Voermann Ilka (106 results)

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: New.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardback. Condition: New. The metal sculptures and drawings of Hans Uhlmann (1900 -1975) shaped the image of German postwar modernism. Arrested by the National Socialists in 1933, Uhlmann sketched filigree wire heads during his incarceration. He went on to realise these pieces following his release. In the 1950s, his figurative forms developed further into abstract compositions. With around 80 works, the exhibition at the Berlinische Galerie traces Uhlmann's creative periods from the 1930s to the 1970s and explores not only his drawings and sculptures but also his role within the West Berlin art scene. This is the first comprehensive retrospective of his work in more than 50 years.Text in English and German. …

Condition: as new. Wie neu/Like new.

Hardback. Condition: New. Between 1933 and 1945, artistic creativity within the German Reich was almost totally under the control of the National Socialist state. Many artists emigrated. But what about the ones who remained in Germany? Under what social and economic conditions did they focus on their art and what options for activity were open to them? For artists who did not conform to the system, the years of National Socialism were an era of standstill and isolation. This volume questions this blanket judgement through 15 artist personalities and shows how differently they dealt with ostracism, the lack of audience and the absence of exchange, what possibilities they had for selling and exhibiting their works and to what extent they adapted to the requirements of the Nazi regime. Some 150 paintings, sculptures, drawings and photographs reflect graphically the contradictions of this time.…

Condition: new.

Hardcover. Condition: new. Hardcover. Between 1933 and 1945, artistic creativity within the German Reich was almost totally under the control of the National Socialist state. Many artists emigrated. But what about the ones who remained in Germany? Under what social and economic conditions did they focus on their art and what options for activity were open to them?For artists who did not conform to the system, the years of National Socialism were an era of standstill and isolation. This volume questions this blanket judgement through 15 artist personalities and shows how differently they dealt with ostracism, the lack of audience and the absence of exchange, what possibilities they had for selling and exhibiting their works and to what extent they adapted to the requirements of the Nazi regime.Some 150 paintings, sculptures, drawings and photographs reflect graphically the contradictions of this time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

Condition: New.

Condition: New.

Condition: New. 2026. hardcover. . . . . .

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. 1.

Hardcover. Condition: new. Hardcover. Marc Brandenburg (b. Berlin, 1965; lives and works in Berlin and Barcelona) has won international acclaim as an outstanding graphic artist. His defining genre are pencil drawings after photographic sources, whose tonality he inverts as in photographic negatives. Brandenburg captures his sources as he travels the world or samples them from magazines, films, and books. The freehand translation of the inverted and distorted originals yields haunting and pensive renditions of the contemporary world. Brandenburgs motifs originate from urban everyday life: protest marches, homeless people, snippets of subculture, but also portraits of celebrities that have become symbols of pop culture. His drawings grapple with societys ills as well as the extravagance and consumerism that are concomitants of late capitalism.Released on occasion of Marc Brandenburgs comprehensive retrospective at Berlinische Galerie, the publication gathers around 150 works, including recent drawings and rarely shown works from the 1990s as well as photographs and videos. With writings by Ilka Voermann, Thomas Love, Lynette Roth, and Franziska Ziegler. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: New.

Condition: As New. Unread book in perfect condition.

Gebunden. Condition: Neu. Neu -Metallplastiken und Zeichnungen prägten das Bild deutscher Nachkriegsmoderne. Von den Nationalsozialisten 1933 inhaftiert, entwarf er im Gefängnis Skizzen filigraner Drahtköpfe, die er nach seiner Entlassung verwirklichte. In den 1950er-Jahren entwickelten sich seine figurativen Formen zu abstrakten Kompositionen weiter. Die Ausstellung in der Berlinischen Galerie zeichnet anhand von rund achtzig Werken Uhlmanns Schaffensperioden von den 1930er- bis in die 1970er-Jahre nach und untersucht neben seinem zeichnerischen und bildhauerischen Schaffen seine Rolle innerhalb der West-Berliner Kunstszene. Es ist die erste umfassende Retrospektive seit mehr als fünfzig Jahren. (Text dt., engl.) 272 pp. Deutsch, Englisch.…

Hardback. Condition: New. 1.

Condition: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condition: Neu. Neuware -Hans Uhlmanns (1900-1975) Metallplastiken und Zeichnungen prägten das Bild deutscher Nachkriegsmoderne. Von den Nationalsozialist\*innen 1933 inhaftiert, entwarf er im Gefängnis Skizzen filigraner Drahtköpfe, die er nach seiner Entlassung verwirklichte. In den 1950er-Jahren entwickelten sich seine figurativen Formen zu abstrakten Kompositionen weiter. Die Ausstellungin der Berlinischen Galerie zeichnet anhand von rund achtzig Werken Uhlmanns Schaffensperioden von den 1930er- bis in die 1970er-Jahre nach und untersucht neben seinem zeichnerischen und bildhauerischen Schaffen seine Rolle innerhalb der West-Berliner Kunstszene. Es ist die erste umfassende Retrospektive seit mehr als fünfzig Jahren. 256 pp. Englisch, Deutsch.…

Buch. Condition: Neu. Neuware -Hans Uhlmanns (1900-1975) Metallplastiken und Zeichnungen prägten das Bild deutscher Nachkriegsmoderne. Von den Nationalsozialist\*innen 1933 inhaftiert, entwarf er im Gefängnis Skizzen filigraner Drahtköpfe, die er nach seiner Entlassung verwirklichte. In den 1950er-Jahren entwickelten sich seine figurativen Formen zu abstrakten Kompositionen weiter. Die Ausstellungin der Berlinischen Galerie zeichnet anhand von rund achtzig Werken Uhlmanns Schaffensperioden von den 1930er- bis in die 1970er-Jahre nach und untersucht neben seinem zeichnerischen und bildhauerischen Schaffen seine Rolle innerhalb der West-Berliner Kunstszene. Es ist die erste umfassende Retrospektive seit mehr als fünfzig Jahren. 256 pp. Englisch, Deutsch.…