Thaddeus Strode (12 results)

0 Very good. light shelf wear, inscribed by author.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condition: USED Good.

Softcover. Condition: Good. Paperback with round corners, numerous (double page) illustrations (mostly in colour), 8vo.

Hardcover without dustjacket as issued, 80 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

hardcover. Condition: Very Good. no dust jacket as issued No dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

135 S. Kartoniert. 8°. Mehrsprachig: deutsch, englisch. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Obere Ecke am Buchrücken minimal bestoßen. Sonst sehr gut erhalten. Sprache: deu.

[2] pp.; 9.8 x 20.8 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Double-sided announcement card published in conjunction with show held at the American Center, Paris, France, June 7 - August 15, 1994. Organized by Ann Goldstein, then curator at The Museum of Contemporary Art, Los Angeles. Exhibition included works by Richard Hawkins, T. Kelly Mason, Jorge Pardo, Sarah Seager, Thaddeus Strode, Diana Thater, and Pae White. Very Good. Light rubbing and bumping of corners.…

Softcover, 148 pages, in English and German, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Condition: Neu. Melancholie und Eros in der Kunst der Gegenwart. Sammlung Murken, Katalog zur Ausstellung Ludwig Forum für internationale Kunst Aachen (28. November 1997 bis 8. Februar 1998), Von der Heydt-Museum, Kunsthalle Barmen, Wuppertal (15. März bis 26. April 1998), Städtische Galerie Albstadt (10. Mai bis 28. Juni 1998), Kunstmuseum Thun (16. Juli bis 30. August 1998), Städtische Galerie Regensburg (25. Oktober bis 23. November 1998), Städtische Galerie Jesuitenkirche Aschaffenburg (28. November 1998 bis 10. Januar 1999) und Städtische Galerie Delmenhorst, Haus Coburg (20. Januar bis 30. März 1999), Texte von Antje Birthälmer, Antje von Graevenitz, Durs Grünbein, Elke Krystufek, Veronika Mertens, Daniel Richter, Thaddeus Strode, mit einem Vorwort der Herausgeber Axel und Christa Murken, 184 Seiten, mit Farbabb. Künstler_innen im Katalog: Bas Jan Ader, Hermann Albert, Michael Bach, Hans Bellmer, Joseph Beuys, Guillaume Bijl, Edi Brancolini, Holger Bunk, Michelangelo Buonarotti, John Clem Clarke, James Collins, William N. Copley, Gustave Courbet, Walter Dahn, Roland Delcol, Otto Dix, Jiri Georg Dokoupil, Achim Duchow, Albrecht Dürer, Edgar Ende, Erró, Mimmo Germana, Matthias Gerung, Nan Goldin, Kristina Hagmann, Karl Heidelbach, Noritoshi Hirakawa, Anya Janssen, Ronald B. Kitaj, Peter Kogler, Jeff Koons, Mark Kostabi, Dieter Krieg, Elke Krystufek, Milan Kunc, Hermann-Josef Kuhna, Maria Lassnig, Uwe Lausen, Gerhard Meyerratken, Helmut Middendorf, Pieter Laurens Mol, Hermann Nitsch, Raymond Pettibon, Pablo Picasso, Mel Ramos, Daniel Richter, Gerhard Richter, Rissa, Hartmut Ritzerfeld, Salomé, Judith Samen, Luca Signorelli, Bob Stanley, Thaddeus Strode, Norbert Tadeùsz, Volker Tannert, Tizian, Lidwien van de Ven, Claus Peter Wittig.…

Hardcover. Condition: Very Good. Very Good .Ships From Multiple Locations. book.

Hardcover. Condition: New. Thaddeus Strodeâs vibrant large-scale paintings are universes unto themselves: wild mash-ups of California surf and skateboard culture, Zen philosophy, rock music, literature, film, and comic books. Absolutes and Nothings marks the artistâs first major museum show, presented as part of the Mildred Lane Kemper Art Museumâs Contemporary Projects series. Strodeâs images draw on a wealth of motifs inspired by a broad range of sources in popular culture, freely combined with the artistâs own creations. The strength and visual pleasure of Strodeâs aesthetic come from his self-reflexive combination of painterly styles and incongruous elements, in which enigmatic texts, phantoms, monsters, and castaways play off one another to produce crypticâ"and captivatingâ"fantasies. Including over two dozen full-color images of works from 2001 to the present, as well as essays by Sabine Eckmann, Meredith Malone, and Benjamin Weissman, Absolutes and Nothings is a fascinating premier monograph from one of our most vital and exciting contemporary visual artists. …