Voss John C (12 results)

Condition: very_good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

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Paperback. Condition: Brand New. 182 pages. 8.50x5.50x0.46 inches. In Stock.

Soft cover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Limited Edition of 150. 80LB. TEXT INTERIOR UNCOATED. THREE HOLE BINDING WITH INDIGO WAXED THREAD. RISOGRAPH PRINTED FRENCH PAPER RAIN SPECKLETONE COVER PAGE WITH BLUE RUBBER STAMP ON FRONT AND BACK. JACLYN LICHT, JOHN TAGGART, JORGE GARCIA, LAURA FONTAINE, MATHIAS WASIK, MICHELLE RICK, REX KANDHAI, SALIM HASBINI, SEAN FRYXELL, SONIA GOYDENKO, CHRISS VOSS, ZACH CABANAS (illustrator).…

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Softcover. Condition: Gut. 320 S. Widmung innen. Gedunkelt. Innerhalb Deutschlands Versand je nach Größe/Gewicht als Großbrief bzw. Bücher- und Warensendung mit der Post oder per DHL. Rechnung mit MwSt.-Ausweis liegt jeder Lieferung bei. Sprache: Deutsch Gewicht in Gramm: 400.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 2003 Fairleigh Dickinson University Press hardcover edition. Light reading wear else very good condition. Volume 15 offers articles devoted to the historical contexts for drama in sixteenth-century England. One of these is a substantial discussion of prostitution in Elizabethan London, based on archival research. Another piece is focused on the efforts of the Chamberlain's Men to satisfy the tastes of their audiences for political and other topical issues of the day. The volume also contains essays on genre and rhetoric in early modern plays, and on the convention for representing character types on the Renaissance stage (with special reference to the figures of the crone and of the city wife). Further essays concentrate on dramatic authorship, and the publication and printing of plays, and on the connections between Mankind and the fifteenth-century controversy over preaching. The final article is given over to the texts and contexts of newly discovered songs by Aurelian Townshend, intended for an unrecorded 1630s masque by the Merchant Adventurers. An international board of leading scholars and cultural historians maintains the quality of each annual volume so Medieval and Renaissance Drama in England can be relied on as a useful guide and source for all students of the drama of this period - for directors, teachers, and actors as well as for specialists in college and university study. Readers who wish to deepen their understanding of this drama will find in each volume wide-ranging discussions of topics such as music, politics, philosophy, painting, and the questions of material culture, as these matters apply to the interpretation of drama as cultural production before 1642. Contents Mankind and the Fifteenth-Century Preaching Controversy by Lynn Forest-Hill The Theatrical Rhetoric of Edward III by Leslie Thomson Filling Fare: The Appetite for Current Issues and Traditional Forms in the Repertory of the Chamberlain's Men by Roslyn L. Knutson Dramatic Authorship and Publication in Early Modern England by Douglas A. Brooks Printing Conventions and the Early Modern Play by Paul J. Voss The Crone in English Renaissance Drama by Jeanne Addison Roberts Prostitution in Late Elizabethan London: The Case of Mary Newborough by Gustav Ungerer Leaning Too Hard Upon the Pen: Suburb Wenches and City Wives in Westward Ho by Michelle M. Dowd Songs by Aurelian Townshend, in the Hand of Sir Henry Herbert, for an Unrecorded Masque by the Merchant Adventurers by Peter Beal Reviews Mary Bly, Queer Virgins and Virgin Queens on the Early Modern Stage by Patricia Cahill Martin Butler, ed., Re-Presenting Ben Jonson: Text, History, Performance by Richard Finkelstein R. P. Draper, Shakespeare: The Comedies by Annette Drew-Bear John Forrest, The History of Morris Dancing, 1458-1750 by Skiles Howard Andrew Gurr and Mariko Ichikawa, Staging in Shakespeare's Theatres by Roslyn L. Knutson Jay Halio, ed., Henry VIII or All is True by William Shakespeare and John Fletcher by Michael A. Winkelman Grace Ioppolo, ed., Shakespeare Performed: Essays in Honor of R. A. Foakes by Arthur F. Kinney Ann Rosalind Jones and Peter Stallybrass, Renaissance Clothing and the Materials of Memory by Jean MacIntyre Joan Pong Linton, The Romance of the New World: Gender and the Literary Formations of English Colonialism by Naomi C. Liebler Kathleen McKluskie and David Bevington, eds., Plays on Women by Alison Findlay Leah S. Marcus, Janel Mueller, and Mary Beth Rose, Elizabeth I: Collected Works, and Carole Levin, Debra Barrett-Graves, Jo Eldridge Carney, W. M. Spellman, Gwynne Kennedy, and Stephanie Witham, Extraordinary Women of the Medieval and Renaissance World. A Biographical Dictionary by Marguerite A. Tassi Bruce R. Smith, Shakespeare and Masculinity by Charles R. Forker John Southworth, Shakespeare the Player: A Life in the Theatre by Michael Taylor Frederick Turner, Shakespeare's Twenty-First Century Economics by Scott Cutler Shershow.…

