Vance Darryl (4 results)

Soft cover. Condition: As New. 1st Edition. Comic Book. Standard Format and Size. First Printing. Color illustrated cover with black/white interior art. AS NEW. All corners pointed. Binding tight, without stress creases and square. No tears, creases, bumps or chips. Not marked in any way and very clean, bright and glossy. All comics carefully wrapped and sent boxed.

Condition: Good. Spiral-bound softcover, ex library, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Condition: Fine. [Atlanta, GA]: Self-published, 1979. Double-sided photocopy of a twenty-dollar bill, housed in a 3-1/2 x 7-3/4 printed manilla envelope, itself in a 6 x 9 in. white envelope stamped with title and date. Fine. No 5 of 50 copies hand-numbered and signed in pencil by Vance to underside of outermost envelope's flap. A conceptual artist's multiple playfully promoting social disobedience in the manner of American counterculture activist and Steal This Book author Abbie Hoffman: a photocopied twenty-dollar bill inside of a payment remittance envelope from Southern Bell Telephone and Telegraph company. An early work of photocopier art by this graduate of the Atlanta College of Art and member of the short-lived art collective Senoj, who later established himself as a painter, his work having subsequently shown at the Venice Biennale, Hemphill Fine Arts in Washington, DC, Monique Arnon in San Francisco, etc. Unrecorded in OCLC.

Soft cover. Condition: Near Fine. San Francisco: Groundswell, 1991-1992. 3 vols. [28]; [44]; [60]pp; b&w illus. 4to. Staple- and (volume 3) brass tab-bound to top left corners. Vol. 1 very good, with horizontal folds from mailing, tears and mailing label to rear wrap. Vol. 2 fine. Vol. 3 near fine, with pulling to front cover tab hole. Complete three-volume run of this privately-circulated artist's serial produced as a gesture of protest against America's involvement in the First Gulf War, and consisting primarily of anti-war articles mechanically reproduced from various newspapers and periodicals, with brief opening statements from the compilers. Beery, a San Francisco writer, was Harvey Milk's lover at the time of his assassination, and a close friend of novelist Armistead Maupin; he died of AIDS-related complications in 1993. Darryl Vance is a photocopier artist-turned painter; his wife Louise, a writer and documentary filmmaker. Volume 3 also with contributions from Mary Gransfors, Paul Hughes, Trina Robbins, and Marsha Kahm. Scarce in the trade, and unrepresented in OCLC.