Tortora Daniela (22 results)

Trade Paperback. Condition: Fine. No Jacket. First Edition. xii, 207 pp. Text in Italian. Number 2A in the series "Musicalia.".

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Condition: ottimo. in 8° grande, bross. ed. con risvolti, pp. 383 coll. Tavole b/n f.t. In ottimo stato (B61) Shipping cost depends on weight and country. Please ask for a quote before ordering.

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brossura copertina flessibile. Condition: Fine. Dalla Collana "Musicalia" n.2A, brossura editoriale con copertina flessibile con alette informative in buone condizioni, i tagli sono regolari e puliti come le pagine, prive di segni e ben fruibili, salda la legatura. copertina flessibile 207 8870961056 Ottimo (Fine) . Book.

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Hardcover. Condition: new. Hardcover. The premiere of Sylvano Bussotti's "La Passion selon Sade" occurred fifty years ago in Palermo during the fifth edition of "Settimane Internazionali Nuova Musica" (5 September 1965). "La Passion selon Sade" was the first theatrical work of Sylvano Bussotti, the first of a long and very impressive list of operas. The theatrical bent of the Florentine composer proceeded uninterrupted since then, developing through many phases (among them, the well-known Bussottioperaballet) and it has included a multitude of arts, texts, languages, artists, musicians, performers, choreographers, dancers, mimes, actors, producers and theatres: all of which constitute a large heritage from which it is possible to draw both from an historical and operational point of view. This first monograph about "The Theatres of Sylvano Bussotti" will encompass all the theatrical activity of Sylvano Bussotti from "La Passion selon Sade" through today, including cinema, theatre and the artistic management of lyric theatres. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Hardcover. Condition: new. Hardcover. The premiere of Sylvano Bussotti's "La Passion selon Sade" occurred fifty years ago in Palermo during the fifth edition of "Settimane Internazionali Nuova Musica" (5 September 1965). "La Passion selon Sade" was the first theatrical work of Sylvano Bussotti, the first of a long and very impressive list of operas. The theatrical bent of the Florentine composer proceeded uninterrupted since then, developing through many phases (among them, the well-known Bussottioperaballet) and it has included a multitude of arts, texts, languages, artists, musicians, performers, choreographers, dancers, mimes, actors, producers and theatres: all of which constitute a large heritage from which it is possible to draw both from an historical and operational point of view. This first monograph about "The Theatres of Sylvano Bussotti" will encompass all the theatrical activity of Sylvano Bussotti from "La Passion selon Sade" through today, including cinema, theatre and the artistic management of lyric theatres. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Brossura. Condition: nuovo. LIM, 1991. pp. XIII+274 -- Sommario/Argomento Nata sul finire degli anni Cinquanta ad opera di un gruppo di musicisti e compositori attivi a Roma, Nuova Consonanza ha segnato profondamente la vita musicale romana, affiancandosi alle più significative manifestazioni nazionali e internazionali nel campo della musica contemporanea. A una parte introduttiva, che ripercorre le tappe essenziali della storia dell'associazione, segue il catalogo delle musiche eseguite nel corso delle stagioni e dei festival di Nuova Consonanza.

Rilegato. Condition: nuovo. LIM, 1995. pp. XII+207 --- Sommario/Argomento Nata sul finire degli anni Cinquanta ad opera di un gruppo di musicisti e compositori attivi a Roma, Nuova Consonanza ha segnato profondamente la vita musicale romana, affiancandosi alle più significative manifestazioni nazionali e internazionali nel campo della musica contemporanea. A una parte introduttiva, che ripercorre le tappe essenziali della storia dell'associazione, segue il catalogo delle musiche eseguite nel corso delle stagioni e dei festival di Nuova Consonanza.

