Turrell Julia Brown (34 results)

Soft cover. Condition: Very Good. 1st Edition. Los Angeles, 1985. Softcover, square format. 1st edition. 64 pp. interview with Giuseppe Panza di Biumo by Kerry Brougher, featuring selected works from the collection of Giuseppe and Giovanna Panza di Biumo. Artists featured include George Segal, James Rosenquist, Jean Fautrier, Franz Kline, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Mark Rothko, and Antoni Tapies and others. Very good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condition: Very Good. Unstated printing, softcover with white wire comb-binding, has bumps with light creasing to the corners and at the spine ends, rubbing with smudging to the covers, and a touch of edge wear to the covers. Overall, this is a solid, bright, Very Good copy.

Softcover with dustjacket, 136 pages, good condition; moderate scuffs to dj; small bump at bottom of spine; small stain to bottom outer page edge; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: New. First Edition. Sterling condition hardcover copy, brand-new, still in shrink-wrap, neither shelf- nor edge-worn, neither sunned nor marked as a remainder, bound in black cloth, with white lettering to cover and spine, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Based upon an exhibition of Rauschenberg's finest sculptures in a Fort Worth, Texas museum, curated by Julia Brown Turrell and with the assistance of David White. 135 pp., and stuffed with fine illustrations. The exhibition was held October 22 - December 31, 1995 at the Modern Art Museum of Fort Worth, and April 24 - June 9, 1996 at the Museum of Contemporary Art, Miami, Florida. Augmented with several essays: Conversation about the sculpture of Robert Rauschenberg / Pontus Hulten and Julia Brown Turrell -- Talking to Robert Rauschenberg: an interview / with Julia Brown Turrell -- Pail for Ganymede: essay / by Marjorie Welish.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Hardcover. Condition: Fine. First Edition. Sterling condition hardcover copy bound in black cloth, with white lettering to cover and spine, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Based upon an exhibition of Rauschenberg's finest sculptures in a Fort Worth, Texas museum, curated by Julia Brown Turrell and with the assistance of David White. 135 pp., and stuffed with fine illustrations. The exhibition was held October 22 - December 31, 1995 at the Modern Art Museum of Fort Worth, and April 24 - June 9, 1996 at the Museum of Contemporary Art, Miami, Florida. Augmented with several essays: Conversation about the sculpture of Robert Rauschenberg / Pontus Hulten and Julia Brown Turrell -- Talking to Robert Rauschenberg: an interview / with Julia Brown Turrell -- Pail for Ganymede: essay / by Marjorie Welish.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:0929865138.

Softcover, 158 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover. Condition: VG+. White/pictorial stapled wraps; 24 pp. 15 color reproductions. Gouaches by this environmental artist.

Hardcover. Condition: Near Fine. Turrell, James (illustrator). 1st Edition. $35.00 Publishers Dust Jacket Price, B/W and Color Illustrations, light sheld rubbings to the dust jacket edges.

Softcover with dustjacket, 136 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Very Good. First Printing paperback: no additional printings identified. Wraps/paperback = Very Good Plus with some signs of use, rubbing and shelf wear, especially at extremities; a small, light sticker mark on front flap near price. Interior very clean & bright. DUE TO SIZE PRIORITY & INTERNATIONAL SHIPPING MAY BE HIGHER THAN ABE QUOTE; AMOUNT WILL REFLECT ACTUAL COST.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Presumed First. Presumed first edition w/NAP, hardcover, has a very small lean to the binding, a minor bow to the covers, and a touch of shelfwear to spine ends and cover corners, otherwise a solid, clean, sharp VG+ copy in a like dust jacket, which has very mild shelfwear to spine ends and corners, faint sunning to the spine, and some minor rubbing to the covers. Jacket is wrapped in a removable Mylar cover.

Hardcover. Condition: VG/VG. Black cloth boards with black lettering on front cover and spine, color illustrated dust jacket with red and white lettering, 151 pp, richly illustrated with 135 illustrations, 25 in color. "Published in conjunction with the exhibition Lewis Baltz: Rule without exception, organized by Julia Brown Turrell, director of the Des Moines Art Center, Iowa." Includes bibliographical references (page 143).

