Tournassoud (18 results)

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Oversize. Still in shrink wrap. Numerous color and sepia photos. 112pp. Text in French. World War I 1914-1918.

Hardcover. Condition: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condition: Bon. Ancien livre de bibliothèque. Couverture différente. Edition 1988. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Edition 1988. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condition: very good. Relié sous jaquette bon état.Contenu propre . 112 pages . 1978. PHOTOS SUR DEMANDE.

Couverture rigide. Condition: Satisfaisant. Cartonnage et jaquette éditeur. 112pp. . Etat correct In-4.

Couverture rigide. Condition: bon. RO20260870: 1978. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 112 pages illustrées en couleur et noir/blanc - jaquette en état d'usage. Avec Jaquette. . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918.

Couverture rigide. Condition: bon. RO20175190: 1978. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 112 pages - nombreuses photos en couleurs et sepia dans et hors texte - 1 illustration en frontispice - contre-plats illustrés en noir et blanc. Avec Jaquette. . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918.

Couverture rigide. Condition: bon. ROD0103448: 1978. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 112 pages. Frontispice en sépia. Nombreuses illustrations en couleurs et en sépias dans et hors texte. Tampon sur la page de titre. Jaquette en couleurs en bon état. Coins frottés. Avec Jaquette. . . Classification Dewey : 940.3-Première Guerre mondiale 1914-1918.

TOURNASSOUD, Jean-Baptise (1866-1951).  (World War I) Large troop movement through a town. From Tournassoud's "La Guerre. 1914-1919." TOURNASSOUD, Jean-Baptise (1866-1951).  La Guerre. 1914-1919. Lyon: for the author [1920]. I've also found the following for printing info: Service Commercial et de Vente Argence & Vidal, Lyon, 1920, (printing place/year gathered from the images of the defence website, ECPAD Republique Francaise.) 32x24.5 cm. 150 black and white phototypes (collotypes). The image I offer here is from a (very) incomplete copy of this work, original published loose in a portfolio and incuded 150 images. The images are all number but I do not have the descriptive text nor can find one online. This is the first edition of what I would think to be a major publication of images from WWI though it is now (or so it seems) somewhat obscure or little-known. The reproduction process is first rate and the images themselves often depict life at the front or the common soldier lives as they make their way towards or away from battle. The work itself "comprised 150 plates selected from the 1200 images which Tournassoud displayed in a photo exhibition called "Sujets de Guerre 1914-1919" had shown in the 1919 traveling exhibition 'Sujets de Guerre 1914-1919'. The "phototypie" process mentioned here is the French name for the "collotype". This is a method that combines photography and printing, allowing for the mass "reproduction of photographic images with continuous tones, producing a very delicate and rich tonal range, often considered "photographic" in quality". From the Encyclopedia of Photography. Tournassoud's photographs appear in the collections of the Institut Lumière, Lyon; Musée des Pays de l'Ain, Bourg-en-Bresse; Musée Nicéphore-Niépce, Châlon-sur-Saône; Musée Clemenceau, Paris; and Museum of the Great War, Château de Péronne, Somme, France.

Elsevier Séquoia. In-4, 112pp, cartonnage éditeur avec sa jaquette éditeur - iconographie n/b et en couleur, préface de Max Gallo - jaquette qq peu fatiguée : une entaille coiffe du haut et qq marques d'usure en bordure de jaquette, rousseur tranche de tête et de queue, petit chiffre au bic en première page de garde, sinon bon état général.

TOURNASSOUD, Jean-Baptise (1866-1951).  (World War I) "Roll call before 'going up'" 1918. This is a collotype from TOURNASSOUD, Jean-Baptise (1866-1951),  La Guerre. 1914-1919. Lyon: for the author [1920]. I've also found the following for printing info: Service Commercial et de Vente Argence & Vidal, Lyon, 1920, (printing place/year gathered from the images of the defence website, ECPAD Republique Francaise.) 32x24.5 cm. 150 black and white phototypes (collotypes). The image I offer here is from a (very) incomplete copy of this work, original published loose in a portfolio and incuded 150 images. The images are all number but I do not have the descriptive text nor can find one online. This is the first edition of what I would think to be a major publication of images from WWI though it is now (or so it seems) somewhat obscure or little-known. The reproduction process is first rate and the images themselves often depict life at the front or the common soldier lives as they make their way towards or away from battle. The work itself "comprised 150 plates selected from the 1200 images which Tournassoud displayed in a photo exhibition called "Sujets de Guerre 1914-1919" had shown in the 1919 traveling exhibition 'Sujets de Guerre 1914-1919'. The "phototypie" process mentioned here is the French name for the "collotype". This is a method that combines photography and printing, allowing for the mass "reproduction of photographic images with continuous tones, producing a very delicate and rich tonal range, often considered "photographic" in quality". From the Encyclopedia of Photography. Tournassoud's photographs appear in the collections of the Institut Lumière, Lyon; Musée des Pays de l'Ain, Bourg-en-Bresse; Musée Nicéphore-Niépce, Châlon-sur-Saône; Musée Clemenceau, Paris; and Museum of the Great War, Château de Péronne, Somme, France.

