Weidlich (Over 1,500 results)

Condition: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condition: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

paperback. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Printing. DJ has some very light wear, but is in a plastic cover. ; 233 pages.

Hardcover. Condition: Fine. 1573927880 Two slights indentations near spine on dust jacket.

Hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Condition: Very Good+. Dust Jacket Condition: Very Good-. Advance Review Copy. Review Copy with Slip Laid In. DJ has large oval scratch to rear and minor edge/shelf wear.

Paperback. Condition: new. Paperback. (Guitar). This book will help readers recognize and remember commonly used note patterns and sequences in fiddle tunes and string band music, to make creating interesting variations easier. Author Joe Weidlich analyzes four traditional favorites including "The Wreck of the Old '97" showing how guitarists can substitute notes and patterns, painlessly This book will help readers recognize and remember commonly used note patterns and sequences in fiddle tunes and string band music, to make creating interesting variations easier. Author Joe Weidlich analyzes four traditional favorites - including "The Wreck of the Old '97" - showing how guitarists can substitute notes and patterns, painlessly! Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Brand New.

Hardcover. Condition: Like New. Clean copy. May have remainder mark.

Paperback. Condition: new. Paperback. (Guitar). This instructional book uses commercial recordings from 70 different "sides" from the 1920s and early 1930s as its basis to learn the principal guitar backup techniques commonly used in old-time country music. Topics covered include: boom-chick patterns * bass runs * uses of the pentatonic scale * rhythmic variations * minor chromatic nuances * the use of chromatic passing tones * licks based on chords or chord progressions * and more. This instructional book uses commercial recordings from 70 different "sides" from the 1920s and early 1930s as its basis to learn the principal guitar backup techniques commonly used in old-time country music. Topics covered include: boom-chick patterns * bass runs * uses of the pentatonic scale * rhythmic variations * minor chromatic nuances * the use of chromatic passing tones * licks based on chords or chord progressions * and more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condition: New. Brand New.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. First printing. Mylar protected dust jacket. Like new condition. No price on the jacket. The DJ has no tears or chips. Not a remainder. Not an ex-library copy.

Condition: New. 2000. hardcover. . Not a first edition copy. . . . Books ship from the US and Ireland.

paperback. Condition: Very Good. A nice copy. Clean text, solid binding.

Condition: New. 2000. hardcover. . Not a first edition copy. . . .

Condition: Very Good. Very Good condition. Very Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

paperback. Condition: Good. Good; Used - Good:� Former library book. Item may have signs of use (such as marks, edgewear, cuts, tears, bends, or crushes on the cover, spine, pages, or dust jacket) but is still readable with intact binding. Pages may include limited notes and highlighting. Slipcase, dust covers, or boxed set cases may be missing. May be missing bundled media, access codes, and/or accessories. …

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: new. Paperback. The concepts and fingerings in this book have been developed by analysing the licks used by Charlie Christian. Chord shapes are moveable; thus one can play the riffs in virtually any key without difficulty by simply moving the shape, and fingerings used to play them, up or down the keyboard. The author shows how the chord shapes - F, D and A are formed, then can easily be modified to major, minor, dominant seventh and diminished seventh chord voicings. Analysing licks frequently by Charlie Christian, Joe has identified a series of what he calls tetrafragments, ie the core element of a lick. The identifiable 'sound' of a particular lick is preserved regardless of how many notes are added on either side of it, eg, pick notes or tag endings. Many examples are shown and played on the CD of how this basic concept was used by Charlie Christian to keep his solo lines moving forward. Weidlich also makes observations on the physical manner Charlie Christian used in playing jazz guitar and how that approach contributed to his smooth, mostly down stroke, pick technique. Presents concepts and fingerings that are developed by analysing the licks used by Charlie Christian. This work shows how the chord shapes - F, D and A are formed, then can be modified to major, minor, dominant seventh and diminished seventh chord voicings. It makes observations on the physical manner Charlie Christian used in playing jazz guitar. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Brand New.

