Trudy Hansen (72 results)

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condition: Very Good. Binding is nice, pages are unmarked, very little wear.; Rug Hooking Magazine's Framework; 8 X 0.5 X 11 inches; 84 pages.

paperback. Condition: Good. a good solid copy. clean and tight pages. fast and secure shipping.

Hardcover. Condition: Used Good. Dust Jacket Condition: Missing. Light wear to cover, slightly bumped corners, pages clean and unmarked. Some pages have light foxing (tan spots or browning). Sun exposure has faded the spine and cover. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.…

Hardback. Condition: Fair. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes. This book shows how the new presses attracted an influx of talented people to printmaking during those years. Frank Stella, Robert Rauschenberg, Red Grooms, Jennifer Bartlett and Robert Longo are just a few of the artists whose work is illustrated here. Due to their achievement and that of other artists, printmaking became recognized as a major art form, and the climate of experimentation fostered by these workshops became a driving force in the contemporary art world. The book is published to coincide with an exhibition which opened at the Zimmerli Art Gallery, New Jersey in April 1995, and is travelling around the United States.…

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. Light wear. Clean text. Front cover is creased. B13.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hardbound in dust jacket.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. clean, unmarked copy.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Very good paperback copy. An extraordinary outburst of creative activity occurred among American printmakers between the years 1960 and 1990. New workshops sprang up, like Universal Limited Art Editions on Long Island and the Tamarind Lithography Workshop in Los Angeles, as well as small presses throughout the country. In contrast to traditional European studios, where professional printers reproduced artists' designs, the new American workshops emphasized collaboration between printer and artist, and radical experimentation with mediums and processes.…

softcover. Condition: Collectible; Very Good. First Edition; First Printing. Numerous color illustrations. Foreword by Chuck Close. With essays by Donna Stein, Susan Gosin, and Trudy Hansen. Published on the occasion of the traveling exhibition, 2001-2003. ; Tight, clean and crisp. A gently read book in Very Good condition. No inscriptions. No remainder mark. Not ex-library.…

Mass Market Paperback. Condition: Very Good. First Edition. This first edition paperback is in excellent condition. The cover shows minimal wear, and the binding is tight and intact. There are no inscriptions, signatures, or library markings. The pages are clean and free of any annotations, maintaining the book's integrity and value for collectors. unknown (no dust jacket visible). Michael Mazur (illustrator). …

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: Fine. 102 pp., Paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

hardcover. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Paperback. Condition: Fine. Softcover. 4to. First edition. Fine condition. Catalogue published to accompany an exhibit held in 1990. Includes an interview at Hudson River Editions with Sylvia Roth, Mary Seibert, and John Beerman, a glossary of intaglio printing terms, and a bibliography. All plates in black-and-white. Erratum slip bound in. 45 pp.…

Condition: Very Good. hardcover. Text block firm and clean, binding unblemished, boards straight, without highlights or underlining. Fine, like new condition. Like new without DJ. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped.

Paperback. Condition: Very Good. First Edition. ***Please Read*** Price written inside cover - No marks on text - My shelf location - bn3-top*. Michael Mazur (illustrator).

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Orders shipped daily from the UK. Professional seller.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Tight, crisp copy with one small stain along fore edge almost imperceptable. 44 colorplates. 121 duotones, 333 black and white illustratoins. Excellent reading copy.

Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover, 248 pages; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Book has light wear to edges, slight fading to top edge and edges of endpapers.Otherwise, presents as nearly new with crisp, clean pages. Dust jacket has minor wear and rubbing to edges, light scratches to covers.Otherwise, attractive, clean, and protected in archival covering. …

Softbound. grey, glossy illustrated wraps. 248 pp. 177 bw and color plates. A nice, bright copy. Survey of graphic production in the US from 1960 to 1990. Works by Robert Blackburn, June Wayne, Tatyana Grosman, Sheila Marbain, Sam Gilliam, Romare Bearden, Grace Hartigan, Jennifer Bartlett, Lee Bontecou, Pat Stier and many others. Exhibition held at The Jane Voorhees Zimmerli Art Museum, Rutgers, April 23 to June 18, 1995 and three other locations. VG (edge-wear, light scuffs & scratches to covers; upper corner creased. light toning to pg edges. tightly bound.).…