Vautier Ben: Signed (23 results)

24mo. pp. [31]. wrs. signed "Ben 92" on front blank. Limited Edition of 950 copies. Signed by Author(s).

Condition: Good. First Edition. (Ben Vautier) BEN | N'importe qui peut avoir une idée | Year: 1969 | Medium: screenprint - sérigraphie | Dimensions: 62 × 67 cm | Image Size: 60 × 50 cm | Support: white Bristol board - Bristol blanc | Signature: signed and numbered in pencil - signé(e) et numéroté(e) au crayon | Edition: 100 copies | Editor: Georges Fall | Printer: Artcay | Condition: in very good condition - en très bon état | (Ben Vautier) BEN's work "N'importe qui peut avoir une idée" from 1969 is a screenprint on white Bristol board. It measures 62 × 67 cm. It is signed and numbered in pencil. From an edition of 100. Printed by Artcay. | Keywords: Fluxus, School of Nice, Penmanship - typography - Fluxus, Ecole de Nice, Calligraphie - typographie. (Ben Vautier) BEN (illustrator). …

Tiratura 1000 copie. 23 x 17 cm. 76 S., 2 Blatt. OKarton mit montiertem Titelschild. Vorsätze etwas stockig, 4 Blatt im unteren Rand mit etwas verlaufener Druckfarbe. Insgesamt aber gutes bis sehr Exemplar. Textsammlung, alle Texte in Französisch. Auf dem montierten Titelschild handschriftlich in schwarzem Filzstift von Ben Vautier betitelt "nouveau", darunter handschriftlich signiert "Ben". Recht selten.…

Couverture souple. Condition: Très bon. Edition originale. Paris, aux éditions Le Mot et Le Reste, 2007 In-8 carré (21 cm x 15 cm), 179 pp. Broché sous couvertures souples. Exemplaire en très bon état. Édition originale agrémentée d'un envoi et d'un dessin en double page, adressé à Didier Gicquel, photographe, ami de l'artiste. Bel exemplaire. Signé par l'auteur. …

Couverture souple. Condition: Comme neuf. Edition originale, Édition illustrée. Paris, aux éditions Opus Délits, 2009 In-16 carré (15 cm x 15 cm), 58 pp. Broché sous couvertures souples à rabats. Exemplaire en très bon état. Édition originale agrémentée d'un envoi et d'un dessin, sur le double rabat de la couverture, adressé à Didier Gicquel, photographe, ami de l'artiste. Monographie illustrée à toutes pages. Très bel exemplaire. Joint: Carton d'invitation, au format carte postale, pour l'exposition Ben à la galerie Lara Vincy en 2010. Ben / Ben Vautier (illustrator). Signé par l'illustrateur.…

Couverture souple. Condition: Comme neuf. Edition originale, Édition illustrée. Lyon, aux éditions Samogy/Mac Lyon, 2010 In-4 carré (30 cm x 30 cm), 408 pp. Broché sous couvertures souples à rabats. Exemplaire en très bon état (proche du neuf). Édition originale de cette très riche monographie, agrémentée d'un dessin et d'un envoi à pleine page adressé à Didier Gicquel, photographe, ami de l'artiste. CD inséré dans une pochette placé à la fin de l'ouvrage. Très bel exemplaire. Complet. Ben / Ben Vautier (illustrator). Signé par l'auteur. …

16,5 x 21,5 cm. 8 unpaginierte Blatt, gelocht. OKarton, Rundkopfklammern. Gutes bis sehr gutes Exemplar. Enthält auf 16 S. zwei Aufsätze von Ben Vautier, "Qu est-ce que le nouveau art" und "Pu en est le nouveau en art", paginiert A-O. Auf dem vorderen Umschlag handschriftlich nummeriert 9. [Abweichende Beschreibung bei Silverman]. …

