Tijs Visser (18 results)

softcover. Condition: Gut. 192 p. ISBN: 9789056628383 Sprache: Englisch Gewicht in Gramm: 793.

stiff card. profusely illustrated (illustrator). Study of the principles and aesthetics of the Dutch Nul Group, with focus on their collaborations with contemporaries such as the German Zero, the French Nouveau Realisme, Italy's Azimut Group, and the Japanese Gutai Group, as well as individual artists Yves Klein, Yayoi Kusama, and Lucio Fontana; essays by various authors; published in conjunction with the Nul Group exhibition at Stedelijk Museum; b&w illustrations throughout; stiff-card wraps with french flap to front, twice die-cut; Very Good and clean throughout; front cover foxed around edges. . 190pp. 4to. Very Good in lightly rubbed/foxed wraps Very Good in lightly rubbed/foxed wraps.

Condition: Good. Paperback met flappen, (paginagrote) illustraties (voornamelijk foto's) in z/w, klein 4to.

Soft cover. Condition: New. nai010 uitgevers/publishers, Rotterdam, 2011.

Soft cover. Condition: As New. 1st Edition. Softcover, 190 p. : illustrations ; 27 cm. Very good/as new.

Wrappers. Condition: Fine Condition. Paperback exhibition catalogue, that is essentially a massive fold-out poster, bound into stiff printed paper covers. Extensive interview in English with Henk Peeters and his involvement in the Nul Group.Illustrated in black and white. Published on the occasion of the exhibition in London from January 12-February 25, 2011.

2012. Original softcover with uncut fore edges. Pictures on request.

Soft cover. Condition: Very Good. Text in dutch, 4to, soft cover with flaps, 192 pages, illustrated, very good copy.

First Edition. 25 x 24 cm unpaginated with ilustrations throughout. Wrappers with uncut fore edges.

4°, Leinen. 131 (1) S. mit einigen Abbildungen im Text. Nebst farbigen Abbildungen auf 20 Tafeln. sehr guter Zustand. Sprache: Deutsch Gewicht in Gramm: 900.

Soft cover. Condition: Fine. 1st Edition. In excellent condition. 265 pages, large softcover in thick wraps, 11" by 10". Bilingual text in English and Italian. Major publication produced in conjunction with an Italian publication on Japanese Postwar avant-garde collective Gutai, a precursor of Fluxus, advocating the exploration of essence and natural form through decay and destruction, with links to the European Art Informel movement. Extensively researched, with a lengthy and thorough illustrated chronology, and with reprints of various writings by the group's members, as well as original reviews of their work. Profusely illustrated with color plates of artwork alongside numerous period photodocuments of performances and installations. Includes work by principal members Jiro Yoshihara, Shozo Shimamoto, Kazuo Shiraga, Saburo Murakami, Sadamasa Matanaga, Atsuko Tanaka, and Akira Kanayama. The best book to date on Gutai. EXTRA POSTAGE WILL BE REQUIRED FOR INTERNATIONAL SHIPMENT.

Soft cover. Condition: Very Good. Text in english, 4to, soft cover with flaps, 192 pages, illustrated, very good copy.

Couverture rigide. Condition: Comme neuf. Edition originale. Paris 2013. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée illustrée. Format 22 x 16 cm =. ------ 224 pages. 143 illustrations ************************ Présentation éditeur : "" Ce dixième volume de la collection Privées présente la collection de l Australien David Walsh, fondateur du MONA (Museum of Old and New Art) en Tasmanie. Puisant dans la collection personnelle de David Walsh, ainsi que dans celle du Tasmanian Museum and Art Gallery (TMAG), Jean-Hubert Martin, commissaire de l exposition, remet en question les conventions muséologiques usuelles en faisant dialoguer des objets a priori « hétérogènes ». Intitulée Théâtre du monde en référence au Théâtre de la mémoire du philosophe de la Renaissance Giulio Camillo, l exposition a l ambition de promouvoir l il comme instrument actif d investigation et de compréhension du réel. "" *********************** Ref fav-170-06.

Paperback, 230x230mm, 220p, English edition Illustrated. ISBN 9789492321589. Henk Peeters (°1925, The Hague) was considered one of the most active members of the Dutch NUL movement. Together with other Dutch artists such as Jan Schoonhoven, Armando and Jan Hendrikse, he formed NUL in the 1960?s, which later joined the international movement ZERO. As a result of growing international contacts, Peeters initiated ?Zero on Sea?, an art manifestation in the summer of 1965 on a pier in Scheveningen, including about 50 likeminded artists from over ten countries. Peeters? work is closely inspired by daily life and natural phenomena. By using mass-produced clinical materials such as nylon and plastic and assimilating them through processes like fire, ice, snow and mist, he aims to reinitiate the viewer?s consciousness towards his environment. The artistic practice of Henk Peeters was known for its diversity in material and technique, going from burned canvasses to readymades bought in chainstores. Often these objects show a strong duality between being both tactile and untouchable. As the artist once said: ?with my work, I have always wanted it to look just as fresh as if it was in the HEMA (the Dutch chain store). It must not be artified. I had no need for artistic cotton wool.? 0 g.

0. 30 cm. 131 S., überw. Ill. Or.-Leinen., goldene Lettern., hint. Buchdeckel m. Illustr. sehr guter Zustand. Text dt. und engl. Sprache: Deutschu 1,300 gr.

Exhibition catalogue, consisting of a large folded poster in a cardboard map, both with text in English, ills in black and white. -very good.

Condition: Gut. 131 S. : überw. Ill., mit zahlr. farbigen Abbildungen / Fotos, Jan Fabre, Engel und Krieger : Strategien und Taktiken; [der Katalog erscheint anläßlich der Ausstellung Jan Fabre, Engel und Krieger - Strategien und Taktiken, Städtische Galerie Nordhorn vom 24. April bis 20. Juni 1999, Städtische Galerie Ravensburg vom 3. Juli bis 22. August 1999, Kunsthalle zu Kiel vom 13. September bis 7. November 1999] / Hrsg.: Martin Köttering. Städtische Galerie Nordhorn; Städtische Galerie Ravensburg; Kunsthalle zu Kiel , Hrsg.: Martin Köttering. [Katalog: Jan Fabre; Attilio Maranzano; Tijs Visser. 14692A ISBN 3922303323 Sprache: Deutsch Gewicht in Gramm: 1350 30 cm, gebundene Ausgabe, Leinen ohne Schutzumschlag, no dust jacket,

Soft cover. Condition: Near Fine. 1st Edition. First Edition, 2010. 263 pages. Book measures 10 x 11inches. Includes 70 color and 130 black and white illustrations. Text in Italian and English. This Catalogue published as part of the initiatives that the Lugano Art Museum is dedicated in 2010 to Japanese art and culture, focuses on the first and second Gutai periods (1954-1960 and 1961-1964), the most intense and significant phases in the search for new languages . The volume's essays explore the movement's scope and legacy, more than forty-five years after its dissolution. The catalog also presentsalong with a selection of works by the group's most prominent artistsa wealth of documentation, including rare period photographs. It traces the history of the Japanese art group Gutai , founded in 1954 in Ashiya, near Osaka, by the painter Jiro Yoshihara and other young artists, including Shozo Shimamoto, Chiyu Uemae, and Tsuruko Yamazaki. The group's activity which lasted eighteen years and featured happenings, open-air installations, one-day exhibitions, action painting, and theatrical performances influenced postwar international art and anticipated phenomena such as Fluxus and Conceptual Art. Near Fine in clean bright wrappers. Binding is tight. A scarce title.