Cloth Boards. 1st Edition. First edition. Royal octavo, original red cloth boards with title and a vignette decoration stamped in gilt to upper board, title in gilt to spine with small gilt decoration foot of spine, frontis portrait plate of the author (with tissue guard), folding colour map showing Voss's voyages, colour map of Cocos Island, b&w plates (including photographs of the "Xora", the "Tilikum" and the "Sea Queen" under sail), pp 394. Signed to the front free endpaper, "From the author, J.C. Voss, at sea, June 28th 1914". Some fraying to the head and foot of the spine. Very good condition. Scarce thus, both as the first edition and for the signature. John Voss (1858 - 1922) was a German-Canadian sailor, best known for sailing around the world in a modified dug-out canoe he bought in Vancouver Island (along with a human skull) and named "Tilikum" ("person" or "people" in Chinook Jargon). "The saga of Capt. J. C. Voss still is unparalleled. Between 1901-1904, he sailed nearly around the world in a rebuilt Native American dugout canoe, making a voyage of 40,000 miles. He established a small-boat record in sail never approached since then." (Saltwater People Historical Society). "Venturesome Voyages" describes his various adventures, mainly in the "Tilikum": the final chapter describes sailing the "Sea Queen" (a 25 foot yawl from Yokohama) in a typhoon. For some years Voss was believed to have been lost at sea after he sailed away again from Yokohama in the "Sea Queen" in June 1913: had this signature, "at sea" in 1914, been seen there would have been less surprise when he turned up in California. A unique copy of this first edition, which is in itself scarce.…

