Thomas Branchick (15 results)

Oversized Paperback. Condition: Good.

Paperback. Condition: Very Good-. Dust Jacket Condition: Not issued. Softcover with French flaps. Clean and tight. No markings. Faint crease in front cover, otherwise fine. Lavishly illustrated with color and black and white photographs. 84 pp. Fast shipping from NYC!

Paperback. Condition: leichte Gebrauchsspuren. READY TO SEND! Very good condition, nice and clean copy - international shipping In englischer Sprache. 83 p. 310 x 230 mm.

Paperback. Condition: Near Fine. Book.

Condition: Good. Thomas Hart Benton (illustrator). 83 pages. Softcover. Extensive color and B&w illustrations throughout. Includes appendix of correspondence. Glue between cover and pages very loose. Some wear to covers. All pages clean and legible. Record # 352372.

Softcover. Condition: Very Good. First edition, trade paperback with French flaps, exhibition catalogue, the hinges are pulled but solid, and the book also has a hint of soiling to the fore edge of a few pages, sun fading to the spine, a moderate bump with some creasing to the head of the spine, lighter bumps to the tail of the spine and cover corners, and rubbing to the covers. Otherwise, this is a handsome copy in Very Good condition.

Softcover. Condition: VG-. Colorfully-illustrated wraps with white lettering; French flaps; 83 pp. 3 gatefolds; with 9 color plates and 27 bw studies and preparatory drawings, with an additional 40 bw and color figures. The catalogue published to coincide with the exhibition of the same name. The murals were commissioned in the late 1920s for the New School for Social Research in New York. Extensive essays discuss the murals and the liberalism of the times as well as the murals' restoration. Contents as follows: Preface / John B. Carter -- Foreward / Thomas Krens -- Introduction / Michael L. Smith -- Thomas Hart Benton & Progressive Liberalism: An Interpretation of the New School Murals / Emily Braun -- Color Plates The America Today Murals / Emily Braun -- The Restoration of America Today / Thomas Branchick & Emily Braun.

Soft cover. Condition: Fine. 1st Edition. In excellent condition. 86 pages, large softcover in thick wraps, 12.25" by 9". Superb book published for an exhibition of Hart Benton's seminal artwork "America Today," a room-sized mural executed in 1930, comprised of ten huge color panels illustrating life in America in the 1920's. Well designed and printed, with all ten panels showcased separately, presented in color plates as well as in preparatory black and white drawings by Hart Benton. Recommended.

4to.; illustrated glossy wraps with french folds, softcover; 83 pages; black and white and color illustrations; Catalog of an exhibition presented by the Williams College Museum of Art, Feb. 2-Aug. 25, 1985; very good.

paperback. Condition: Very Good. A very nice copy. Text in clean/unmarked condition. Cover has minor shelf rubbings. Binding is tight. Your Satisfaction Guaranteed. We ship daily.

Paperback. Condition: Good.

broschiert, 0. zahlr. Abbildungen, 83 S., broschiert, gut erhalten, 0,700 kg.

Condition: Gut. Formateinband: Broschierte Ausgabe 83 S. (31 cm) 1st Edition; (Mit zahlreichen farbigen, teils ausfaltbaren Abbildungen); Guter und sauberer Zustand. Sprache: Englisch Gewicht in Gramm: 650 [Stichwörter: Ausstellung, Ausstellungskatalog, Bildband, Katalog, Kunstkatalog].

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.