Tichelen (131 results)

Halflinnen band, in goede staat. Met prenten in kleur. Met losse aanbiedingsbrief van de uitgever. Please see description or ask for photos.

gebundene Ausgabe. Condition: Gut. 460 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); leichte altersbedingte Anbräunung des Papiers; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Text in ALTDEUTSCHER SCHRIFT. Sprache: Deutsch Gewicht in Gramm: 780.

BROCHE. Condition: Bon. CATALOGUE D'EXPOSITION INTERNATIONALE, 120 pages, illustrations.

gebundene Ausgabe. Condition: Gut. 460 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); leichte altersbedingte Anbräunung des Papiers; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Text in ALTDEUTSCHER SCHRIFT. Im hinteren Teil löst sich der Buchdeckel. Sprache: Deutsch Gewicht in Gramm: 750.

1973, ongenummerd, hardcover in goede staat. Wat vergeeld. Boodschap voorin.

123 (4) p. Paperback (Mooi exemplaar.).

Original publisher's sewn paperback, pictorial frontcover, oblong shaped 4to, 104pp. 41 coloured page-large plates [9 larger folded], notes. - as new. 40 tapestries depicted & described.

102 p. Paperback.

460 Seiten Zustand: Keine Beschädigungen, mit einer Eintragung im Vorsatz. Rücken, Ecken, Kanten gut. Sprache: Deutsch Gewicht in Gramm: 800 Hardcover Leinen, Kopffarbschnitt, mit Schutzumschlag.

Halflinnen. Condition: Normale gebruikssporen. Zonder jaar [1929]. Zonder paginanummering. Prenten in kleur. De halflinnen band is vooral alngs de randen wat groezelig en iets verschoten met een enkele lichte beschadiging op de vooorkant (niet in de plaat. Op de eerste en laatste pagina zijn lichte roestvlekjes, op de andere pagina's komen soms ook roestvlekjes voor maar niet in de prenten.

Softcover, ing. 20x14,5cm, 233pp, in goede staat. Studie ten gerieve van leerkrachten, ouders, bibliothekarissen omvattende tevens omstandige lijsten van aan te bevelen werken, naar de verschillende genres en naar den leeftijd der kinderen ingedeeld. 480 g.

Hardcover. Condition: Gut bis sehr gut. Ausstellungskatalog, Paperback, 4° 122 S., rückw. Deckel mit kl. Knickspur, sonst nur gering lagerspurig, Buchblock u. Blattseiten tadellos.

Softcover, 140 x 185mm., 72pp. Tweede, herziene druk. In prima staat. 380 g.

Zonder jaar (circa 1930), 32pp. Met houtsneden van Victor Stuyvaert. Geillustreerd. Half linnen gebonden. Platten iets gevlekt (zie foto). Verder in goede staat.

Den Haag; zonder jaar; N.V. Uitgeversvennootschap v.h. erven Martin G. Cohen; halflinnen; verzameld door Hendrik van Tichelen; met prenten in kleur door Felix Timmermans; ongepagineerd. Voorplat met een enkel klein vlekje.

Softcover onder papieromslag, titelpagina met vignet, foto-frontispice, 145 x 220mm., 196pp. Uitgave van Het Willems-Fonds Nr 182. Bespiegelingen ten behoeve van ouders en opvoeders. Met handgeschreven opdracht van de auteur. 0 g.

25 x 23, 102 pp., très nombreuses planches dont certaines dépliantes en couleurs, broché, bon état. quadrilingue français/néerlandais/chinois/anglais; accompagné d'un fascicule.

Softcover/Paperback. Condition: New. Nieuwstaat. Ongelezen. Softcover.

16 x 24, 104 pp., broché, bon état. Envoi autographe de l'auteur/Gesigneerd exemplaar van de auteur; Livre en néerlandais/Boek in het Nederlands.

