Tonelli Edith Ed (4 results)
Published by Frederick S. Wight Art Gallery, Los Angeles, 1985
- Softcover
Seller: Crossroad Books, Eau Claire, WI, U.S.A.Crossroad Books
Contact seller5-star sellerCondition: Used - Very good
US$ 20.25
US$ 5.50 shippingShips within U.S.A.Quantity: 1 available
Softcover. Condition: Very Good-. No Dust Jacket. Book is slightly warped. Light surface rubbing to covers. Tiny stain and scuff to front cover. Spine very slightly sunned. Light rubbing to cover corners and spine extremities. Pages clean. ; Color & B&W Photographs; RTT14; 64 pages.
Published by Frederick S. Wright Gallery, 1985
- Softcover
- First Edition
Seller: COLLINS BOOKS, Seattle, WA, U.S.A.COLLINS BOOKS
Contact seller5-star sellerAssociation member: CBA
Condition: Used - Very good
US$ 20.00
US$ 6.99 shippingShips within U.S.A.Quantity: 1 available
Paperback. Condition: Very Good. 1st edition. quarto, unpaginated, tight binding, clean throughout, clean and colorful wraps with a blind stamp to front cover.
Published by Los Angeles: University of California Los Angeles., 1986
- Softcover
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Used - Good
US$ 35.00
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Condition: Good. 4to. 164 pp. Soft wraps. Very good with marginally bowed and stained cover. Mostly black and white plates. Red endpapers. Additional essays by Dario Durbe, Denis Mack Smith, Albert Boime and Piero Dini.

Manipulated Reality : Object and Image in New French Sculpture. An exhibition by Frederick S. Wight Gallery, UCLA : February 5 - March 24, 1985.
Tonelli, Edith A. (ed.) ; Frederick S. Wight Art Gallery, UCLA.
Published by Los Angeles : Regents of the University of California ; UCLA Art Council., 1985
- Softcover
- Manuscript
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.Wittenborn Art Books
Contact seller5-star sellerCondition: Used - Good
US$ 50.00
US$ 10.00 shippingShips within U.S.A.Quantity: 1 available
Condition: Good. 8vo. 64p. Matte softcover. Very Good, minor marking and creasing on cover. B&W and color prints throughout. From the Collection of the Art Historian Peter Selz (1919-2019).