30,5 x 24,0 cm. 1 Blatt., Sehr gutes Exemplar. Edition aus dem 100. Karton der Edition Hundermark 1986: Papier, Karton, Filzstiift, Stempel. Eins von 50 (gesamt 150) Künstlerexemplaren, von Ben Vautier handschriftlich nummeriert 35 / 50, signiert und mit einem Titelstempel in Blau versehen. Als Zeichnung ist in der Dritten Spalte einer auf Karton montierten Lexikonseite oben rechts eine Markierung mit schwarzem Filzstift vorgenommen.…

21,5 x 16,5 cm. 9 unpaginierte Blatt, gelocht. OKarton, Rundkopfklammern. Umschlag vorne minimal fleckig. Gutes bis noch sehr gutes Exemplar. Durchgehend mit Foto-Abbildungen in Schwarz-Weiss versehen. In einem auf der ersten Seite montierten kleinen Briefkuvert befinden sich 10 Wortkarten (Manger, touche, oublier.) und 1 Erläuterungskarte. Eine Textseite ist über Kopf eingebunden. Auf der hinteren Umschlaginnenseite ist ein Foto von Ben Vautier montiert. Vollständiges Exemplar des recht seltenen Künstlerbuchs. …

16,5 x 21,5 cm. 11 unpaginierte Blatt, geklammert. Sehr gutes Exemplar. Titel in Blau gestempelt, 11 lose Blatt, geklammert. Enthält den Text 'La table' von Ben und auf dem letzten Blatt von Robert Filliou '1 Enumeration'. Rückseitig handschriftlich mit Bleistift bezeichnet "März 66 von Ben Vautier geschenkt erhalten." [Geschenk von Erik Andersch, der das Heft 1966 von Ben Vautier erhielt, an den Vorbesitzer].…

Softcover. Condition: Gut. Dust Jacket Condition: Sehr gut. Revue de Bean Vautier, signé "Ben" sur la couverture; avec des contributions d' Alain Roussel, Peter Hutchinson, Bernar Venet, Tania Mouraud, BEN lui meme, Maccaferri, Christian Boltanski, Olivier Mosset, Henry Flint et autres. Signatur des Verfassers.…

Hardcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. "Exclusive SET " introspection truth art & sex ", Framed Artwork - DeLuxe limited edition of only 50 *** This highly sought-after edition includes following *** Framed artwork Impossible To Be Another - Ben 2013 Mirror - professionally mounted on black linen and presented in an exclusive, deep, black wooden frame, hand-crafted in the Netherlands. The work is protected by UltraVue® UV70 museum glass, offering superior clarity and UV protection, with framed dimensions of 30 x 25 x 4 cm *** Black-cloth cassette box measuring 23 x 16 x 6 cm. Inside, it holds : BOOK with a black cloth cover, SIGNED by Ben Vautier in red and embossed with the limited edition number #005. PLUS DVD in matching black cloth folder, adding an audiovisual dimension to the project *** Published by the Global Art Affairs Foundation as part of the Personal Structures Art Projects series (PSAP). This is edition #07. An initiative, which brings together leading contemporary artists exploring themes of time, space, and existence. Initiated by the Global Art Affairs Foundation, PSAP is recognized for its museum-quality exhibitions and collaborations with international art institutions *** Ben Vautier (1935 2024), widely known as Ben, was a French conceptual artist celebrated for his provocative text-based artworks and significant contributions to the Fluxus movement *** In the late 1950s, Ben operated a record shop called Magazin, which evolved into a vibrant hub for artistic experimentation and discourse. It was during this period that he developed his signature "écritures" bold, handwritten statements on canvas that challenged conventional art forms and conveyed incisive social commentary. Notable works include "L'art est inutile. Rentrez chez vous" ("Art is Useless. Go Home") and "Tout est art" ("Everything is Art"), encapsulating his belief in the omnipresence of art in everyday life *** Ben s involvement with the Fluxus movement in the 1960s further solidified his reputation as an avant-garde provocateur. He participated in numerous performances and happenings, emphasizing the fusion of art and life, and often incorporating elements of chance and audience interaction *** On June 5, 2024, Ben s beloved wife, Annie, passed away following a stroke. Unable to imagine life without her, Ben made the heartbreaking decision to follow her and tragically took his own life just hours after her passing in their home in Nice. Their love story, spanning over six decades, ended in a deeply poignant and romantic gesture, underscoring the profound connection they shared in life and beyond ## SHIPPING : Worldwide shipping available ## # CONDITION : artwork, case and book are in very good condition ##". Signatur des Verfassers.…

