Tom Vree (9 results)

Condition: Good. Paperback, figuren, 8vo.

2e gewijzigde druk, Paperback, nette staat, 192 pagina's.

Condition: Very good.

Hardcover. Condition: Near Fine. No Jacket. Large 8vo, Hardback with Decorated Boards. An excellent near fine copy. Extra postage may apply for overseas orders. All books are posted in a sturdy book box.

Kartoniert. Condition: Sehr gut. Erste Auflage. K 88; 25 S. Size: 24 cm.

Taschenbuch. Condition: Neu. Über das Üben | Ein Leitfaden für Schüler, Studenten und Lehrer | Tom de Vree | Taschenbuch | Karthause-Schmülling Verlagsges. | EAN 9783922100126 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

VI, (1), 214 pages. Original hardover binding (Library stamp). 25x18 cm * Very rare ! Sprache: Deutsch Gewicht in Gramm: 800.

POOR.OLD.TIRED.HORSE. Numbers 9-25,1961 -1967 - all original. 17 issues in total. Edited by Ian Hamilton Finlay, POOR.OLD.TIRED.HORSE. is seen as the most important concrete poetry journal of the 1960s in Britain. The journal title comes from Robert Creeley's poem "Please" (1959). The early numbers are black & white, but later numbers involve colour (often silkscreen) illustrations as the concrete poetry movement blossomed. It has become highly influential for both poets and artists (see for example the ICA group exhibition POOR.OLD.TIRED.HORSE. of 2009). Issue no. 10 is 'a concrete number', including Augusto de Campos, Eugen Gomringer, Dom Sylvester Houédard and Edwin Morgan. Issue no. 12 is a 'Visual Semiotic Concrete' edition. Issue no. 18 is a collaboration, with writings and script by Ad Reinhardt and drawings and layout by Bridget Riley. Issue no. 25 the final issue is dedicated to one-word poems. Contributors include : Ian Hamilton Finlay, Pete Brown, Anselm Hollo, Lorine Neidecker, Gael Turnbull, Marvin Malone, Cid Corman, Jerome Rothenberg, Guillaume Appolinaire, Larry Eigner, Lawrence Ferlinghetti, Edwin Morgan, Cesar Lopez Nunez, Jonathan Williams, Tom McGrath, Spike Hawkins, Georg Trakl, Robert Garioch, Ernst Jandl, Paul de Vree, Robert Creeley, Vladimir Mayokovsky, Yury Pantratov, Libby Houston, Eugen Gomringer, Michael Shayer, Mary Ellen Solt, Peter Stitt, Dom Sylvester Houédard, Peter Lyle, Margot Sandemann, Heinz Gappmayr, Pedro Xisto, Hamish MacLaren, George Macklay Brown, Eli Seigel, Pierre Albert-Birot, Francis Ponge, Edward Wright, Emil Antonucci, Charles Biederman, Jim Nicholson, Ronald Johnson, Bernard Kops, Larry Eigner, Robert Creeley, Augusto de Campos, Edgard Braga, Bridget Riley, Ad Reinhardt, Robert Lax, Jeffrey Steele, Kenelm Cox, Stephen Bann, Hansjorg Mayer, Edward Lucie-Smith, Alan Riddell, Astrid Gillis, Aram Saroyan et al. Ref: IN NUMBERS (PPP Editions, Switzerland, 2009) pages 9, 18, 314-321. Also exhibited in the show of that name, ICA, 2012. Murray pages 2-3. Condition: most issues near fine, some very good with slight bruising to edges (see image of issues 9, 16, 17, 19, 20, 22, 25 showing edgewear/handling marks).

Condition: Very good++. Henri Chopin, Revue OU 36/37, The Gate House, Ingatestone, Essex, 1970. 270 x 270mm. Edition 220 of 500. Numbered and dated February 1970 by the editor in red ink on colophon. This issue of Revue OU includes a total of 17 pieces: 1 vinyl record, 6 large scale prints (folded, printed black and white with the exception of one printed black and yellow), 8 smaller black and white prints and 2 square prints with colour circular designs from contributors including Brigitte Chopin, Henri Chopin, Raoul Hausmann, Alice Hutchins, Anna Lockwood, Harvey Matusow, J.C. Moineu, Paul Neuhys, Ladislav Novak, Tom Phillips, Seuphor, Stefan Themerson and Paul de Vree. Collated and correct (all contributions present). Cover art by Bertini. Side A of the record features Hugh Davies and Ladislav Novak. Side B of the record features Henri Chopin, Sten Hanson, Bernard Heidsieck. Condition: plastic haut-relief cover very good++ only one small split above the woman's head, elsewhere fine; some general bruising/creasing to edges of cover and spines; usual small closed tear where wood is glued to folder, unusually the glue is still intact, holding the work together; minor handling to some prints, overall near fine; record in excellent, possibly unplayed condition, in toned sleeve.Large item, extra postage required.