Vicario Gilbert (103 results)

hardcover. Condition: Good.

hardcover. Condition: Very Good. Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Hardcover. Condition: Fine. Laminated yellow covers, 60 pp. Color and b&w photos and illustrations. Size: 12mo - over 6¾" - 7¾" tall.

Paperback. Condition: Very Good. unmarked, light shelfwear-NICE Oversized.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. No Dust Jacket. Crisp, clean pages with no owners' marks; the hard cover shows a small wrinkle at the spine heel and a thin scratch at the upper right rear, otherwise excellent. 120pp.; color illus.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Jacket (as issued). A little shelf worn but looks unread. Cover has a small(1/4 inch) circular indention and crease at the end of the word Survival on the front cover.

Hardcover. Condition: new. Hardcover. Rediscover an American modernist and her poetic celebration of nature. The spiritually inspired pictures of Agnes Pelton (1881-1961) have their roots in the desert of California, a place where she settled in 1932 and lived until her death. Pelton wrote of her highly symbolic paintings that her pictures were "like little windows," which opened up a view into the interior, her "message of light to the world". In the 1920s Pelton started to explore abstract painting because this offered her the possibility of translating esoteric topics into pictures. Like her fellow artist Georgia O'Keeffe, Pelton deliberately turned her back on the art scene of the East Coast. She was celebrated for her abstract compositions: "It is simply an oasis of beauty for the eye", was how American Art News eulogized her work. After her death, Pelton's work disappeared from the public focus for a long time, but in recent years she's begun to be valued as a crucial American modernist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Softcover, new condition; still sealed in shrinkwrap; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New. 2022. 1st Edition. Hardcover. . . . . .

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condition: New. 2022. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Wrappers. Condition: Near Fine. 98 pages. Paperback exhibition catalogue. Texts in English with Arabic translations at the back. Small bump to the lower right corner. Else, the binding is tight, the interior clean and free of markings. Bound in plastic covers and published on the occasion of the presentation by the Museum of Fine Arts, Houston of the artist's work at the United States Pavilion in the 10th International Cairo Biennale. Book.…

Hardcover. Condition: Very Good+. No Dustjacket. Hardcover, has slight lean to binding, very slight bumps to spine ends and board corners, some light rubbing, and a hint of shelfwear to board edges, otherwise a solid, clean VG+ copy.

Hardback. Condition: Very Good.

paperback. Condition: As New. First Paperback Edition. Publisher: Museum of Fine Arts, Houston, 2006. FINE softcover in red and white flexi-board wraps, as issued. First Softcover Edition, Printing unstated. As new.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condition: New. Brand New.

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. Inscribed by Robleto.

Buch. Condition: Neu. Neuware -The spiritually inspired pictures of Agnes Pelton (18811961) have their roots in the desert of California, a place where the artist settled in 1932 and where she lived until her death. She wrote of her highly symbolic paintings that her pictures were like little windows, which opened up a view into the interior, her message of light to the world. In the 1920s Agnes Pelton started to explore abstract painting, because this offered her the possibility of translating esoteric topics into pictures. Like her fellow-artist Georgia OKeeffe, Pelton deliberately turned her back on the art scene of the East Coast. She was celebrated for her abstract compositions: it is simply an oasis of beauty for the eye, was how American Art News eulogised her work. After her death Peltons work disappeared from the public focus for a long time; today her important artistic contribution to American modernism is acknowledged once more. 64 pp. Englisch.…

Soft cover. Condition: Near Fine. First Edition. Near fine in original wrappers with minor wear.

Soft cover. Condition: Very Good. Book is in very good condition. 160pp with colour photographs.

Trade Paperback. Condition: Near Fine. Book is in excellent condition with Very light scuffing to covers only. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 160 pages with color plates throughout.

Hardcover. Condition: New. Expanding on the concept of the 'California Art Scene,' this volume gathers together contemporary artists who represent the Pacific Rim's incredible diversity and artistic achievement. California is closely linked to countries throughout the Pacific Rim--a region that is producing some of today's most innovative art--and the Orange County Museum of Art's California-Pacific Triennial is the only exhibition in the Western Hemisphere devoted to this explosion of cultural activity. OCMA chief curator Dan Cameron has selected 32 artists from more than a dozen countries, including Japan, the Philippines, Mexico, Vietnam, Peru, Canada, and the United States. The result is one of the most essential and cosmopolitan surveys of contemporary art in the world. 'This catalog was published in conjunction with the 2013 California-Pacific Triennial, organized and presented by the Orange County Museum of Art, Newport Beach, California, June 30-November 17, 2013.'.…

Hardcover. Condition: New. New embossed cloth covered hardcover. 4to. (8.4 x 0.66 x 10.7 inches) Clean text free of marks or underlining. Full color photos and illustrations. Includes list of works in exhibitions, list of plates, artist biography, notes and photo credits. 128 pp. Fast shipping in a secure book box mailer with tracking. This mid-career retrospective showcases Sheila Pepe's range as an artist comfortable with both the everyday and also the extraordinary. Shoelaces, nautical ropes, bits of string. For two decades Sheila Pepe has been transforming these items into transcendent works that can fit on a lap or fill a room. Her versatility, humor, and feminist perspective are on brilliant display in this book that traces her development over the past twenty years. Essays look at how the artist plays with feminist and craft traditions to counter patriarchal notions, and the site-specific nature of her work. Arranged both chronologically and thematically, this lushly illustrated book focuses on an artist doing important work in the fields of queer theory, craft making, and personal geography.…