TOURNASSOUD, Jean-Baptise (1866-1951).  La Guerre. 1914-1919. Lyon: for the author [1920]. I've also found the following for printing info: Service Commercial et de Vente Argence & Vidal, Lyon, 1920, (printing place/year gathered from the images of the defence website, ECPAD Republique Francaise.) 32x24.5 cm. 150 black and white phototypes (collotypes). The image I offer here is from a (very) incomplete copy of this work, original published loose in a portfolio and incuded 150 images. The images are all number but I do not have the descriptive text nor can find one online. This is the first edition of what I would think to be a major publication of images from WWI though it is now (or so it seems) somewhat obscure or little-known. The reproduction process is first rate and the images themselves often depict life at the front or the common soldier lives as they make their way towards or away from battle. The work itself "comprised 150 plates selected from the 1200 images which Tournassoud displayed in a photo exhibition called "Sujets de Guerre 1914-1919" had shown in the 1919 traveling exhibition 'Sujets de Guerre 1914-1919'. The "phototypie" process mentioned here is the French name for the "collotype". This is a method that combines photography and printing, allowing for the mass "reproduction of photographic images with continuous tones, producing a very delicate and rich tonal range, often considered "photographic" in quality". From the Encyclopedia of Photography. Tournassoud's photographs appear in the collections of the Institut Lumière, Lyon; Musée des Pays de l'Ain, Bourg-en-Bresse; Musée Nicéphore-Niépce, Châlon-sur-Saône; Musée Clemenceau, Paris; and Museum of the Great War, Château de Péronne, Somme, France.

TOURNASSOUD, Jean-Baptise (1866-1951).  (World War I) Social Life in the Trenches. Collotype from: TOURNASSOUD, Jean-Baptise (1866-1951).  La Guerre. 1914-1919. Lyon: for the author [1920]. I've also found the following for printing info: Service Commercial et de Vente Argence & Vidal, Lyon, 1920, (printing place/year gathered from the images of the defence website, ECPAD Republique Francaise.) 32x24.5 cm. The image I offer here is from a (very) incomplete copy of this work, original published loose in a portfolio which included 150 images. The images are all number but I do not have the descriptive text nor can find one online. This is the first edition of what I would think to be a major publication of images from WWI though it is now (or so it seems) somewhat obscure or little-known. The reproduction process is first rate and the images themselves often depict life at the front or the common soldier lives as they make their way towards or away from battle. The work itself "comprised 150 plates selected from the 1200 images which Tournassoud displayed in a photo exhibition called "Sujets de Guerre 1914-1919" had shown in the 1919 traveling exhibition 'Sujets de Guerre 1914-1919'. The "phototypie" process mentioned here is the French name for the "collotype". This is a method that combines photography and printing, allowing for the mass "reproduction of photographic images with continuous tones, producing a very delicate and rich tonal range, often considered "photographic" in quality". From the Encyclopedia of Photography. Tournassoud's photographs appear in the collections of the Institut Lumière, Lyon; Musée des Pays de l'Ain, Bourg-en-Bresse; Musée Nicéphore-Niépce, Châlon-sur-Saône; Musée Clemenceau, Paris; and Museum of the Great War, Château de Péronne, Somme, France.

Condition: Used: Acceptable. Occasion - Etat Correct - Avec jaquette un peu abîmà e - L'album-photo de la Grande Guerre (1978) - Grand Format.

TOURNASSOUD, Jean-Baptise (1866-1951).  (World War I) (French soldiers muddied from the field wait on line for food and wine (?) with eating trays inhand. From Tournassoud's "La Guerre. 1914-1919." TOURNASSOUD, Jean-Baptise (1866-1951).  La Guerre. 1914-1919. Lyon: for the author [1920]. I've also found the following for printing info: Service Commercial et de Vente Argence & Vidal, Lyon, 1920, (printing place/year gathered from the images of the defence website, ECPAD Republique Francaise.) 32x24.5 cm. 150 black and white phototypes (collotypes). The image I offer here is from a (very) incomplete copy of this work, original published loose in a portfolio and incuded 150 images. The images are all number but I do not have the descriptive text nor can find one online. This is the first edition of what I would think to be a major publication of images from WWI though it is now (or so it seems) somewhat obscure or little-known. The reproduction process is first rate and the images themselves often depict life at the front or the common soldier lives as they make their way towards or away from battle. The work itself "comprised 150 plates selected from the 1200 images which Tournassoud displayed in a photo exhibition called "Sujets de Guerre 1914-1919" had shown in the 1919 traveling exhibition 'Sujets de Guerre 1914-1919'. The "phototypie" process mentioned here is the French name for the "collotype". This is a method that combines photography and printing, allowing for the mass "reproduction of photographic images with continuous tones, producing a very delicate and rich tonal range, often considered "photographic" in quality". From the Encyclopedia of Photography. Tournassoud's photographs appear in the collections of the Institut Lumière, Lyon; Musée des Pays de l'Ain, Bourg-en-Bresse; Musée Nicéphore-Niépce, Châlon-sur-Saône; Musée Clemenceau, Paris; and Museum of the Great War, Château de Péronne, Somme, France.

In-4, 32cm, 12pp., illustr., figures, texte musical et photos, c1b-ecr,

Portrait circulaire (ø 165 mm) encadré (450 x 360 mm). Portrait phototypique attribué à Jean-Baptiste Tournassoud (1866-1951), officier supérieur et photographe français.Envoi autographe signé à l'encre noire de Georges Clemenceau : A mon ami Edmond Miellet bien affectueusement Clemenceau. 10 nov. 1922. Edmond Miellet (1880-1953) fut député du Haut-Rhin (Territoire de Belfort) de 1919 à 1942, ministre des Pensions du 18 décembre 1932 au 26 octobre 1933.Étiquette au revers du cadre : Glaces Dorures Estampes Gravures Encadrements Ed. Cosmard 10 faubourg de France Belfort.

Condition: Très bon. Emboîtage, étui, chemise. 150 planches photographie tirées en phototypie double tons, de la collection personnelle du commandant Tournassoud. Préface du maréchal Pétain. Sans date vers 1920.