Ward Nathan (499 results)

paperback. Condition: Very Good.

Paperback. Condition: Fair. "They'd never kill a reporter." On the morning of April 29, 1948, a West Side pier hiring boss was shot on his way to work. The murder reminded the New York Sun's city editor of a similar docks killing from the year before, and so he called over his best general assignment man, Malcolm "Mike" Johnson, telling him, "Lots of unrest down there. Maybe you can get a story out of it." Johnson certainly did, discovering the greatest story of his long career, and a "waterfront jungle" with "rich pickings for criminal gangs." His crime series ran on the Sun's front page for twenty-four days in the fall of 1948, raising a national scandal and bringing death threats on him and his family. Johnson alleged the existence of an international crime "syndicate," at a time when J. Edgar Hoover would not admit that such a syndicate, let alone a Mafia, existed. Herein, Nathan Ward tells the original Mob story, "revealing a spiderweb of union corruption and outright gangsterism.His story has everything" (New York Sun), making Dark Harbor a modern true crime classic.…

Hardback. Condition: Good. What if the world of the old New York waterfront was as violent and mob-controlled as it appears in Hollywood movies? Well, it really was, and the story of its downfall, told here in high style by Nathan Ward, is the original New York mob story. "New York Sun" reporter Malcolm 'Mike' Johnson was sent to cover the murder of a West Side boss stevedore and discovered a 'waterfront jungle, set against a background of New York's magnificent skyscrapers' and providing 'rich pickings for criminal gangs'. Racketeers ran their territories while doubling as union officers, from the West Side's 'Cockeye' Dunn, who'd kill for any amount of dock space, to Jersey City's Charlie Yanowsky, who controlled rackets and hiring until he was ice-picked to death. Johnson's hard-hitting investigative series won a Pulitzer Prize, inspired a screenplay by Arthur Miller, and prompted Elia Kazan's Oscar-winning film "On the Waterfront". And yet J. Edgar Hoover denied the existence of organized crime - even as the government's dramatic hearings into waterfront misdeeds became must see television.…

Paperback. Condition: Good. Preachers and commentators often focus on Esther as a story of divine providence. Many go so far as to say that the absence of any mention of God in Esther is proof of his presence-a tenuous foundation upon which to build a case GOD UNSEN argues that Esther is indeed intended to be read in a religious context and that it does speak to God's providence, but shows this by a careful comparison of the text of Esther with many other Old Testament narratives that it echoes, thus setting it squarely in a canonical context. The result of such a contextual reading will give credence to the belief that God should be seen in those silences. Esther closely parallels life in 21st-century western culture. It tells the story of people who know how to be righteous followers of God, but who are surrounded by a world of paganism and, far too often, find themselves assimilating rather than standing apart. The characters receive no special revelation from God, nor does he seem to be present at all in their lives. Many Christians today live under a similar set of circumstances, so its message is vital. GOD UNSEN's argument that the book of Esther is religious and that God is present in the narrative will help give practical shape to modern questions of what it means to live during the apparent silence of God.…

Hardback. Condition: Fair. What if the world of the old New York waterfront was as violent and mob-controlled as it appears in Hollywood movies? Well, it really was, and the story of its downfall, told here in high style by Nathan Ward, is the original New York mob story. "New York Sun" reporter Malcolm 'Mike' Johnson was sent to cover the murder of a West Side boss stevedore and discovered a 'waterfront jungle, set against a background of New York's magnificent skyscrapers' and providing 'rich pickings for criminal gangs'. Racketeers ran their territories while doubling as union officers, from the West Side's 'Cockeye' Dunn, who'd kill for any amount of dock space, to Jersey City's Charlie Yanowsky, who controlled rackets and hiring until he was ice-picked to death. Johnson's hard-hitting investigative series won a Pulitzer Prize, inspired a screenplay by Arthur Miller, and prompted Elia Kazan's Oscar-winning film "On the Waterfront". And yet J. Edgar Hoover denied the existence of organized crime - even as the government's dramatic hearings into waterfront misdeeds became must see television.…

