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Video Professor (4 results)

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  • Published by VP, 2005

    Seller: The Media Foundation, BEAVERTON, OR, U.S.A.The Media Foundation

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    Condition: Used - Fine

    US$ 12.98

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    CD-ROM. Condition: Fine. NOTE: 3-disc set in original tri-fold ecocase (image differs, price reflects). Discs, artwork and case in excellent condition. 100% Satisfaction Guaranteed. Orders received before 3PM PT typically ship same day. All profits support the non-profit community. Free upgrade to First Class shipping.…

  • Published by Video Professor, 2006

    Seller: The Media Foundation, BEAVERTON, OR, U.S.A.The Media Foundation

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    Condition: Used - Very good

    US$ 20.08

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    CD-ROM. Condition: Very Good. NOTE: Disc in paper/plastic envelope (as shown). 100% Satisfaction Guaranteed. Orders received before 3PM PT typically ship same day. All profits support the non-profit community. Free upgrade to First Class shipping.

  • Condition: New

    US$ 53.15

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    Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Robert B. Musburger is a Professor Emeritus and former Director of the School of Communication at The University of Houston. The owner of Musburger Media Services, he has worked for 20 years in professional broadcasting, serving as camer.…

  • Language: English

    Published by Bloomsbury Publishing Plc, 2026

    1501350919 / 9781501350917

    • Hardcover
    • Print on Demand

    Seller: AHA-BUCH GmbH, Einbeck, GermanyAHA-BUCH GmbH

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    Condition: New

    US$ 153.96

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    Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment.Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's 'wild sound'-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment.The latter half of the book shifts attention from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.…