Tuinen (268 results)

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: New. The Politics of Debt brings together philosophers, political scientists, and economists and sets them the task of reflecting on the political role played by debt. Focusing on the aftermath of the 2008 economic crisis, particularly in the United States and Europe, the book is split into groups. It contains six essays and five interviews that aim to fully comprehend the political consequences of the economic crisis and specifically of debt.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. Accompanying an exhibition of spectacular drawings by great giants of Flemish Baroque art from the superlative collection of the Morgan Library and Museum in New York, Power and Grace demonstrates the crucial but very different roles played by drawings in oeuvres of Rubens, Van Dyck, and Jordaens, and highlights the distinctive features of their graphic styles and the impact they had on each other. In 1621, Peter Paul Rubens (1577-1640) wrote a letter to William Trumbull, the English diplomat and political agent to King James I, in which he described a large painting of a lion hunt that he had just completed, "As you rightly observe, such things have more grace and power in a large picture than in a small one . because the large size of a picture gives one much more courage to express one's ideas clearly and realistically." Rubens here casually disclosed what lay at the heart of his artistic intentions - his constant quest to achieve in his compositions the equilibrium between power and grace. The same can be said of Anthony van Dyck (1599-1641) and Jacob Jordaens (1593-1678), whose lives and careers were markedly intertwined with and influenced by the senior artist. Just how differently they went about achieving this effect can best be seen in their drawings, for it is there that we see the artists thinking, evolving, and creating. The Morgan is particularly well suited to tell this story, for its holdings of Rubens, Van Dyck, and Jordaens drawings are unparalleled in the United States. The nucleus stems from Pierpont Morgan's important 1909 acquisition of the collection of European drawings from the English Pre-Raphaelite painter and collector Charles Fairfax Murray. During the decades following Pierpont Morgan's death in 1913, the collection of Flemish drawings was enriched with several notable acquisitions. The exhibited selection includes designs for paintings, tapestries, and sculpture, copies after Italian and German masters, portrait drawings, landscapes, and studies of the male nude.

Condition: new.

Condition: New. pp. 80.

Paperback. Condition: new. Paperback. Accompanying an exhibition of spectacular drawings by great giants of Flemish Baroque art from the superlative collection of the Morgan Library & Museum in New York, Power and Grace demonstrates the crucial but very different roles played by drawings in oeuvres of Rubens, Van Dyck, and Jordaens, and highlights the distinctive features of their graphic styles and the impact they had on each other. In 1621, Peter Paul Rubens (1577-1640) wrote a letter to William Trumbull, the English diplomat and political agent to King James I, in which he described a large painting of a lion hunt that he had just completed, "As you rightly observe, such things have more grace and power in a large picture than in a small one because the large size of a picture gives one much more courage to express one's ideas clearly and realistically." Rubens here casually disclosed what lay at the heart of his artistic intentions - his constant quest to achieve in his compositions the equilibrium between power and grace. The same can be said of Anthony van Dyck (1599-1641) and Jacob Jordaens (1593-1678), whose lives and careers were markedly intertwined with and influenced by the senior artist. Just how differently they went about achieving this effect can best be seen in their drawings, for it is there that we see the artists thinking, evolving, and creating. The Morgan is particularly well suited to tell this story, for its holdings of Rubens, Van Dyck, and Jordaens drawings are unparalleled in the United States. The nucleus stems from Pierpont Morgan's important 1909 acquisition of the collection of European drawings from the English Pre-Raphaelite painter and collector Charles Fairfax Murray. During the decades following Pierpont Morgan's death in 1913, the collection of Flemish drawings was enriched with several notable acquisitions. The exhibited selection includes designs for paintings, tapestries, and sculpture, copies after Italian and German masters, portrait drawings, landscapes, and studies of the male nude. Power and Grace demonstrates the crucial but very diff erent roles played by drawings in oeuvres of Rubens, Van Dyck, and Jordaens, and highlights the distinctive features of their graphic styles and the impact they had on each other. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 186 pages. 8.50x5.50x0.50 inches. In Stock.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Trade Paperback. Condition: New.

