Thomas Eggleston (28 results)

Paperback. Condition: Good. Good paperback in library clamshell. Ex-Library with usual markings. Text is clean and unmarked.; 100% Satisfaction Guaranteed! Ships same or next business day!

Hardcover. Condition: Very Good. Dust Jacket Condition: Dustjacket included. Later Edition. ISBN . Hardback. Grossett & Dunlap Photoplay edition. Book is in very Nice condition, having been well protected by the dustjacket over the years, in Very Good plus condition, a tight bright copy with black and white photos inserted thoroughout the book including the frontispiece , from the Whitman Bennett production. Dustjacket is in Very Good condition with slight edgewear. No Signature.

Hardcover. Condition: Very Good. Clean square Eggleston publication for 1998 Hasselblad award. Bump to upper corner of front board. Light wear to extremities. No interior marks.

Dust Jacket Condition: dj. Second printing. Hardcover. 304 pages. Published in conjunction a traveling exhibition that ran November 7, 2008 through January 25, 2009 at the Whitney Museum of American Art and then went on to four other venues for additional dates. Features texts by Thomas Weski, Elizabeth Sussman, Donna De Salvo, Tina Kukielski, and Stanley Booth. Includes numerous color and black and white illustrations, a chronology by Adam Welch, a checklist, list of previous exhibitions, a selected bibliography, and an index. A clean and tight near fine copy in cloth boards with some very minor wear and in in a near fine dust jacket with some very slight wear. A very pleasing copy. Please note that this is a heavy book and will require extra shipping.

Hardcover. Condition: Near Fine. First Edition. Near fine in cloth-covered boarxds with inset color photographs on the front and back boards. A touch of rubbing at one tip.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. NY/Munich: Whitney Museum of American Art/Haus Der Kunst, 2008. First edition. 304pp; b&w and color plates. 3to. Orange cloth boards; black spine titles; dust jacket. Fine in a fine jacket, mildly crumpled at spine ends. Monograph on the work of American photographer William Eggleston (b. 1939), published in conjunction with a Whitney/Haus Der Kunst exhibition of the same name, as curated by Elisabeth Sussman. Prefaces by Adam D. Weinberg and Chris Dercon; 134 plates; and illustrated texts by Thomas Weski, Elisabeth Sussman, Donna De Salvo, Tina Kukielski, and Stanley Booth, and a chronology by Adam Welch. Selected bibliography at rear. All text in English.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Binding tight w/ minor edgewear and slight lean to spine. Ex-lib stamp to ffep, otherwise clean.

Half-Leather. Condition: Very Good. No Jacket. Spines faded, corners rubbed with minimal loss, front joint of fourth volume beginning to split. Bindings tight and square, pages clean, bright, and unmarked. 1911 Half-Leather. Complete in four volumes. Leather spine and corners, gilt titles, marbled boards and endpapers, photographic and engraved frontispieces and plates. A detailed account of the history of New York State covering the governorships of Grover Cleveland through Charles E. Hughes (1882-1910), with profiles of each administration, accounts of the various officers, government departments, and commissions, and chapters on each county. Includes chapters on Theodore Roosevelt's administration, and on the origin and construction of the barge canals. Lists of New York State Assembly members and state senators from 1883 to 1911 follows text.

Hardcover with dustjacket, 304 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very Fine. Dust Jacket Condition: Fine.

Condition: Bueno. First. 24.77 x 3.18 x 29.21 cm. 304. English.

Dust Jacket Condition: dj. First Edition. First edition and first printing. Hardcover. A previously unreleased collection of color photographs by William Eggleston. Features texts by Walter Hopps and Thomas Weski in English and German. Includes 82 color images. A clean and tight near fine copy in cloth boards and in a very near fine dust jacket. Please note that this is a heavy book and will require extra shipping.

Condition: Sehr gut. 4°. 32 x 32 cm. 175 Seiten. Original-Leinenband mit illustriertem Original-Schutzumschlag. 1. Auflage. Zweisprachige Ausgabe in Englisch und Deutsch. Durchweg bebildert mit ganzseitigen Fotoabbildungen in Farbe. Schutzumschlag minimal fleckig und berieben, mit minimalen Randläsuren und einem hinterlegten Einriss am unteren Kapital. Umschlag gutes bis sehr gutes, Buch sehr gutes Exemplar. 1st edition. Bilingual edition in English and German. Illustrated throughout with full-page photo illustrations in colour. Original cloth binding with illustrated original dust jacket. Dust jacket slightly spotted and rubbed, with light marginal blemishes and one taped tear on lower spine. Dust jacket nearly fine, book fine copy. Sprache: Deutsch und Englisch.

