Vanzella (88 results)

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardback. Condition: New. An adopted Roman, but born in Brazil in 1908 to Italian immigrant parents, Elio Luxardo (Sorocaba, 1908 - Milan, 1969) is perhaps the greatest representative of that generation of photographers who found themselves immersed in Italy in the 1930s, while clearly differentiating themselves from their colleagues of the time.A master craftsman of the darkroom, he arrived in Rome in 1932 and grew professionally during the period when the Cinecittà film studios were being developed, cultivating his talent by portraying the actors and actresses of the time. But it was in his studio, far from the film sets, that he brought his inventive flair to the highest level, confining his work to a fascinating and intense mise en scène, from which he was able to extract a brilliant core of images dedicated exclusively to nude photography.The book presents this intimate production of original photographs from the early 1930s, consisting of an unprecedented and engaging relationship between light and shadow. Fascinated by Greek and Roman sculpture, the male nude alternates admirably with the female nude, in a comparison that reveals the clash between two different identities: on the one hand, an involuntary process of observance of the dogmas of the time, and on the other, a tangible trace of his youthful spirit, nurtured in the lush and free atmosphere of Brazil.The man's strength and vigour are immediately apparent in the representation of the male nude, which, however, intersects perfectly with the elusive eroticism of the female nude, a woman's body far removed from the rhetoric of "home, country, family" and the icon of the "angel of the hearth". This existential double game meant that his nude photographs, which did not fully comply with the canons of his time and those of the following decades, disappeared. His original, vigorous and seductive images have now finally re-emerged, finding light and visibility in a significant tribute to the artist.Texts by Nicola Del Roscio, Enrico Praloran and Giuseppe Vanzella, Federica Muzzarelli, Davide Pellicciari and Carlotta SpinelliText in English and Italian.

Hardcover. Condition: new. Hardcover. An adopted Roman, but born in Brazil in 1908 to Italian immigrant parents, Elio Luxardo (Sorocaba, 1908 Milan, 1969) is perhaps the greatest representative of that generation of photographers who found themselves immersed in Italy in the 1930s, while clearly differentiating themselves from their colleagues of the time.A master craftsman of the darkroom, he arrived in Rome in 1932 and grew professionally during the period when the Cinecitta film studios were being developed, cultivating his talent by portraying the actors and actresses of the time. But it was in his studio, far from the film sets, that he brought his inventive flair to the highest level, confining his work to a fascinating and intense mise en scene, from which he was able to extract a brilliant core of images dedicated exclusively to nude photography.The book presents this intimate production of original photographs from the early 1930s, consisting of an unprecedented and engaging relationship between light and shadow. Fascinated by Greek and Roman sculpture, the male nude alternates admirably with the female nude, in a comparison that reveals the clash between two different identities: on the one hand, an involuntary process of observance of the dogmas of the time, and on the other, a tangible trace of his youthful spirit, nurtured in the lush and free atmosphere of Brazil.The mans strength and vigour are immediately apparent in the representation of the male nude, which, however, intersects perfectly with the elusive eroticism of the female nude, a womans body far removed from the rhetoric of home, country, family and the icon of the angel of the hearth. This existential double game meant that his nude photographs, which did not fully comply with the canons of his time and those of the following decades, disappeared. His original, vigorous and seductive images have now finally re-emerged, finding light and visibility in a significant tribute to the artist.Texts by Nicola Del Roscio, Enrico Praloran and Giuseppe Vanzella, Federica Muzzarelli, Davide Pellicciari and Carlotta SpinelliText in English and Italian. This volume presents master craftsman of the darkroom, Elio Luxardos intimate production of original nude photographs from the early 1930s. Text in English and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: Near Fine. A nice, bright copy. ; Color Plates; 8vo ; 215 pages.

Softcover. First Edition. 141pp. An interesting look at the cosplay phenomenon in Italy. A fine copy. In the Italian language. ; Octavo.

Paperback. Condition: New.

Condition: NEW.

Paperback. Condition: New.

Condition: new.

Condition: Ottime. italiano Condizioni dell'esterno: Ottime Condizioni dell'interno: Ottime.

Hardcover. Condition: Brand New. 128 pages. 12.99x1.30x9.65 inches. In Stock.

Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Condition: NEW.