Hardback, approx. xxiv + 603 pages, Size:210 x 270 mm, Illustrations:80 b/w, 27 col., Languages: English, Italian, French. ISBN 9782503589527. Summary The premi re of Sylvano Bussotti's La Passion selon Sade occurred fifty years ago in Palermo during the fifth edition of "Settimane Internazionali Nuova Musica" (5 September 1965). La Passion selon Sade was the first theatrical work of Sylvano Bussotti, the first of a long and very impressive list of operas. The theatrical bent of the Florentine composer proceeded uninterrupted since then, developing through many phases (among them, the well-known Bussottioperaballet) and it has included a multitude of arts, texts, languages, artists, musicians, performers, choreographers, dancers, mimes, actors, producers and theatres: all of which constitute a large heritage from which it is possible to draw both from an historical and operational point of view. This first monograph about The Theatres of Sylvano Bussotti will encompass all the theatrical activity of Sylvano Bussotti from La Passion selon Sade through today, including cinema, theatre and the artistic management of lyric theatres. TABLE OF CONTENTS Daniela Tortora Introduction Theatre Studies J rgen Maehder Sylvano Bussotti's Music Theatre as Image-based Gesamtkunstwerk: Narrativity and Musico-Dramatic Coherence from La Passion selon Sade to L'Ispirazione Matteo Nanni Il Dioniso restituito. Osservazioni estetiche sulla Passion selon Sade Ivanka Sto anova Le th tre musical interdisciplinaire de Sylvano Bussotti: Entre Mallam , Debussy et Signorelli, Questo fauno (1998-1999) Adriana Guarnieri Corazzol A proposito degli scritti di Sylvano Bussotti The Voice in Bussotti's Oeuvre Anne-May Kr ger Processes and Communication in Sylvano Bussotti's Voix de femme Renzo Guardenti propos de Sylvano Bussotti, acteur Daniela Tortora Sinite parvulos venire ad me: Voices of Childhood in the Theatre of Sylb Giovanna Morelli Primo piano e panoramica. L'arte mitobiografica di Sylvano Bussotti BUSSOTTIOPERABALLET Patrizia Veroli Corps sceniques de Sylvano Bussotti. Gestes, danses, signes Alessandro Mastropietro OPERA: Considering Lorenzaccio (again), through New Intertextual and Documentary Contributions Massimiliano Locanto Da Nottetempo con lo scherzo e una rosa a Bergkristall/Cristallo di rocca.Metamorfosi sonore e continuit tematiche in Sylvano Bussotti Federica Marsico Le provocazioni di Le Racine: l'erotismo selon Sylvano Bussotti Ivanka Sto anova La passione estetica dell'orrore come movente della tragedia Tieste su una trama da Seneca di Sylvano Bussotti Giovanni Guanti La scommessa di Sylvano Bussotti tra autobiografismo rizomatico ed 'eccesso di democrazia' Bussotti in Milan and Venice Alessandro Turba ?Sprofondate sponde? Un'archeo-fiction di All'Italia Stefano Lombardi Vallauri Music Theatre as an Ethical Laboratory: La Passion selon Sade and Oggetto amato/Nottetempo as Political Acts of the Sixties and Seventies Nadia Palazzo All the Colors of Music: Le bal Mir Maria Ida Biggi Sylvano Bussotti in Venice, at Teatro La Fenice and the Venice Biennale Marco Cosci Video as Arrangement: Sylvano Bussotti at the Biennale Maurizio Corbella Niente stasera: Sylvano Bussotti and the Film Composer's Simulacrum Stage Design and Scenic Conceptions J rgen Maehder Una filosofia del melodramma ragionata e vissuta in primissima persona : Estetica teatrale e prassi registica in Sylvano Bussotti Mila De Santis Sylvano Bussotti, Luigi Dallapiccola, Ulisse Michela Niccolai Bussotti metteur en sc ne de Puccini: de Gianni Schicchi Tosca Testimonials Paolo Emilio Carapezza Suono, eros, logos, natura, gestualit vocale e teatro nella musica di Sylvano Bussotti Carlo Sisi L'immaginario visivo di Sylvano Bussotti Moreno Bucci Sylvano Bussotti: quel che resta della scena. Una mostra, gli spettacoli per il Teatro Comunale di Firenze e il Maggio Musicale Fiorentino Nicholas Isherwood The Bass Voice in the Late Works of Sylvano Bussotti Appendix Index of Names 0 g.

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