Mappe. Condition: Gut. Mappen mit losen Blättern numeriert ( 217/ 500 ) und signiert von dem schweizerisch-französischen Künstler der Fluxus-Bewegung Benjamin " Ben" Vautier (1935-2024), leichte Gebrauchspuren, Kleiner Einriss in der Matte, ohne Seitenangabe. limited edition signed by artist Size: 4°. Vom Künstler signiert. Buch. …

4° (30 x 23 cm), 191 S. Orig.-Karton mit Orig.-Klappenumschlag. Erste Ausgabe des Kataloges zur großen Retrospektive.- Auf erster Seite von Vautier signiert und datiert "Ben 98".

No Binding. Condition: Fine. 12×12 cm. Artist's multiple consisting of 2 printed square cards with punch holes and white strings. Both cards have a rubber stamped number verso. One is signed and dated. Signed by Illustrator(s).

1985. 37,5 x 26,5 cm, encre de Chine et disque contrecollé sur carton fin. Oeuvre originale datée et signée par Ben, numérotée 11/25 car elle fit partie du tirage de tête du porte-folio Cirque Divers édité par Lebeer-Hossmann en 1986. Excellent état.

Nice: Centre d'Art Total, 1963. Quarto (31.4 × 22.5 cm). Original printed wrappers consisting of two sections; 52 individual leaves with collages, multiples, hectographs on different types of paper. Due to age and material some glue is partially loose; else very good or perfectly preserved. First edition of the exceptionally uncommon artist's book, the second edition of which is also very rare. Because of its rarity, it is not listed in Jon Hendrick's "Fluxus Codex", but is mentioned in the foreword as a "landmark publication" of the Fluxus movement (p. 22). With "Ben Dieu", Vautier documents his early Fluxus works on paper. He first met his Fluxus mentor George Maciunas in 1962 in London at the "Misfits Fair" organized by Daniel Spoerri. Vautier took part in the event, as did Robert Filliou, for example. Maciunas was passing through and a conversation ensued between the two, which ultimately led Vautier to start Fluxus in Nice under the label "Total Art". (Cf. Ben Vautier, in: 1962 Wiesbaden Fluxus 1982, Wiesbaden, Kassel, Berlin 1983, p. 148ff.) A lively exchange and close collaboration developed between the two. The catalog of the Sohm Archive states that Vautier was the only artist among all Europeans whom Maciunas liked to supervise extensively in the production of his artist's books. (Thomas Klein, "Fröhliche Wissenschaft". Das Archiv Sohm, Stuttgart 1986, p 99.) Vautier seems not only to have sent the artist's books individually to colleagues, friends, collectors, and critics, but also compiled them individually. Thus the copies known to us repeatedly reveal differences. A detailed documentation of all pages and supplements of the artist's book can be viewed on the website of the Fondazione Bonotto under the following link: fondazionebonotto. org/it/collection/fluxus/vautierben/2158.h tml (as of January 2025) The copy offered by us differs in the following points: The following leaves are not in our copy: "Absolument n'importe quoi est art" - 2 leaves of "Partie du Tout a Ben" - "Jalousie". In comparison to the copy owned by the Fondazione Bonotto, the copy we are offering has the following additional leaves and multiples: Poster "France Dimanche. L'illustre de Paris. Les enfants de Joséphine Baker a L'assistance?", signed by Ben. - Sticker in the shape of a blue circle "15 compositions" Only 100 copies were produced. Sohm, Happening & Fluxus Materialien, Vautier. Cf. Fondazione Bonotto, Code FX1263. As of January 2025, OCLC lists only three copies of the first edition in North America.…