Paperback. Condition: new. Paperback. (Fretted). While many extant photos of string band artists show members holding a mandolin, it often can barely be heard in most period recordings because the most important instrument to capture was usually the fiddle or voice. This collection provides you with the opportunity to learn over 70 old-time-music period songs recorded mostly by Ernest Stoneman, or the duo Grayson & Whitter, during the 1920s and early 1930s. Many of these songs were also "covered" by other string bands regardless of whether they had the opportunity or not to be commercially recorded. CD tracks of some of the songs in this collection as recorded by a number of different string band artists are provided so that performances can be compared. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: new. Paperback. (Banjo). Old Time String Band Banjo Styles will introduce you to the traditional, rural string band banjo styles as played in the southern mountains of the eastern United States, which were used to "second" vocal songs and fiddle tunes during the Golden Age of recorded string band music, from the early 1920s through the early 1930s. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: new. Paperback. (Guitar). One of the most popular acts of the 1930s was the Monroe Brothers, featuring Bill on mandolin and tenor vocals, and Charlie on lead vocals and rhythm guitar. This great overview of Charlie Monroe's unique guitar performance style (he used just his thumb and index finger) presents 52 songs, with an in-depth look at the backup patterns & techniques from each chord family (G, F, D, C, E, A), plus special note sequences, common substitutions and stock backup phrases. Includes the bluegrass classics "Roll in My Sweet Baby's Arms," "My Long Journey Home" and "Roll On, Buddy," plus a discography and complete Bluebird recording session info. One of the most popular acts of the 1930s was The Monroe Brothers, featuring Bill on mandolin and tenor vocals, and Charlie on lead vocals and rhythm guitar. This great overview of Charlie Monroe's unique guitar performance style (he used just his thumb and index finger) presents 52 songs, with an in-depth look at the backup patterns and techniques from each chord family (G, F, D, C, E, A), plus special note sequences, common substitutions and stock backup phrases. Includes the bluegrass classics "Roll in My Sweet Baby's Arms," "My Long Journey Home" and "Roll On, Buddy," plus a discography and complete Bluebird recording session info. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: new. Paperback. (Banjo). Pete Seeger took an interest in playing the 5-string banjo when he was 16 years old after he heard it played at the 1935 Asheville Folk Festival in North Carolina. It wasn't long after, when he was able to have a short lesson with banjoist Bascom Lamar Lunsford, known as the Minstrel of the Appalachians, where Seeger learned the basics of what would become his basic strum. From then on, Seeger made it a point to seek out, listen to, and learn from any banjo players that he met in his travels, learning a number of different playing styles which he experimented with in backing up his vocals. This book looks at the techniques he was using when he was a member of the Almanac Singers in 1941, seven years before the publication of his first banjo method. Join Pete Seeger as he was evolving his early playing technique through the mid-1950s at the dawn of the folk music era! Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: new. Paperback. (Banjo). After the Civil War, the "up picking" finger style of playing the 5-string banjo came into vogue eventually finding its way into the Victorian parlor and, later, college glee and music clubs. The original down picking style didn't entirely die out, because throughout the reaminder of the 19th Century, new methods for the banjo often included a number of songs in the older two-finger banjo style of performance. Perhaps the most intricate set of songs to appear in the "original" banjo style were these 34 progressive pieces found in Frank B. Converse's Analytical Banjo Method from 1887. Those songs, presented in this book for clawhammer banjo, offer a nice mix of banjo characteristic pieces, medleys and new compositions from Converse. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condition: new. Paperback. (Banjo). The Round Peak area of Surry County, North Carolina consists of a number of small communities which border Mt. Airy, NC. The Round Peak musical style is synonymous with the old time music pairing of the fiddle with the African-derived banjo and was considered to be the defining ensemble sound for community dance music as played by the holy trinity of the Round Peak banjo masters: Kyle Creed, Fred Cockerham, and Tommy Jarrell. As most of the Round Peak repertoire is played in the traditional fiddle keys of D Major and A Major, they are the keys that are used in the arrangements of some of the traditional Appalachian fiddle tunes that form its living tradition. Includes a lengthy instructional introduction. Songs are presented in banjo tab. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. Brand New.