Paperback. Condition: New. Accompanying an exhibition of spectacular drawings by great giants of Flemish Baroque art from the superlative collection of the Morgan Library and Museum in New York, Power and Grace demonstrates the crucial but very different roles played by drawings in oeuvres of Rubens, Van Dyck, and Jordaens, and highlights the distinctive features of their graphic styles and the impact they had on each other. In 1621, Peter Paul Rubens (1577-1640) wrote a letter to William Trumbull, the English diplomat and political agent to King James I, in which he described a large painting of a lion hunt that he had just completed, "As you rightly observe, such things have more grace and power in a large picture than in a small one . because the large size of a picture gives one much more courage to express one's ideas clearly and realistically." Rubens here casually disclosed what lay at the heart of his artistic intentions - his constant quest to achieve in his compositions the equilibrium between power and grace. The same can be said of Anthony van Dyck (1599-1641) and Jacob Jordaens (1593-1678), whose lives and careers were markedly intertwined with and influenced by the senior artist. Just how differently they went about achieving this effect can best be seen in their drawings, for it is there that we see the artists thinking, evolving, and creating. The Morgan is particularly well suited to tell this story, for its holdings of Rubens, Van Dyck, and Jordaens drawings are unparalleled in the United States. The nucleus stems from Pierpont Morgan's important 1909 acquisition of the collection of European drawings from the English Pre-Raphaelite painter and collector Charles Fairfax Murray. During the decades following Pierpont Morgan's death in 1913, the collection of Flemish drawings was enriched with several notable acquisitions. The exhibited selection includes designs for paintings, tapestries, and sculpture, copies after Italian and German masters, portrait drawings, landscapes, and studies of the male nude.

Condition: New. 2018. Paperback. . . . . .

Paperback. Condition: Brand New. 40 pages. 12.00x9.00x0.11 inches. In Stock.

Condition: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New. pp. 80.

Condition: New. 2020. Paperback. . . . . .

Condition: Fair. First Edition. For English see below Het Rijksmuseum heeft de grootste collectie schilderijen van Rembrandt ter wereld, met topstukken als De Nachtwacht, Het Joodse bruidje, De Staalmeesters en de indrukwekkende portretten van het echtpaar Marten Soolmans en Oopjen Coppit. Daarnaast beheert het museum een representatieve en zeer omvangrijke verzameling van zijn tekeningen en etsen. In Rembrandt ? Rijksmuseum zijn alle 22 schilderijen, 60 tekeningen en de 300 mooiste afdrukken van zijn etsen uit de collectie voor het eerst samengebracht. Ze geven een weergaloos beeld van Rembrandt als kunstenaar, als mens, als verhalenverteller, en laten zo zien hoe vernieuwend hij was. -- The Rijksmuseum is home to the world's largest collection of Rembrandt's paintings, including The Night Watch, The Jewish Bride, The Syndics and the impressive portraits of the couple Marten Soolmans and Oopjen Coppit. The museum also boasts a vast assembly of Rembrandt's drawings and etchings. For the first time, all 22 paintings and 60 drawings, as well as the 300 most beautiful etchings in the collection are presented together in Rembrandt ? Rijksmuseum. Together, they offer an unparalleled perspective on Rembrandt the artist, the human, the storyteller, elucidating the mastery of his innovation.; redelijk-goed.

Paperback. Condition: Brand New. 108 pages. 8.00x8.00x0.50 inches. In Stock.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Softcover. Condition: Fine. First edition. Tall octavo. 204pp. Small initials on first page, tiny ink mark on lower wrap, else fine.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Situated at the interface of philosophy, aesthetics and art history, this collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. It gives you both a genealogy of speculative art history and a provocatively experimental counter-discourse of new speculative art histories.The contributors include philosophers, art historians, architects and art practitioners who go beyond the mere complementarity of philosophy and art history. They are generous with the types of art they examine, including architecture, cinema, dance and new media, and the philosophical trajectories they engage with.Speculative Art Histories is published in association with Witte de With Center for Contemporary Art, Rotterdam.

Paperback. Condition: New. Situated at the interface of philosophy, aesthetics and art history, this collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. It gives you both a genealogy of speculative art history and a provocatively experimental counter-discourse of new speculative art histories.The contributors include philosophers, art historians, architects and art practitioners who go beyond the mere complementarity of philosophy and art history. They are generous with the types of art they examine, including architecture, cinema, dance and new media, and the philosophical trajectories they engage with.Speculative Art Histories is published in association with Witte de With Center for Contemporary Art, Rotterdam.

Paperback. Condition: new. Paperback. Situated at the interface of philosophy, aesthetics and art history, this collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. It gives you both a genealogy of speculative art history and a provocatively experimental counter-discourse of new speculative art histories.The contributors include philosophers, art historians, architects and art practitioners who go beyond the mere complementarity of philosophy and art history. They are generous with the types of art they examine, including architecture, cinema, dance and new media, and the philosophical trajectories they engage with.Speculative Art Histories is published in association with Witte de With Center for Contemporary Art, Rotterdam. This collection brings together a series of creative responses to the recent speculative turn in Continental philosophy. The contributors include philosophers, art historians, architects and art practitioners. It takes a generous definition of art to include architecture, cinema, dance and new media. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.