Tom Ettinger (25 results)

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

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Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardback. Condition: Very Good.

Hardback. Condition: Good.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condition: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condition: Very Good.

Hardback. Condition: Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Condition: Good.

Condition: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Pages may include limited notes and highlighting, but the text cannot be obscured or unreadable. Any access codes or passwords originally included with the book may be expired, used or no longer valid. Image is stock photo and cover art edition may be different than pictured.…

Hardback. Condition: Good.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condition: Used: Like New.

Condition: new.

Hardcover. Condition: Fine. No Jacket. First Edition. Fine book in pictorial glazed board covers. Internally fine and lavishly illustrated; owner's name neatly to flyleaf. No dust jacket. Dave Harrison & Tom Ettinger [Photographs] (illustrator).

Gebundene Ausgabe. Condition: Wie neu. 1. Aufl. 320 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Original in Folie. Altersfreigabe FSK ab 0 Jahre Sprache: Deutsch Gewicht in Gramm: 481.…

Gebundene Ausgabe. Condition: Wie neu. 1. Aufl. 320 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Mit Schutzumschlag in gutem Zustand. Altersfreigabe FSK ab 0 Jahre Sprache: Deutsch Gewicht in Gramm: 481.…

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Condition: New. Satisfaction Guaranteed or your money back.

Soft cover. Condition: Very Good. 2011 Walther Konig paperback edition. Light reading wear, else very good condition. From the cover: Artistic practices are manifold and highly diverse. In recent years, a claim towards research has become meaningful to many practitioners of art. Intellectual Birdhouse gives room to a number of acteurs to unfold their attitudes towards this claim. In this book, 'artistic research' is assumed as being independent of 'discipline', with the potential to occur in all contexts once epistemological expectations have shifted. This approach foregrounds questions concerning the type of models, terms and concepts that elucidate the processes and outcomes of epistemic-artistic practices while recalling theoretical debates steeped in tradition. Artistic research often involves productive and reflective work on and with material, and is frequently paired with testing of forms of representation other than texts that engage in open negotiations with knowledge. For this reason, artistic research may take an unexpected or even controversial course. As a consequence, most of the chapters discuss how borders need to be negotiated as part of the research process. This includes questions bearing on art and science, art and politics, art and history as well as art and philosophy. Many of the authors see themselves as artists, but one of the chief claims of this book is that a position is possible beyond the 'theory' and 'practice' labels. The chapters address this position and the difficulties negotiating it in the context of existing discourses and intellectual frameworks. With contributions by: Gina Badger, Henk Borgdorff, Paul Carter, Bracha L. Ettinger, Sabine Flach, Renee Green, Penelope Haralambidou, Florian Hecker, Tom Holert, Sarat Maharaj, Sonia Matos, Jonathan Miles, Raqs Media Collective, Hans-Jorg Rheinberger, Hannes Rickli, Michael Schwab, Henk Slager, Marcus Steinweg, Hito Steyerl, Jan Svenungsson, Alise Upitis and Francisco Varela. CONTENTS: INTRODUCTION Florian Dombois, Ute Meta Bauer, Claudia Mareis, Michael Schwab SPYING ON SPARROWS Jan Svenungsson BEING CONCERNED? SCATTERED THOUGHTS ON 'ARTISTIC RESEARCH' AND 'SOCIAL RESPONSIBILITY' Tom Holert CONTEXT-RESPONSIVE INVESTIGATIONS Henk Slager AESTHETIC OF RESISTANCE? Hito Steyerl AHAMKARA: PARTICULES ELEMENTAIRES OF FIRST-PERSON CONSCIOUSNESS Sarat Maharaj & Francisco Varela EXPERIMENTAL SYSTEMS: DIFFERENCE, GRAPHEMATICITY, CONJUNCTURE Hans-Jorg Rheinberger PRECARIOUS EVIDENCE: NOTES ON ART AND BIOLOGY IN THE AGE OF DIGITAL EXPERIMENTATION Hannes Rickli BOUNDARY WORK Henk Borgdorff interviewed by Michael Schwab THROUGH THE LOOKING GLASS ART AND SCIENCE AT THE TIME OF THE AVANT-GARDE: THE EXAMPLE OF WASSILY KANDINSKY'S WORKING METHOD IN HIS SYNTHETIC ART Sabine Flach ALLEGORY, ARCHITECTURE AND 'FIGURAL THEORY' Penelope Haralambidou PSYCHO - ACTIVE - ACOUSTIC EXPERIENCES Florian Hecker & Sonia Matos THE LANGUAGE OF THE BIRDS Raqs Media Collective LOGIC OF BLINDNESS Marcus Steinweg THE SUBLIME AND BEAUTY BEYOND UNCANNY ANXIETY Bracha L. Ettinger FINE ART AND RESEARCH Jonathan Miles BETWEEN A ROCK AND A HARD PLACE Michael Schwab PARROT LANGUAGE AN ORIGINAL IMPROVEMENT Paul Carter ON THE RESEARCH PARADIGM IN CONTEMPORARY ART DISCOURSE: A DIALOGUE Gina Badger & Alise Upitis PARADOXES EXPERIENCED BY ARTIST-THINKERS Renee Green CURRICULUM VITAE Authors, Editors.…