Weber Gregor J M (202 results)

Condition: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Condition: Fair. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Hardcover. Condition: Very Good. 0. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: VG. Dust Jacket Condition: Good. used hardcover in a dust jacket. jacket is slightly worn about the edges,with a small tear at the top of the spine. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: good. Used book that is clean, average condition without any missing pages.

hardcover. Condition: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, xx, 303 pages, illustrations (chiefly colour); 26 cm. Translated from the German by Russell Stockman. Catalogue of the exhibition held at the Columbus Museum of Art (Columbus, Ohio), April 23 to October 24, 1999; most of the works were also previously shown in the Banco Bilbao Vizcaya, Madrid, in 1998. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. Richly illustrated with colour plates. *** "This exhibition celebrates and examines for the first time eighteenth-century painting both collected and produced in Dresden. Dresden in the Ages of Splendor and Enlightenment: Eighteenth-Century Paintings from the Old Masters Picture Gallery presents an opportunity to see a body of work from the legendary Gemaldegalerie Alte Meister that has never before been exhibited in the United States. The landscapes, cityscapes, portraits, and religious and allegorical paintings reflect the interplay between collecting and creating art in one of the great artistic centers of eighteenth-century Europe, one comparable in brilliance with other German-speaking power centers of the period such as Vienna, Munich, or Berlin." - Publisher. *** CONTENTS: Painting in Dresden in the Eighteenth Century, by Harald Marx; Catalogue I: Dresden Painters from the Eighteenth Century, by Harald Marx and Gregor J.M. Weber; The Gallery as Work of Art: The Installation of the Italian Paintings in 1754, by Gregor J.M. Weber; Catalogue II: Eighteenth-Century Paintings Acquired by the Gallery, by Harald Marx, Uta Neidhardt and Katrin Schlechte, and others; Saxony in the Eighteenth Century: A Brief Chronology, by Hans-Peter Luhr. Size: 4to. Collectible.…

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good. Text clean and tight; NOTE: additional postage may be necessary for international shipping; 8vo 8" - 9" tall; 303 pages.

Paperback. Condition: Very Good. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

First Edition. Fine paperback copy. Well-preserved; tight, bright, clean and especially sharp-cornered. Series; National Gallery London; Exhibtion catalogues, National Gallery London. Physical description: 303 pages : illustrations (chiefly color), portraits; French flaps ; 29 cm. Subjects; Harmenszoon van Rijn 1606-1669 ; Exhibitions. National Gallery (Great Britain) ; Exhibitions. Art, Dutch 17th century ; Exhibitions. Painting techniques. Dutch Flemish painting artists. 1 Kg. …

Paperback. Condition: Fine.

Paperback. Condition: Very Good. PUBLISHED TO ACCOMPANY THE ONCE-IN-A-LIFETIME EXHIBITION AT THE RIJKSMUSEUM, AMSTERDAM, THIS IS THE FIRST MAJOR STUDY ON VERMEER'S LIFE AND WORK FOR MANY YEARS. ---------- 'Proust was once so excited to see a Vermeer show that he collapsed I got chest pains merely leafing through the catalogue' Jonathan Jones, Guardian 'Invest in the fat catalogue, stuffed with scholarly discoveries and photographic closeups, and you will learn about everything from Vermeers optical mastery to his moral symbolism' Rachel Campbell-Johnston, The Times 'Excellent' Artists & Illustrators 'Getting a ticket for the once-in-a-lifetime Vermeer exhibition, above, at the Rijksmuseum in Amsterdam this year might frankly be a bit of a challenge, but you can at least console yourself with the exhibition catalogue, published by Thames & Hudson, which is a gorgeous thing. Nothing matches seeing a painting in the flesh, but this comes mightily close.' The Herald ---------- Vermeer's intensely quiet and enigmatic paintings invite the viewer into a private world, often prompting more questions than answers. Who is being portrayed? Are his subjects real or imagined? And how did he create such an unrivalled sense of intimacy? Bringing together diverse strands of the Dutch master's professional and private worlds, this is the first major authoritative study of Vermeer's life and work for many years, throwing light on all thirty-seven of his paintings. The book was designed by Irma Boom, the Queen of Books, and printed on an uncoated Munken Print White paper, specially commissioned to ensure the veracity of colours. Irma Boom says: the matte paper brings you closer to Vermeer; there is no gloss or glare in between, just like with the real works. With a wide selection of contextual illustrations, commentaries and up-to-date research by distinguished international Vermeer scholars, this is the definitive volume on the most admired of all seventeenth-century Dutch masters. With contributions by Bart Cornelis, National Gallery, London Bente Frissen, Rijksmuseum, Amsterdam Sabine Penot, Kunsthistorisches Museum, Vienna Pieter Roelofs, Rijksmuseum, Amsterdam Friederike Schuett, Staedel Museum, Frankfurt am Main Christian Tico Seifert, National Galleries of Scotland, Edinburgh Ariane van Suchtelen, Mauritshuis, The Hague Gregor J.M. Weber, Rijksmuseum, Amsterdam Marjorie E. Wieseman, National Gallery of Art, Washington. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Hardcover. Condition: Good. 1st Edition. Good to Very Good Ex-Library with the usual library stickers, markings and stamps, pages clean and crisp, covers clean, no highlighting or underlining. 100% Satisfaction guaranteed or your money back. Thank you for your interest. We ship the same day or the next business day. h7x.…

Softcover. Third Edition. Small Quarto. Softcover. Printed paper wraps with flaps. 165 pages, 3 unnumbered pages : illustrations (chiefly color), facsimiles, portraits ; 23 cm. "Little is known about the personality of Johannes Vermeer, one of the most famous Dutch painters of the 17th century. We do know that he married the Catholic Catharina Bolnes, whose family was closely associated with the Jesuit community in Delft In this book, Gregor J.M. Weber, head of visual arts at the Rijksmuseum, shows that Vermeer himself actually pursued a Catholic lifestyle. The relationship between the artistic ambitions of the young Vermeer and his Catholic surroundings is also discussed. Vermeer's unique treatment of light, perception and perspective is examined and linked to the Jesuits' special interest in the camera obscura, the instrument of light and vision par excellence. With his research, Weber places Vermeer's person and art in a new context, which until now has only been touched upon in passing." --. VG+. Faint damp stain to rear flap. Otherwise close to new.…

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condition: Good. 1.

First Edition. Fine paperback copy. Well-preserved; tight, bright, clean and especially sharp-cornered. Series; National Gallery London; Exhibtion catalogues, National Gallery London. Physical description: 303 pages : illustrations (chiefly color), portraits; French flaps ; 29 cm. Subjects; Harmenszoon van Rijn 1606-1669 ; Exhibitions. National Gallery (Great Britain) ; Exhibitions. Art, Dutch 17th century ; Exhibitions. Painting techniques. Dutch Flemish painting artists. 1 Kg. …

Condition: As New. Like New condition. German edition. A near perfect copy that may have very minor cosmetic defects.