges.…

Soft cover. Condition: Good. Accompanies the exhibition held at Sherman Galleries, Sydney, Australia, 22 September - 15 October, 2005. Fold-out brochure catalogue in good condition with some shelf wear at edges. A good, usable copy. Ships from USA.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good+. In English & Chinese. Paperback. Color illustrations. Exhibition catalogue; 4to 11" - 13" tall; 68 pages.

Condition: New.

Hardcover. Condition: new. Hardcover. The interplay of the local and the global in contemporary Thai art, as artists strive for international recognition and a new meaning of the national.Since the 1990s, Thai contemporary art has achieved international recognition, circulating globally by way of biennials, museums, and commercial galleries. Many Thai artists have shed identification with their nation; but "Thainess" remains an interpretive crutch for understanding their work. In this book, the curator and critic David Teh examines the tension between the global and the local in Thai contemporary art. Writing the first serious study of Thai art since 1992 (and noting that art history and criticism have lagged behind the market in recognizing it), he describes the competing claims to contemporaneity, as staked in Thailand and on behalf of Thai art elsewhere. He shows how the values of the global art world are exchanged with local ones, how they do and don't correspond, and how these discrepancies have been exploited.How can we make sense of globally circulating art without forgoing the interpretive resources of the local, national, or regional context? Teh examines the work of artists who straddle the local and the global, becoming willing agents of assimilation yet resisting homogenization. He describes the transition from an artistic subjectivity couched in terms of national community to a more qualified, postnational one, against the backdrop of the singular but waning sovereignty of the Thai monarchy and sustained political and economic turmoil. Among the national currencies of Thai art that Teh identifies are an agricultural symbology, a Siamese poetics of distance and itinerancy, and Hindu-Buddhist conceptions of charismatic power. Each of these currencies has been converted to a legal tender in global art-signifying sustainability, utopia, the conceptual, and the relational-but what is lost, and what may be gained, in such exchanges? The interplay of the local and the global in contemporary Thai art, as artists strive for international recognition and a new meaning of the national. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condition: New.

Hardcover. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Condition: New. Illustrated edition NO-PA16APR2015-KAP.

Condition: New. Num Pages: 296 pages, 24 color illus., 25 b&w illus. BIC Classification: 1FMT; 3JM; ACBP; ACXJ. Category: (G) General (US: Trade). Dimension: 229 x 178 x 15. . . 2017. Hardcover. . . . .

Condition: Very Good. 1970. Hardback. One volume from the 'Books That Have Changed Man's Thinking' series. Fine in fine quarter leather bindings, highly decorated gilt titles to spine, and elaborate gilt decoration to front cover. Covers showing very light shelfwear. Decorated end papers. Lightly toned, a little spotting to edges, text and illustrations crisp and clear and remains a fine copy. . . . .…

Condition: New. Num Pages: 296 pages, 24 color illus., 25 b&w illus. BIC Classification: 1FMT; 3JM; ACBP; ACXJ. Category: (G) General (US: Trade). Dimension: 229 x 178 x 15. . . 2017. Hardcover. . . . . Books ship from the US and Ireland.

Condition: New.

Paperback. Condition: Brand New. Paperback.Width: 16 cm. Height: 22cm. 288 pages. English text.

Condition: New.

Condition: Very Good. 1970. Hardback. One volume from the 'Books That Have Changed Man's Thinking' series. Fine in fine quarter leather bindings, highly decorated gilt titles to spine, and elaborate gilt decoration to front cover. Covers showing very light shelfwear. Decorated end papers. Lightly toned, a little spotting to edges, text and illustrations crisp and clear and remains a fine copy. . . . . Books ship from the US and Ireland.…

Softcover. Condition: Sehr gut. 1. Auflage. Z : 240 pgs, 150 bw. illustrations - The first comprehensive publication on these projects, this book presents extensive photographic documentation alongside a multivocal account by its participants.

Paperback. Condition: Brand New. 01 edition. 288 pages. 8.00x6.00x0.50 inches. In Stock.

Paperback. Condition: Very Good. Through a unique set of documents never before published, this volume revisits the public furore when, at its Annual General Meeting forty years ago, the British Academy chose not to expel from its Fellowship the eminent art historian, Professor Anthony Blunt, who had recently been exposed as a former Soviet spy.The facsimile documents illustrate the intensely held views of leading academics as they wrestled with the question of whether considerations of pure scholarship could remain aloof from a revelation of political treachery. Also revealed is one faction's plot to stir up a public row through the national press - a tactic that was ultimately successful in achieving Blunt's resignation from the Academy.Historian and current President of the British Academy, David Cannadine, provides the background to the Blunt story, and portrays some of the main characters: Kenneth Dover, the President at the time who struggled to steer the Academy through the crisis; the historian J.H. Plumb, who led the vicious campaign to see Blunt expelled; and A.J.P. Taylor, who was equally determined that the Academy should be willing to 'tolerate the intolerable'. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Hardcover. Condition: Brand New. 274 pages. 9.50x7.25x0.75 inches. In Stock.

Hardcover. Condition: new. Hardcover. The interplay of the local and the global in contemporary Thai art, as artists strive for international recognition and a new meaning of the national.Since the 1990s, Thai contemporary art has achieved international recognition, circulating globally by way of biennials, museums, and commercial galleries. Many Thai artists have shed identification with their nation; but "Thainess" remains an interpretive crutch for understanding their work. In this book, the curator and critic David Teh examines the tension between the global and the local in Thai contemporary art. Writing the first serious study of Thai art since 1992 (and noting that art history and criticism have lagged behind the market in recognizing it), he describes the competing claims to contemporaneity, as staked in Thailand and on behalf of Thai art elsewhere. He shows how the values of the global art world are exchanged with local ones, how they do and don't correspond, and how these discrepancies have been exploited.How can we make sense of globally circulating art without forgoing the interpretive resources of the local, national, or regional context? Teh examines the work of artists who straddle the local and the global, becoming willing agents of assimilation yet resisting homogenization. He describes the transition from an artistic subjectivity couched in terms of national community to a more qualified, postnational one, against the backdrop of the singular but waning sovereignty of the Thai monarchy and sustained political and economic turmoil. Among the national currencies of Thai art that Teh identifies are an agricultural symbology, a Siamese poetics of distance and itinerancy, and Hindu-Buddhist conceptions of charismatic power. Each of these currencies has been converted to a legal tender in global art-signifying sustainability, utopia, the conceptual, and the relational-but what is lost, and what may be gained, in such exchanges? The interplay of the local and the global in contemporary Thai art, as artists strive for international recognition and a new meaning of the national. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condition: New. Art and its Worlds offers a possible history of art since 1989 told through the moments when art becomes public. The anthology explores the myriad histories and worlds through which art is produced and experienced. It is guided by the following questions: .

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. 1st edition, 1st printing with complete number line. Hardcover with very good dust-jacket. Clean and solid. No tears, stains, or odors. NOT a book club edition. NOT ex-library. Hand-wrapped and packaged in cardboard.