Hardcover with dustjacket, 304 pages, as new condition; clean and crisp; signed by William Eggleston in black pen and dated 2008 on 2nd blank page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Whitney Museum/Yale University Press, 2008. Hardcover. First Edition. Book and dust jacket condition: fine. Fine copy of the first edition, first printing. Signed on the title page by William Eggleston. Signed by Mr. Eggleston at the Corcoran Museum of Art, June 17. 2009. This book is available for sale only to customers in the United States. No orders outside the United States. Signed by Author(s).

Cloth over boards. Condition: Fine. First edition. Set of three volumes. Hardcover cloth (yellow, red, blue) over boards with card slipcase covered in grey cloth. 4to. 728 pp (over three volumes). Illustrated with 364 full colour full-page plate reproductions of Eggleston's work. Title, volume number, and publisher stamped in black on the spines. Volume number stamped in black on the front of each volume. Inset colour plate on the front of each volume. Never read; still crisp. Pages clean and bright. Binding strong and square. Spine, boards, and slipcase unblemished. Fine condition.

Hard cover. Condition: New in new slipcase. Sewn binding. Cloth over boards. 728 p. Audience: General/trade.

A Guggenheim Fellow (1974) and member of the Royal Photographic Society, William Eggleston is credited with transforming colour photography into an accepted art form. Like the great photographer and contemporary Paul Strand, his artistic journey began with a gift ? a Leica camera from a friend ? which sparked a lifelong fascination with photographing everyday life. Influenced early on by Robert Frank and Henri Cartier-Bresson, Eggleston developed a style uniquely his own: quiet, vivid, and profoundly American. His skill lay in finding magic in the mundane; Eudora Welty, who penned the introduction to The Democratic Forest, wrote that a typical Eggleston composition could comprise of anything from: ".Old tires, Dr. Pepper machines, discarded air-conditioners, vending machines, empty and dirty Coca-Cola bottles, torn posters, power poles and power wires, street barricades, one-way signs, detour signs, No Parking signs, parking meters, and palm trees crowding the same curb." (quote taken from The Democratic Forest). Eggleston was also known for his independence and protection of his privacy. Though he dated Andy Warhol's muse Viva (Janet Susan Mary Hoffmann), he was never quite part of Warhol's inner circle and avoided the fame that others sought. Further information can be found at the Eggleston Art Foundation Website. This First Edition was printed in 2011 by Steidl. Now out of print, this scarce edition is a collector's treasure, celebrating one of the best photographers of the 20th century. Three volumes, clothbound in red, yellow, and blue, presented in the original slipcase and publisher's cardboard shipping box. As new.

Hardback. Condition: New. This is the long-awaited reprint of William Eggleston's Chromes, the first in the ongoing series of boxed sets published by Steidl examining the entirety of Eggleston's seminal uvre. Eggleston's standing as one of the masters of color photography is widely acknowledged. But the gradual steps by which he transformed from an unknown into a leading artist are less well known. Chromes is an edit of more than 5,000 Kodachromes and Ektachromes taken from ten chronologically ordered binders found in a safe at the Eggleston Artistic Trust. This archive had once been used by John Szarkowski who selected the 48 images printed in Eggleston's seminal book William Eggleston's Guide, while the rest of the archive has remained almost entirely unpublished. This book presents Eggleston's early Memphis imagery, his testing of color and compositional strategies, and the development towards the "poetic snapshot." In short, Chromes shows a master in the making.\n\nEdited by Thomas Weski, Winston Eggleston and William Eggleston III\n\n432 pages, 344 images\n\nClothbound in slipcase\n31.5 x 32 cm\nNumber of items: 3\n\nEnglish\n\nISBN 978-3-96999-088-9\n1. Edition 07/2022.

Hard Cover/Fine Slip Case. Condition: Fine. First Edition. CLEAN Fine 2011 FIRST EDITION hardcovers in Fine slipcase. ENGISH text. 978-3869303116; 3869303115.

Hardcover. Condition: As New. No Jacket. 1st Edition. First printing. A very fine (as-new) copy, issued without a jacket. A clean, unmarked copy.