Paperback. Condition: Very Good. Preachers and commentators often focus on Esther as a story of divine providence. Many go so far as to say that the absence of any mention of God in Esther is proof of his presence-a tenuous foundation upon which to build a case GOD UNSEN argues that Esther is indeed intended to be read in a religious context and that it does speak to God's providence, but shows this by a careful comparison of the text of Esther with many other Old Testament narratives that it echoes, thus setting it squarely in a canonical context. The result of such a contextual reading will give credence to the belief that God should be seen in those silences. Esther closely parallels life in 21st-century western culture. It tells the story of people who know how to be righteous followers of God, but who are surrounded by a world of paganism and, far too often, find themselves assimilating rather than standing apart. The characters receive no special revelation from God, nor does he seem to be present at all in their lives. Many Christians today live under a similar set of circumstances, so its message is vital. GOD UNSEN's argument that the book of Esther is religious and that God is present in the narrative will help give practical shape to modern questions of what it means to live during the apparent silence of God.…

Condition: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condition: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condition: Good. A 2016 Edgar Award NomineeBefore he became a household name in America as perhaps our greatest hard-boiled crime writer, before his attachment to Lillian Hellman and blacklisting during the McCarthy era, and his subsequent downward spiral, Dashiell Hammett led a life of action. Born in 1894 into a poor Maryland family, Hammett left school at fourteen and held several jobs before joining the Pinkerton National Detective Agency as an operative in 1915 and, with time off in 1918 to serve at the end of World War I, he remained with the agency until 1922, participating alike in the banal and dramatic action of an operative. The tuberculosis he contracted during the war forced him to leave the Pinkertons--but it may well have prompted one of America's most acclaimed writing careers.While Hammett's life on center stage has been well-documented, the question of how he got there has not. That largely overlooked phase is the subject of Nathan Ward's enthralling The Lost Detective. Hammett's childhood, his life in San Francisco, and especially his experience as a detective deeply informed his writing and his characters, from the nameless Continental Op, hero of his stories and early novels, to Sam Spade and Nick Charles. The success of his many stories in the pulp magazine Black Mask following his departure from the Pinkertons led him to novels; he would write five between 1929 and 1934, two of them (The Maltese Falcon and The Thin Man) now American classics. Though he inspired generations of writers, from Chandler to Connelly and all in between, after The Thin Man he never finished another book, a painful silence for his devoted readers; and his popular image has long been shaped by the remembrance of Hellman, who knew him after his literary reputation had been made. Based on original research across the country, The Lost Detective is the first book to illuminate Hammett's transformation from real detective to great American detective writer, throwing brilliant new light on one of America's most celebrated and remembered novelists and his world.…

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condition: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Fair. "They'd never kill a reporter." On the morning of April 29, 1948, a West Side pier hiring boss was shot on his way to work. The murder reminded the New York Sun's city editor of a similar docks killing from the year before, and so he called over his best general assignment man, Malcolm "Mike" Johnson, telling him, "Lots of unrest down there. Maybe you can get a story out of it." Johnson certainly did, discovering the greatest story of his long career, and a "waterfront jungle" with "rich pickings for criminal gangs." His crime series ran on the Sun's front page for twenty-four days in the fall of 1948, raising a national scandal and bringing death threats on him and his family. Johnson alleged the existence of an international crime "syndicate," at a time when J. Edgar Hoover would not admit that such a syndicate, let alone a Mafia, existed. Herein, Nathan Ward tells the original Mob story, "revealing a spiderweb of union corruption and outright gangsterism.His story has everything" (New York Sun), making Dark Harbor a modern true crime classic.…