Hardcover. Condition: . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ (illustrator). 1st Edition. Two volumes bound in one. Royal octavo. Pp. viii, 192; 284. Frontispiece, portrait plates, tail-pieces. HARDCOVER, contemporary three-quarter cloth and marbled boards, with 2 contrasting morocco labels to spine, lettered in gilt; Old institutional bookplate and stamp; first pages heavily spotted, one leaf stained. In good condition. ~ FIRST EDITION. TIMO-2.

Softcover, 127pp., titelillustratie in kleur, 18.5x24.5cm., ills. in rood-zwart, goed exemplaar (enkele roestvlekken, ongesneden katernen). Tweede, herziene uitgaaf. Met opdracht en muzikale bijdrage van Dr. J.H. Gunning Wz. Geillustreerd door Elsa van Hagendoren. 0 g.

Halflinnen band, 24 cm, [24] pp. Ills.: kleurenillustraties. Cond.: goed / good.

Soft cover. Condition: Good. 23 x 24,5 cm (oblong) - 120 pgs - originele omslag (soft cover) - mooi geillustreed, sommige platen uitslaand - goed ex.

Condition: New.

hardcover. Condition: New. 1st.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 290 pages. 10.75x7.50x1.00 inches. In Stock.

Condition: New.

Rilegato. Condition: nuovo. Dust Jacket Condition: nuovo. Book Series Corpus Rubenianum Ludwig Burchard, vol. 27.2 About this series Add to Wishlist Works in Collaboration Frans Snijders and Other Masters Anne T. Woollett, Nils Büttner, Elizabeth McGrath, Alexandra N. Bauer Pages: 290 p. Size:175 x 260 mm Illustrations:65 b/w, 42 col. Language(s):English Publication Year:2025 Buy print version ? 180,00 EXCL. VAT RETAIL PRICE ISBN: 978-1-915487-58-2 Hardback Available The present volume is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. Subject(s) Baroque & Rococo painting BIO Anne T. Woollett is Curator of Paintings, J. Paul Getty Museum, Los Angeles, CA, USA; Nils Büttner is Professor of Art History at the State Academy of Art and Design in Stuttgart; Elizabeth McGrath is Professor Emerita of Art History and Honorary Fellow of the Warburg Institute, University of London; Alexandra Nina Engel is Curator of German, Dutch and Flemish Paintings, Stiftung Preussische Schlösser und Gärten Berlin-Brandenburg (SPSG), Potsdam, Germany. Summary Peter Paul Rubens already had assistants working for him in his studio when he first gained admission to the Antwerp Guild of St Luke in 1598. At this period too he began to co-operate with other masters, such as Jan Brueghel the Elder; a separate volume, dedicated to that collaboration, was published in 2016 (Corpus Rubenianum Ludwig Burchard, XXVII (1): Jan Brueghel I & II). On his return from Italy in 1609, not only did Rubens's studio assistants increase in number, so too did the co-operative projects that the artist undertook. Rubens continued to work with Jan Brueghel the Elder until 1621. When Brueghel died in 1625, his son Jan continued the partnership with Rubens until the latter's death in 1640. Similarly productive was the collaboration between Rubens and the still life and animal painter Frans Snijders. It began shortly after Rubens's return to Antwerp and is reflected in various large-format works for the courts of Brussels and Madrid [?], but also in smaller 'cabinet' paintings, some of which were executed by members of the respective workshops of the two masters. The collaboration soon extended to the studio of the animal painter Paul de Vos, whose sister Margriete had married Snijders in 1611. One such joint painting was still in Rubens's possession at the time of his death and was listed in the 1640 catalogue of the works for sale from the artist's estate. This document also reveals that, among the paintings by other masters that he owned, Rubens possessed a surprisingly large quantity by the Dutch landscape and genre painter Cornelis Saftleven. Rubens had worked with Saftleven during his stay in Antwerp at the beginning of the 1630s, and evidently appreciated his talent, even if this collaboration can be represented only by a single painting. The present is devoted to Rubens's fruitful partnership with Frans Snijders, as well as to his collaborations with Paul de Vos and Cornelis Saftleven. It thus contributes not only to the documentation of Rubens's oeuvre, but also to the understanding of workshop practices and the lives and social networks of painters in the city of Antwerp.