Soft cover. Condition: Good. Illustrated (illustrator). 1st Edition. American Institute of Mining Engineers.Vol. III. May, 1874, to February, 1875. Original soft cover edition. Illustrated by 9 fold-out plates plus other drawings and diagrams. An overview of mining and exploration, with reports on discoveries as well as the latest innovations in mining technology. Foxing and other light stains to covers. Some discoloration within. Several pages remain uncut. From the personal library of Charles Himrod, iron merchant from Waterford, PA. Beautifully illustrated.

Softcover. Condition: Very Good. Periodical. Small quarto. viii, P.193-400pp. Printed wrappers. Wraps lightly worn, a bit of foxing on the page edges and on the first few pages, spine toned and cocked, about very good. Featuring Thomas Wolfe's short story "Three O'Clock" a vivid fragment from a great American novel entitled *The Web and the Rock*. Other contributions by David H. Popper, Grace Adams, Elizabeth Carrington Eggleston, Charles Angoff, and others. Scarce, *OCLC* locates only 2 copies.

Soft cover. Condition: Fine. 1st Edition. First edition, first printing. Soft cover. Photographically illustrated stiff wrappers (published only in wraps). Foreword and edited by Kim Zorn Caputo. Includes photographic works by David Byrne, James Casebere, Gregory Crewdson, William Eggleston, Andrea Modica, Jack Pierson, Frank Schram, Victor Shrager, Joel-Peter Witkin, Thomas Struth and Hiroshi Sugimoto, text by Vik Muniz, a conversation between James Casebere and Gregory Crewdson, and an interview with Joel-Peter Witkin by Andres Serrano. Unpaginated with numerous four-color and black and white reproductions. 10-1/2 x 9 inches. Fine (pink highlighter "periodical distributor" mark at lower edge of text block). The premier photography-based fine art journal, beautifully designed and printed.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. Reviews by Lisa Liebmann, Thomas Lawson, Ronny H. Cohen, Barbara Kruger, Richard Armstrong, Glenn O'Brien, Donald Kuspit, Charles Hagen, Kate Linker, Jeanne Silverthorne, John Howell, Edit deAk, Judith Russi Kirshner, Hal Fischer, Christopher Knight, Susan C. Larsen, Stuart Morgan, Paul Groot, Annelie Pohlen, and Ida Panicelli. Cover: William Eggleston.

Encuadernación de tapa blanda. Condition: Bien. Dust Jacket Condition: Bien. Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. Reviews by Lisa Liebmann, Thomas Lawson, Ronny H. Cohen, Barbara Kruger, Richard Armstrong, Glenn O'Brien, Donald Kuspit, Charles Hagen, Kate Linker, Jeanne Silverthorne, John Howell, Edit deAk, Judith Russi Kirshner, Hal Fischer, Christopher Knight, Susan C. Larsen, Stuart Morgan, Paul Groot, Annelie Pohlen, and Ida Panicelli. Cover: William Eggleston.

First Edition. Original illustrated cloth and dustjacket (designed by 'TBH', Thomas Brown Hapgood). A collection of plays and songs first published in St. Nicholas magazine. Includes Ballad of Mary Modern and Medieval Jane by Henry Baldwin; Acting Ballads by Amy Lovell; The House of Santa Claus by Edward Eggleston; Mother Goose Operetta by G. B. Bartlett; The Land of Nod by E. S. Brooks; The Giant Picture by G. B.Bartlett; Shadow Pantomimes by Herman H. Birney; The Magic Sword by Katharine Pyle; The False Sir Santa Claus by E. S.Brooks; A Sixteenth-Century Christmas by Charles A. Murdock; Christmas Eve at Mother Hubbard's by S. J. D.; A Lawn Dance for Little People by L. A.Bradbury; Dicky Dot and Dotty Dick by E. S. Brooks; An Old English Folk-Song by Edgar S. Kelley; Haydn's "Children's Symphony" by James Judson Lord; A Topsyturvy Concert by George Bradford Bartlett; The Changeling by Harriet Prescott Spofford. Very scarce in dustjacket. Near Fine in Very Good dustjacket, chipped at spine ends, top spine end lacking perhaps an inch of material.

Steidl, 2014 (première édition), 199 p., cartonnage éditeur, environ 23x17cm. Dos un peu aplati vers le premier plat et cartonnage légèrement insolé. Bon état pour le reste et intérieur très propre. Cet ouvrage a été publié à l'occasion de l'exposition éponyme à la Fondation Henri Cartier-Bresson, Paris, du 9 septembre au 21 décembre 2014 dans le cadre du Mois de la Photo ; et au Musée de l'Elysée, Lausanne, du 30 janvier au 3 mai 2015.