Turner Andrew D (144 results)

Condition: Good. 3 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 3 Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condition: Very Good. 3 Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condition: Good. 2nd. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 3 Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

paperback. Condition: Good. Satisfaction 100% guaranteed.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback. Condition: new. Paperback. An in-depth exploration of the history, authentication, and modern relevance of Codice Maya de Mexico, the oldest surviving book of the Americas. Ancient Maya scribes recorded prophecies and astronomical observations on the pages of painted books. Although most were lost to decay or destruction, three pre-Hispanic Maya codices were known to have survived, when, in the 1960s, a fourth book that differed from the others appeared in Mexico under mysterious circumstances. After fifty years of debate over its authenticity, recent investigations using cutting-edge scientific and art historical analyses determined that Codice Maya de Mexico (formerly known as Grolier Codex) is in fact the oldest surviving book of the Americas, predating all others by at least two hundred years. This volume provides a multifaceted introduction to the creation, discovery, interpretation, and scientific authentication of Codice Maya de Mexico. In addition, a full-color facsimile and a page-by-page guide to the iconography make the codex accessible to a wide audience. Additional topics include the uses and importance of sacred books in Mesoamerica, the role of astronomy in ancient Maya societies, and the codex's continued relevance to contemporary Maya communities. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 18, 2022, to January 15, 2023. "An in-depth exploration of the history, authentication, and modern relevance of Caodice maya de Maexico, the oldest surviving book of the Americas"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: new. Paperback. Bythe mid-twentieth century, ancient Mexican artifacts had undergone a strikingtransformation. Once dismissed as anthropological curiosities, sought aftermore for their ethnographic value than aesthetic merit, they had becomeprized artworks that were prominently displayed in major US museums, featuredin advertisements and Hollywood films, and shown adorning the homes ofcelebrities. At the center of this shift was EarlStendahl, a savvy Los Angeles art dealer who played a pivotal role in shapingpublic and institutional perceptions of these objects. Through strategicmarketing and a keen eye for opportunity, he repositioned these artifacts,selling them to an elite clientele that included movie stars, wealthycollectors, and museum curators. In doing so, he helped define a new canon of"ancient American art." Beneath this glamorous facade,however, lies a darker narrative of the looting, smuggling, and forgery thatfueled this midcentury craze, exposing how the desire for authenticity andprestige often came at the expense of ethical collecting practices andcultural heritage. This book brings together art history, museum studies, andthe politics of the antiquities trade, offering both a social history and acritical examination of how ancient Mexico's past was sold intwentieth-century America. Thisfascinating book reveals the history of how pre-Hispanic artifacts weresmuggled into the United States and reconceptualized as works of art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: New. An in-depth exploration of the history, authentication, and modern relevance of Codice Maya de Mexico, the oldest surviving book of the Americas. Ancient Maya scribes recorded prophecies and astronomical observations on the pages of painted books. Although most were lost to decay or destruction, three pre-Hispanic Maya codices were known to have survived, when, in the 1960s, a fourth book that differed from the others appeared in Mexico under mysterious circumstances. After fifty years of debate over its authenticity, recent investigations using cutting-edge scientific and art historical analyses determined that Codice Maya de Mexico (formerly known as Grolier Codex) is in fact the oldest surviving book of the Americas, predating all others by at least two hundred years. This volume provides a multifaceted introduction to the creation, discovery, interpretation, and scientific authentication of Codice Maya de Mexico. In addition, a full-color facsimile and a page-by-page guide to the iconography make the codex accessible to a wide audience. Additional topics include the uses and importance of sacred books in Mesoamerica, the role of astronomy in ancient Maya societies, and the codex's continued relevance to contemporary Maya communities. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 18, 2022, to January 15, 2023.…

