Thomas Mcevilley Text (3 results)
Language: English
Published by Harry N. Abrams, Inc., Publishers, New York, 1999
- Hardcover
- First Edition
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
Contact seller5-star sellerCondition: Used - Near fine
US$ 29.50
Free ShippingShips within U.S.A.Quantity: 1 available
Hardcover. Condition: Near Fine. Near Fine. 1st. Cloth, 143 pages, illustrations (some colour); 32 cm. Firm binding, clean inside copy. Dust jacket, with light shelfwear, protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richl…y illustrated with colour plates. *** CONTENTS: The Sculpture of James Croak, by Thomas McEvilley; New Myths and Heroic Metaphors; Dirt Man Series; The Dirt Babies; New Skins for the Coming Monstrosities; The Windows; Surreal Objects; Disaster of War; Interview with the Artist, by Barbara J. Bloemink; After Rodin; Hand Series; Man and Woman; Large Scale Sculpture Proposals. Size: Folio.
Published by Amsterdam : Galerie de la Tour,, 1995
- Softcover
Seller: Antiquariaat Digitalis, Amsterdam, NetherlandsAntiquariaat Digitalis
Contact seller5-star sellerCondition: Used - Very good
US$ 52.84
US$ 45.60 shippingShips from Netherlands to U.S.A.Quantity: 1 available
Soft cover. Condition: Very Good. Softcover, [32]p, illustrations, plates ; 25 cm. Very good. Rare exhibition catalogue.
- Hardcover
- First Edition
Seller: Antiquariat UEBUE, Zürich, SwitzerlandAntiquariat UEBUE
Contact seller5-star sellerCondition: Used - Fine
US$ 104.39
US$ 30.67 shippingShips from Switzerland to U.S.A.Quantity: 1 available
Hardcover. Condition: Sehr gut. 1. Auflage. Z : 324 Seiten/pp., 315 Abb./ills., halfclouth - Sandback himself referred to his sculptures operating in pedestrian space, acknowledging both the viewer's movement through a space and as something to be engaged actively. Sandback's works of art have been correctly described as "nomadi…c," his installations happen in the here and now, requiring the viewer to physically and mentally determine a standpoint.