Condition: ottimo. Coll. narratori n 52 Bross. sov. (21X14) pp. 190 Ai risvolti introduzione di Mario Luzi Romanzo In perfetto stato (a2) We ship all over the world. Shipping cost depends on weight and country. Please ask for a quote before ordering.

Condition: Buone. italiano Condizioni dell'esterno: leggermente logorata Condizioni dell'interno: Buone.

Condition: new.

Condition: new.

Condition: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Storie di trevigiani senza storia. 8 brossura edit. pp.163 e illustraz. bianco nero n.t. Buono stato.

Condition: NEW.

Hardcover. Condition: new. Hardcover. An adopted Roman, but born in Brazil in 1908 to Italian immigrant parents, Elio Luxardo (Sorocaba, 1908 Milan, 1969) is perhaps the greatest representative of that generation of photographers who found themselves immersed in Italy in the 1930s, while clearly differentiating themselves from their colleagues of the time.A master craftsman of the darkroom, he arrived in Rome in 1932 and grew professionally during the period when the Cinecitta film studios were being developed, cultivating his talent by portraying the actors and actresses of the time. But it was in his studio, far from the film sets, that he brought his inventive flair to the highest level, confining his work to a fascinating and intense mise en scene, from which he was able to extract a brilliant core of images dedicated exclusively to nude photography.The book presents this intimate production of original photographs from the early 1930s, consisting of an unprecedented and engaging relationship between light and shadow. Fascinated by Greek and Roman sculpture, the male nude alternates admirably with the female nude, in a comparison that reveals the clash between two different identities: on the one hand, an involuntary process of observance of the dogmas of the time, and on the other, a tangible trace of his youthful spirit, nurtured in the lush and free atmosphere of Brazil.The mans strength and vigour are immediately apparent in the representation of the male nude, which, however, intersects perfectly with the elusive eroticism of the female nude, a womans body far removed from the rhetoric of home, country, family and the icon of the angel of the hearth. This existential double game meant that his nude photographs, which did not fully comply with the canons of his time and those of the following decades, disappeared. His original, vigorous and seductive images have now finally re-emerged, finding light and visibility in a significant tribute to the artist.Texts by Nicola Del Roscio, Enrico Praloran and Giuseppe Vanzella, Federica Muzzarelli, Davide Pellicciari and Carlotta SpinelliText in English and Italian. This volume presents master craftsman of the darkroom, Elio Luxardos intimate production of original nude photographs from the early 1930s. Text in English and Italian. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: new.

Paperback. Condition: Brand New. Italian language. 8.19x5.91x0.32 inches. In Stock.

Condition: OTTIMO USATO. I ED. Lapilli ITALIANO IL LIBRO È USATO, PERTANTO POTREBBE PRESENTARE LIEVI DIFETTI/IMPERFEZIONI. LA FOTO CORRISPONDE AL LIBRO IN VENDITA. Robot giganti, scolarette maliziose, samurai fantasy e bellezze aliene: oltre che tra le pagine dei fumetti, potreste averli visti in carne e ossa aggirarsi nei padiglioni di qualche fiera del fumetto. Cosa spinge un sempre maggior numero di appassionati di manga e anime (ma non solo) a creare elaboratissimi costumi e a interpretare i propri eroi su un palco? Questo libro analizza il fenomeno cosplay (costume + play), senza fermarsi alla sua esotica e bizzarra superficie. Numero pagine 160. Il copyright dei dati è di Informazioni Editoriali I.E. Srl.

brossura. Condition: Very Good. 1995. Copertina editoriale in brossura pieghevole. 1 vol.; Ill.; 23 cm. Lievi segni del tempo.ST700B. Book.

Condition: OTTIMO USATO. ITALIANO Graphic novel in brossura, esterno illustrata a colori e interno disegnato in nero, copertina con bandelle molto ben preservata, minime le tracce di manipolazione e contatto, velature leggere ma evidenti, fogli conservati in ottimo stato, come mai sfogliati invitano alla lettura come in un volume nuovo, tagli puliti. N. pag. n. n.

Condition: BUONO USATO. IED. Lapilli ITALIANO Brossura con bandelle, copertina a colori, segnata da ombre di polvere, comuni mende da conservazione e uso, n. 4 della collana, fogli bianco avorio, in ottimo stato, completati da corredo fotografico. N. pag. 141.