Kein Einband. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. BEN VAUTIER - Original Drawing *** Work in Black felt-tip on paper" UM KUNST ZU ÄNDERN MUSS MAN DAS ICH ÄNDERN " ( TO CHANGE ART YOU HAVE TO CHANGE THE I) - created by Ben Vautier for the German magazine Zweitschrift. An original issue of this magazine is part of this set ** Ben Vautier, a prominent figure in the Fluxus movement, created this original artwork for"Zweitschrift", the renowned avant-garde magazine published in Hannover between 1976 and 1982. Vautiers work embodies his distinctive conceptual approach, characterized by bold, handwritten text and provocative statements that challenge artistic conventions and question the boundaries between art and life ** In this piece, Vautier employs his signature aesthetic raw, direct, and thought-provoking using text as a powerful visual and intellectual tool. His work forZweitschriftencapsulates the Fluxus ethos of simplicity, humor, and a deep engagement with everyday life, inviting viewers to reconsider their perceptions of art, language, and meaning *** Drawing is professionally framed, under custom-cut, double acid-free passe-partout, in a high-quality, handcrafted black wooden frame with PLEXIGLAS Optical HC, scratch-resistant and UV-protected. Framed approx.55 x 45 cm *** Through this contribution, Vautier not only reinforces his reputation as a pioneering conceptual artist but also enrichesZweitschrifts legacy as a platform for radical artistic expression. This artwork stands as a testament to his lifelong commitment to art that is accessible, irreverent, and profoundly human. Vautiers work is featured in several major art institutions around the world, including theCentre Pompidouin Paris, theMuseum of Modern Art (MoMA)in New York, theTate Modernin London, and theStedelijk Museumin Amsterdam. These institutions house some of his most iconic pieces, showcasing his groundbreaking contributions to conceptual and performance art * On June 5, 2024, Bens beloved wife, Annie, passed away following a stroke. Unable to imagine life without her, Ben made the heartbreaking decision to follow her and tragically took his own life just hours after her passing in their home in Nice. Their love story, spanning over six decades, ended in a deeply poignant and romantic gesture, underscoring the profound connection they shared in life and beyond. *** Worldwide delivery *** CONDITION : in very good condition *****. Signatur des Verfassers.…

4° (30 x 21 cm), 102 S. mit vielen Abbildungen, Orig.-Klappbroschur. 2. erweiterte Auflage.- Auf Vorsatz schön von Vautier gewidmedt "Ben 2002 - have a good souvenir of Erlangen".- Kleines Exlibris, schones Exemplar.

4° (28 x 21 cm) 71 S. mit vielen Abbildungen, Orig.-Klappbroschur. Erste Ausgabe.- Auf Vortitel eigenhändige Zeichnung (lachender Kopf) von Ben Vautier, signiert "Ben 2002".- Schönes Exemplar.

quer-8° (17 - 23 cm), 4 S. Text und 11 Farbtafeln, Orig.-Karton. Erste Ausgabe.- Auf der Rückseite eigenhändiger Text von Ben Vautier in weißer Farbe "I am (durchgestrichen) / want to be a cactus / Ben 2005".

kl.-4° (26 x 21 cm), 25 S. mit zahlreichen Abbildungen, Orig.-Karton mit Orig.-Umschlag. Erste Ausgabe.- Text von Mara Brackmann in Deutsch und Englisch.- Auf 3. Seite kleine Zeichnung mit Widmung "für Helmut" von Ben Vautier.

29,5 x 21,0 cm. 1 Blatt. Zum Versand gefaltet. Oberer Rand minimal gebräunt und etwas berieben. Gutes Exemplar. Antwort auf eine Anfrage einer deutschen Künstlerkollegin und Autorin. Datiert Nice, 107. Juin 1975, signiert "Ben".