Paperback. Condition: Good. By the mid-twentieth century, ancient Mexican artifacts had undergone a striking transformation. Once dismissed as anthropological curiosities, sought after more for their ethnographic value than aesthetic merit, they had become prized artworks that were prominently displayed in major US museums, featured in advertisements and Hollywood films, and shown adorning the homes of celebrities. At the center of this shift was Earl Stendahl, a savvy Los Angeles art dealer who played a pivotal role in shaping public and institutional perceptions of these objects. Through strategic marketing and a keen eye for opportunity, he repositioned these artifacts, selling them to an elite clientele that included movie stars, wealthy collectors, and museum curators. In doing so, he helped define a new canon of "ancient American art." Beneath this glamorous facade, however, lies a darker narrative of the looting, smuggling, and forgery that fueled this midcentury craze, exposing how the desire for authenticity and prestige often came at the expense of ethical collecting practices and cultural heritage. This book brings together art history, museum studies, and the politics of the antiquities trade, offering both a social history and a critical examination of how ancient Mexico's past was sold in twentieth-century America.…

Paperback. Condition: Good. By the mid-twentieth century, ancient Mexican artifacts had undergone a striking transformation. Once dismissed as anthropological curiosities, sought after more for their ethnographic value than aesthetic merit, they had become prized artworks that were prominently displayed in major US museums, featured in advertisements and Hollywood films, and shown adorning the homes of celebrities. At the center of this shift was Earl Stendahl, a savvy Los Angeles art dealer who played a pivotal role in shaping public and institutional perceptions of these objects. Through strategic marketing and a keen eye for opportunity, he repositioned these artifacts, selling them to an elite clientele that included movie stars, wealthy collectors, and museum curators. In doing so, he helped define a new canon of "ancient American art." Beneath this glamorous facade, however, lies a darker narrative of the looting, smuggling, and forgery that fueled this midcentury craze, exposing how the desire for authenticity and prestige often came at the expense of ethical collecting practices and cultural heritage. This book brings together art history, museum studies, and the politics of the antiquities trade, offering both a social history and a critical examination of how ancient Mexico's past was sold in twentieth-century America.…

paperback. Condition: New.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. Established seller since 2000.

Paperback. Condition: Good. The recognition of Flower Worlds is one of the most significant breakthroughs in the study of Indigenous spirituality in the Americas. This volume reaches into multisensory realms that extend back at least 2,500 years, offering many different disciplines, perspectives, and collaborations to understand these domains. …

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. Established seller since 2000.

Paperback. Condition: New. By the mid-twentieth century, ancient Mexican artifacts had undergone a striking transformation. Once dismissed as anthropological curiosities, sought after more for their ethnographic value than aesthetic merit, they had become prized artworks that were prominently displayed in major US museums, featured in advertisements and Hollywood films, and shown adorning the homes of celebrities. At the center of this shift was Earl Stendahl, a savvy Los Angeles art dealer who played a pivotal role in shaping public and institutional perceptions of these objects. Through strategic marketing and a keen eye for opportunity, he repositioned these artifacts, selling them to an elite clientele that included movie stars, wealthy collectors, and museum curators. In doing so, he helped define a new canon of "ancient American art." Beneath this glamorous facade, however, lies a darker narrative of the looting, smuggling, and forgery that fueled this midcentury craze, exposing how the desire for authenticity and prestige often came at the expense of ethical collecting practices and cultural heritage. This book brings together art history, museum studies, and the politics of the antiquities trade, offering both a social history and a critical examination of how ancient Mexico's past was sold in twentieth-century America.…

Paperback. Condition: Good. The recognition of Flower Worlds is one of the most significant breakthroughs in the study of Indigenous spirituality in the Americas. This volume reaches into multisensory realms that extend back at least 2,500 years, offering many different disciplines, perspectives, and collaborations to understand these domains. …

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: new.

Condition: New. 2022. Paperback. . . . . .

Condition: New.

Paperback. Condition: Brand New. 86 pages. 8.75x5.75x0.50 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Brand New. 86 pages. 8.75x5.75x0.50 inches. In Stock.

Condition: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.