Soft cover. Condition: Fine. Dust Jacket Condition: Fine. Julia Brown ; Jacqueline Crist; Julia Brown Turrell; Bill Viola, Jill Giegerich, Gronk, Steve Galloway, Guy De Cointet, Willie Herron, Mary Corse, Suzanne Caporael And Jo Ann Callis (illustrator). 1st Edition. Very Large Soft Cover, White Card Covers, Red Dust Jacket. First Printing, One Of Only 2500 Copies. With A Signed Thank You Letter From The Curator, Julia Brown Turrell, Thanking A Major Donor For Helping To Make The Exhibition And Book Publication. Fine In Fine Dust Jacket With Slight Wear Along Top Edge Of Spine And Small Paper-Clip Indentation At Top Edge Of Dust Jacket. Signed by Author(s).

Hardcover with dustjacket, 136 pages, very good condition; dj lightly ruffled along top edge; no internal marks. Foreign shipping may be extra.

Soft Cover. Condition: Acceptable. Ex-library with the usual features. The interior is clean and tight. Spiral bound. Cover has library label on the front and is slightly discolored and worn. One corner is creased. 59 pages. Illustrated throughout. Ex-Library.

Condition: Very Good. First Edition. Albuquerque, NM: University of New Mexico Press, 1990. First Edition, Wrapper Issue. Folio (33.5cm); publisher's glossy photo-illustrated card wrappers, French flaps; 151pp.; photographic illus. throughout, some in color. Small chip at spine crown, spine panel a shade sunned, else a Very Good example of this exhibition catalog.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Fine oversize first English edition hardcover, black boards with embossed lettering. Jacket fine, no tears, no fading. Essays from distinguished European and American artists, critics and historians, each of whom offers a particular perspective on this body of work. This documents his work from 1967 to 1990. 135 illustrations with 25 in color. M06639.

Hardcover with dustjacket, 158 pages; very good condition; light rubbing to covers; inner flaps of dj yellowed; no internal marks. Foreign shipping may be extra.

130 pp.; 26.5 x 28 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at The Menil Collection, Houston, September 8, 1989 - March 4, 1990. Traveled to the Des Moines Art Center, Des Moines, Iowa, April 28 - June 17, 1990. Essay by Katharina Schmidt. Includes exhibition checklist, selected bibliography, and biographical statement. Very Good. Yellowing of covers and bumping of top and bottom right corners of recto. 1.5 cm. tear to top edge of verso with adjacent 4.5 cm. crease. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Condition: Very Good+. Dust Jacket Condition: Near Fine. First Edition. Los Angeles: Fellows of Contemporary Art / Lapis Press / Museum of Contemporary Art, [1985]. First Edition. Quarto (28.5cm); publisher's boards in price-clipped photo-illustrated dust jacket; 157pp.; halftone and color photographic illus. throughout. Very light shelf wear and nudging to corners, else Very Good to Near Fine.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Hard bound with dust jacket. Text by Julia Brown Turrell, Pontus Hulten, Marjorie Welish, & David White. Published on the occasion of the exhibition from the Modern Art Museum of Fort Worth, Fort Worth TX October 22-December 31, 1995 and the Museum of Contemporary Art, Miami FL April 25-June 9, 1996. A very nice copy with only the most minor wear to dust jacket edges. [Heavy - Please contact for overseas shipping quote].

151 pp.; 34 x 24.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Institute for Contemporary Art, P.S.1 Museum, Long Island City, New York, December 16, 1990 -February 10, 1991. Traveled to the John and Mable Ringling Museum od Art, Sarasota, Florida, April 5 - May 26, 1991 ; Des Moine Art Center, Iowa, July 12 - September 1, 1991 ; Mills College Art Gallery ; Oakland, California, November 10 - December 22, 1991 and the Los Angeles County Museum orf Art, March 26 - May 31, 1992. Text by Marvin Heiferman, Paolo Costantini, Shirley Irons, Gus Blaisdell, Jane Livingston, Mowry Baden, Mark Haworth-Booth, Bernard Lamarche-Vadel, Jeff Kelley, Olivier Boissiere, and Michael Schmidt. Includes biography of the artist. Fine / New. In still sealed publisher's shrink-wrap. This copy never opened as New, as issued. Due to large size and weight of this publication additional shipping charges will be required for international orders.

