Terri Sultan (3 results)

Hardcover. Condition: Very Good. No Jacket. 1st Edition. FROM LENS TO EYE TO HAND PHOTOREALISM 1969 TO TODAY T. SULTAN 2017 HARD COVER. The former owner of these books clearly spent a good deal of time on Eastern Long Island because this is yet another of the several books from the Parrish Art Museum in Water Mill, New York that I have found and listed among his holdings. As the introduction to the book points out, the Museum has maintained realism as one of its focal points. Please find one of the most colorful art books I have ever encountered namely: From Lens to Eye to Hand: Photorealism 1969 to Today by Terri Sultan. This large-sized hard cover book (11 ¼ x 9 ¾ inches 128 pages) was published by the Parrish Art Museum dated 2017 and was apparently the catalogue for an Exhibition of the same name. It is cover to cover colorcolorcolor as you will see as your review the 77 or so paintings and watercolors presented in this book. Condition: This book is in very good condition. The lower corners of the hard covers are slightly bumped but overall, the covers are clean and vivid (like everything else in this book). Inside a former owner has left his embossed mark on the front endpaper but this is the only mark I found in the book. It is clean and bright throughout. The hinges are intact, and the binding is tight and sound. This book is not ex-library or a remainder.

Wrappers. Condition: Fine Condition. Slim volume, 28 pages with 15 black and white illustrations. Published on the occasion of the exhibition from the Blaffer Gallery, The Art Museum of the University of Houston, Houston, Texas January 18-March 16, 2003. Book.

Cloth. Condition: Near Fine. Dust Jacket Condition: Near Fine. 104 pages. Hardcover monograph. Lower right front corner of the cover is bumped, and the illustrated paper dustjacket is somewhat "clawed" at the bottom front edge, although now protected by a Mylar protective sleeve. The binding remains tight and solid, with an otherwise clean interior free of markings. Published in conjunction with the exhibition held in two venues, with the separately printed trifold invitation to the Houston venue's presentation laid in at front.