Verhecken Andre (19 results)

Bull. Mus. natn. Hist. nat. , Paris, 4e sér. , 12, 1990 (1991), section A, n° 3-4, 7 pages agrafées de 18x24,50 cm Très bon état - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.

Condition: As New. Unread book in perfect condition.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Soft Cover. Condition: Near Fine. First Edition. wrappers/folded card covers., no flaws, clean, no writing or markings, strong sewn binding.; english text.; 159pp., illustrated throughout with 70 color plates and 45 b/w line drawings. six essays on aspects of the history and conservation of pre-columbian textiles.; no isbn. Size: Folio - over 12" - 15" tall.

Paperback. Condition: Brand New. 112 pages. 12.00x8.50x0.50 inches. In Stock.

paperback. Condition: New. 1st.

Paperback. Condition: new. Paperback. How did textiles dyers manipulate the natural dyes at their disposal to obtain the colours we see on fabrics and tapestries in museum collections today? How did colour makers prepare the translucent lake pigments used by artists to give richness and volume to painted draperies and subtle modulations of colour and space in the depiction of landscape? Some of the technological factors the dyer or pigment maker could control very easily have a marked effect on the final colour: the mordant salt used on the textile fibre; the temperature at which the dye was extracted from the raw material or dyeing was carried out; the method of extracting the dye during pigment preparation. These factors were explored as part of a research activity with the European project CHARISMA (Cultural Heritage Advanced Research Infrastructures - Synergy for a Multidisciplinary Approach to Conservation/Restoration), a Research Infrastructures project funded by the European Union 7th Framework Programme.Recipes for dyeing and lake pigment making using natural dyes, based on those found in historical documentary sources, were designed to study the effects of these and other factors and used during two CHARISMA workshops held in 2011 - one on making traditional lake pigments, the other on dyeing. This book brings together the recipes used during these very successful workshops with discussions of the historical recipes upon which they were based and is illustrated with photographs taken during the workshops. The most widely used European natural dyes are described briefly and a short account of the chemistry of dyeing and lake pigment making is included. The book is aimed primarily at those who need easily modified and reproducible recipes for teaching or scientific work: conservators, scientists and teachers. This volume explores how historical dyers and pigment makers manipulated natural dyes to produce the vibrant colours seen in textiles, tapestries, and paintings today. Drawing on research from the EU-funded CHARISMA project, it examines key factorssuch as mordants, temperature, and extraction methodsthat influenced final colours. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Paperback. Condition: New.

Taschenbuch. Condition: Neu. Neuware.

Paperback. Condition: new. Paperback. How did textiles dyers manipulate the natural dyes at their disposal to obtain the colours we see on fabrics and tapestries in museum collections today? How did colour makers prepare the translucent lake pigments used by artists to give richness and volume to painted draperies and subtle modulations of colour and space in the depiction of landscape? Some of the technological factors the dyer or pigment maker could control very easily have a marked effect on the final colour: the mordant salt used on the textile fibre; the temperature at which the dye was extracted from the raw material or dyeing was carried out; the method of extracting the dye during pigment preparation. These factors were explored as part of a research activity with the European project CHARISMA (Cultural Heritage Advanced Research Infrastructures - Synergy for a Multidisciplinary Approach to Conservation/Restoration), a Research Infrastructures project funded by the European Union 7th Framework Programme.Recipes for dyeing and lake pigment making using natural dyes, based on those found in historical documentary sources, were designed to study the effects of these and other factors and used during two CHARISMA workshops held in 2011 - one on making traditional lake pigments, the other on dyeing. This book brings together the recipes used during these very successful workshops with discussions of the historical recipes upon which they were based and is illustrated with photographs taken during the workshops. The most widely used European natural dyes are described briefly and a short account of the chemistry of dyeing and lake pigment making is included. The book is aimed primarily at those who need easily modified and reproducible recipes for teaching or scientific work: conservators, scientists and teachers. This volume explores how historical dyers and pigment makers manipulated natural dyes to produce the vibrant colours seen in textiles, tapestries, and paintings today. Drawing on research from the EU-funded CHARISMA project, it examines key factorssuch as mordants, temperature, and extraction methodsthat influenced final colours. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

255pp., rijkelijk geïllustreerd in kleur, linnen uitgeversband, geïllustreerde stofwikkel, 30cm., goede staat, ISBN 978-90-209-7086-9, S96977.