335x265mm, 1. Der alte Berner Marsch für das Pianoforte. 3 Seiten. 2. Zähringer Marsch aus dem dramatischen Fest-Spiel zur 700 jährigen Gruündungsfeier der Stadt Bernvon C. Munzinger. Für Piano. 1891, 5 Seiten. 3. Fest-Marsch zur 700 jährigen Gründungsfeier der Stadt Bern für Pianoforte componirt von Alrin Sidler. II. Auflage. 1891, 5 Seiten. 4. Marche Persanne pour piano. Composée et dédiée à Sa Majesté Impérial Schah de Perse par Jean Strauss. Sans date, vers 1889, 6 pages. 5. A mon Elève Mlle. Serpik S. Zilposs. Marche Lakboulié. Composée pour piano par A. Mergian. Op. 101. Sans date, vers 1889, 5 pages. 6. Hommage respectueux à Mademoiselle Netta Tyndale. Une fête Trianon, 1776, Gavotte Caractéristique. Pour piano par Henri Roubier. Op.: 58. Sans date, 6 pages. 7. A Mr. le Comte de Coullanges. Air composée par le Roi Louis XIII. Transcrit pour le piano par Henry Ghys. Sans date, 5 pages. 8. Souvenirs de l'Exposition Horticole de Morges, 1882. Marche éxécutée par La Musique du 4e Régiment d'Infanterie de Westphalie N.° 17. Composée et arrangée pour piano à 2 mains par A. Bitzmann, Maître de Chapelle. 1882, 2 Pages. 9. Sans-nom. Mazurka per pianoforte di Gerolamo Rossi. Senza data, 3 pagine. 10. A son Ami Levassor: Polka Russe pour piano par A. Roosenboom. Sans date, 5 pages. 11. A Madame La Marquise de Contades. Furore Galop pour piano par Charles John. Sans date, 6 pages. 12. Valse Piano: Fleur de Blé. Charles Coote. Sans date, 15 pages. 13. A Monsieur Jules Tardiveau. Bella Bocca. Polka pour piano par Emile Waldteufel. Sans date, 9 pages. 14. Restons ici, Nocturne à deux vois égales dédié à Mdme. la Marquise de Lauriston. Paroles de Mr. Emile Barateau. Musique d'Auguste Panseron de la Chapelle du Roi et Professeur a l'école royale. Sans date, 3 pages. 15. A Mademoiselle Clémence Laval. La Mélancolie de Prume et Chant Bohémien variés pour le Piano par Charles Voss. Op. 118. En 2 suites. Sans date, 9 pages. 16. Slavator Rosa. Dramma lirico de Antonio Ghislanzoni. Musica de A. Carlos Gomes. Rappresenmato per la rpima voltas al Teatro Carlo Felice a Genova, il 21 Marzo 1874. Senza data, ca. 1874, 8 pagine. 17. A Mademoiselle Adèle Chauvets. Eleda. Valse pour Piano par Ernest Viollier. Sans date, sans éditeur, 3 pages. 18. Mignon. Opéra en 3 actes de Ambroise Thomas. Paroles de MM. Michel Carré et Jules Barbier, chanté par Mmes. Cabel, Galli-Marié, M. M. Achard, Couderc, Bataille. Catalogue thématique des Morceaux détachés avec acct. de Piano par Aug. Bazille. Sans date, 5 pages. 19. Album musicale du figaro illustré. Hymne d'un pâtre lydien par Vincenzo Ferroni., 2 pages. - Adoration par Paul Puget, 3 pages. - Chanson Tsigane. Extraite de l'Opéra-Comique ?Le Baron Tsigane? par Johann Strauss., 2 pages. 20. Les petits coupeurs de bois. Paroles de Mr. Vatinel. Musique de Paul Henrion. Sans date, 2 pages. 21. Bouffes Parisiens. La chanson de Fortunio. Opéra comique en un acte par Heugel & Cie. Edit. Paroles de M. : Hector Crémieux et Ludovic Halévy. Musique de J. Offenbach. Morceaux et arrangements pour Piano sur Fortunio. Sans date, 2 pages. 22. Le Lac. Méditation poétique. De Monsieur Alphonse de Lamartine. Mise en Musique par L. Niedeimeyer, 6e édition. Sans date, 8 pages. 23. Original-Edition. L'Addio a Napoli. Leb'Wohl, Neapel, Herrlich Chön. Lied mit Pianofortebegleitung von T. Cottrau. 1880, 5 Seiten. Cachets de possesseurs ou de bibliothèques sur les couvertures supérieures conservées. Briefmarken von Besitzern oder Bibliotheken auf den oberen Abdeckungen gehalten. Sono conservati i timbri dei proprietari e delle biblioteche sulle copertine superiori. Envoi groupé : les frais de port sont calculés sur le poids total de la commande ; chaque livre supplémentaire coûte donc beaucoup moins cher à expédier. Commandez plusieurs livres et économisez sur le port ! / Combined shipping: postage is charged on the total weight of your order, so each additional book ships at a reduced rate. Order several books from us and save on postage ! / Envois Europe : Droits et taxes inclus - aucun frais à la livraison / Shipments to Europe: Duties and taxes included - no delivery charges.…