Translated Robin Carson (4 results)
Published by Crown Publishers, Inc., New York 1969
- Hardcover
- First Edition
Seller: Top Notch Books, Tolar, TX, U.S.A.Top Notch Books
Contact seller5-star sellerCondition: Used - Good
US$ 8.00
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Hard Cover. Condition: Good. No Jacket. Second Printing. Light red cloth boards are sunned on spinecover and edges. Pages are clean, text has no markings, binding is sound. Size: 4to - over 9¾" - 12" tall.
Published by Crown Publishers, New York 1966
- Hardcover
Seller: Willis Monie-Books, ABAA, Cooperstown, NY, U.S.A.Willis Monie-Books, ABAA
Contact seller5-star sellerCondition: Used - Very good
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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good-. Second Printing. Light wear DJ extremities.
Published by Crown, 1966 1966
- Hardcover
- First Edition
Seller: Longhouse, Publishers & Booksellers, Brattleboro, VT, U.S.A.Longhouse, Publishers & Booksellers
Contact seller5-star sellerFirst edition 300 illustrations in full color and black and white. Near fine red boards with gilt lettering in like dustjacket with trifle wear to top of spine. Text beautifully realized and profusely illustrated throughout in black and white and color. Runs the spectrum of modern art. Unique.
Published by Crown Publishers, Inc., New York 1966
- Hardcover
Seller: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.LEFT COAST BOOKS
Contact seller5-star sellerCondition: Used - Very good
US$ 24.50
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Hardcover. Condition: Very Good. Dust Jacket Condition: Good. Cloth, 320 pages, illustrations (some colour); 24 cm. First published, Argentina, under title: Nuevas tendencias en la pintura. Translated from the Spanish. Firm binding, clean inside copy. Light foxing/endpapers, age toning. Dust jacket, with moderate edgewear, prote…cted in a mylar cover. *** Aside from the identification of "Informalism as an international tendency," covering American Abstract Expressionism and its European counterpart (Tachism), this book contains important information on European and Latin American "Concrete Art." *** CONTENTS: The directions of modern art; Chapter one: The avant-garde at the end of the second world war; Chapter two: Reaction against concrete art; Chapter three: Informalism as the dominant international tendency; Chapter four: Informalism in the United States; Chapter five: The reaction against informalism; Chapter six: Currents opposed to informalism and strict visuality; Chapter seven: The synthesis of neodadaism and strict visuality; Chapter eight: Sociological aspects of postwar art. Size: 8vo.