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Condition: Fair. What if the world of the old New York waterfront was as violent and mob-controlled as it appears in Hollywood movies? Well, it really was, and the story of its downfall, told here in high style by Nathan Ward, is the original New York mob story. "New York Sun" reporter Malcolm 'Mike' Johnson was sent to cover the murder of a West Side boss stevedore and discovered a 'waterfront jungle, set against a background of New York's magnificent skyscrapers' and providing 'rich pickings for criminal gangs'. Racketeers ran their territories while doubling as union officers, from the West Side's 'Cockeye' Dunn, who'd kill for any amount of dock space, to Jersey City's Charlie Yanowsky, who controlled rackets and hiring until he was ice-picked to death. Johnson's hard-hitting investigative series won a Pulitzer Prize, inspired a screenplay by Arthur Miller, and prompted Elia Kazan's Oscar-winning film "On the Waterfront". And yet J. Edgar Hoover denied the existence of organized crime - even as the government's dramatic hearings into waterfront misdeeds became must see television.…

Hardback. Condition: Good. What if the world of the old New York waterfront was as violent and mob-controlled as it appears in Hollywood movies? Well, it really was, and the story of its downfall, told here in high style by Nathan Ward, is the original New York mob story. "New York Sun" reporter Malcolm 'Mike' Johnson was sent to cover the murder of a West Side boss stevedore and discovered a 'waterfront jungle, set against a background of New York's magnificent skyscrapers' and providing 'rich pickings for criminal gangs'. Racketeers ran their territories while doubling as union officers, from the West Side's 'Cockeye' Dunn, who'd kill for any amount of dock space, to Jersey City's Charlie Yanowsky, who controlled rackets and hiring until he was ice-picked to death. Johnson's hard-hitting investigative series won a Pulitzer Prize, inspired a screenplay by Arthur Miller, and prompted Elia Kazan's Oscar-winning film "On the Waterfront". And yet J. Edgar Hoover denied the existence of organized crime - even as the government's dramatic hearings into waterfront misdeeds became must see television.…

Paperback. Condition: Good. Preachers and commentators often focus on Esther as a story of divine providence. Many go so far as to say that the absence of any mention of God in Esther is proof of his presence-a tenuous foundation upon which to build a case GOD UNSEN argues that Esther is indeed intended to be read in a religious context and that it does speak to God's providence, but shows this by a careful comparison of the text of Esther with many other Old Testament narratives that it echoes, thus setting it squarely in a canonical context. The result of such a contextual reading will give credence to the belief that God should be seen in those silences. Esther closely parallels life in 21st-century western culture. It tells the story of people who know how to be righteous followers of God, but who are surrounded by a world of paganism and, far too often, find themselves assimilating rather than standing apart. The characters receive no special revelation from God, nor does he seem to be present at all in their lives. Many Christians today live under a similar set of circumstances, so its message is vital. GOD UNSEN's argument that the book of Esther is religious and that God is present in the narrative will help give practical shape to modern questions of what it means to live during the apparent silence of God.…

Paperback. Condition: Very Good. Preachers and commentators often focus on Esther as a story of divine providence. Many go so far as to say that the absence of any mention of God in Esther is proof of his presence-a tenuous foundation upon which to build a case GOD UNSEN argues that Esther is indeed intended to be read in a religious context and that it does speak to God's providence, but shows this by a careful comparison of the text of Esther with many other Old Testament narratives that it echoes, thus setting it squarely in a canonical context. The result of such a contextual reading will give credence to the belief that God should be seen in those silences. Esther closely parallels life in 21st-century western culture. It tells the story of people who know how to be righteous followers of God, but who are surrounded by a world of paganism and, far too often, find themselves assimilating rather than standing apart. The characters receive no special revelation from God, nor does he seem to be present at all in their lives. Many Christians today live under a similar set of circumstances, so its message is vital. GOD UNSEN's argument that the book of Esther is religious and that God is present in the narrative will help give practical shape to modern questions of what it means to live during the apparent silence of God.…

Condition: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. First Edition. Used - Very Good.

Condition: Very Good. First Edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condition: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condition: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.