First trade paperback printing. 157 pp w/biography, bibliography, & photo notes/credits. Fine in illustrated wrappers. Designed by Jack W. Stauffacher of the Greenwood Press. Fully illustrated. Contributions by Craig Adcock, John Coplans, Turrell, and others.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. 1st Edition. First edition, hardcover published in conjunction with the James Turrell exhibition at The Museum of Contemporary Art in Los Angeles from November 1985 to February 1986, and inscribed by Turrell on the title page. The book has a mild skew to the binding, very shallow bowing to the covers, a light bump to the head of the spine, and slighter wear to the tail of the spine and cover corner. Otherwise, this is a solid, tight, clean Very Good+ copy in a like unclipped dust jacket, which has a minor hint of wear to the spine ends and corners, very faint sunning to the spine, and some thin horizontal strips of toning to the flaps. The jacket is wrapped in a Mylar cover, and additional images are available upon request.

hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First edition, first printing. Hardcover. White paper-covered boards, with photographically illustrated dust jacket. Paintings, drawings and sculpture by Cy Twombly. Foreword by Paul Winkler and Julia Brown Turrell. Essay by Katharina Schmidt. Designed by Marilyn Muller. Includes a checklist of the exhibition, a selected bibliography and a biographical statement. 130 pp. (including 3 two-page gatefolds and 1 three-page gatefold), with 40 four-color plates and 17 additional black-and-white reference illustrations, beautifully printed by Meridian Printing, Rhode Island. 10-1/2 x 11 inches. Published on the occasion of the 1989 exhibition Cy Twombly at The Menil Collection, Houston (also traveled to the Des Moines Art Center, Des Moines, Iowa, 1990). Out of print. Near Fine (bump and 1/4-inch closed tear at bottom of front hinge, moderate shelf wear along bottom of boards, else Fine), in Near Fine dust jacket (light wear to the extremities and light fading to the spine, else Fine). An extremely scarce monograph of Twombly's work.

fester Einband. 135 S., 102 meist farb. Abb. 4° Ln.mS. *neuwertig*. Wie kein anderer hat Henry Moore die Skulpturengeschichte des 20. Jahrhunderts beeinflusst. Als einer der ersten zeitgenössischen Bildhauer ver wirklichte er seine Ideen weltweit im öffentlichen Raum. Mit seinem OEuvre inspirierte er eine ganze Künstlergenerationnachhaltig - von Hans Arp, Alberto Giacometti und Pablo Picasso bis zur jüngeren deutschen Bildhauergeneration.Henry Moore (1898-1986), als 'Picasso der Skulptur' bezeichnet, gilt als einer der wichtigsten Bild hauer des 20. Jahrhunderts und Inbegriff des modernen Künstlers. Für seine Arbeiten typisch ist die Wechselbeziehung zwischen Natur und Abstraktion. Die von ihm entdeckten »Voids«, sogenannte Aussparungen und Löcher, erhöhen die plastische, drei- dimensionale Wirkung seiner Skulpturen. Mit diesem neuen Ansatz übte Moore starken Einfluss auf die jüngeren Bildhauer aus, denen er entscheidende Impulse gab. Der Band stellt Moore als dominierende Persönlichkeit der modernen Bildhauerei im Schulterschluss mit der jüngeren Künstlergenerationvor.; Henry Moore (1898-1986), als 'Picasso der Skulptur' bezeichnet, gilt als einer der wichtigsten Bild hauer des 20. Jahrhunderts und Inbegriff des modernen Künstlers. Für seine Arbeiten typisch ist die Wechselbeziehung zwischen Natur und Abstraktion. Die von ihm entdeckten 'Voids', sogenannte Aussparungen und Löcher, erhöhen die plastische, drei- dimensionale Wirkung seiner Skulpturen. Mit diesem neuen Ansatz übte Moore starken Einfluss auf die jüngeren Bildhauer aus, denen er entscheidende Impulse gab. Der Band stellt Moore als dominierende Persönlichkeit der modernen Bildhauerei im Schulterschluss mit der jüngeren Künstlergenerationvor. Sprache: Englisch.