Weiner Lawrence, Signed (40 results)

Hardcover. Condition: Near Fine. 1st Edition. PowerHouse Books, New York, 2000. Hardcover, unpaginated. 1st edition, 1st printing (stated, plus full number line). Small format. Artist's book with photos by Eve Sonneman, with added text by conceptual artist Lawrence Weiner. Near fine. Please note - this is not part of the 'limited signed edition', but a first edition which was signed and inscribed by Eve Sonneman. See photos. Inscribed by Author.

Hardcover. Condition: Fine. 1st Edition. 1st Printing. Signed. 80 pages. Published in 2000. Artist Book. Collection of photographs that are individually rubber-stamped with words. One of the most beautiful art photography books of our time. The first and only edition. Published in a small and limited print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Eve Sonneman and Lawrence Weiner: Small-size volume format. Hard boards with red titles embossed on the cover and spine and linen cloth overboards, as issued. Photographs by Eve Sonneman and Lawrence Weiner. There is no text. Printed on pristine-white, thick coated stock paper in Italy to the highest standards. Without DJ, as issued. Presents Eve Sonneman's and Lawrence Weiner's "How To Touch What". One of the most moving, witty, and beautiful Conceptual Artist Books ever published. Here is their modus operandi: Sonneman and Weiner take snapshots and portraits in black-and-white and color, pair them, and then give their juxtapositions new meaning by stamping the images with the simplest words and expressions that people use: "Sticks And Stones", "Tits + Asses", "Concrete + Twine", "Sky & Glass", and so on. All of the words are printed on the photographs in a uniform-size, black rubber stamp, like "Confidential" on an envelope or important piece of document. In the process, they make us aware of the relation between images, between image and text, and the fruitful new meanings that these engender. The creative possibilities are endless, and are finally what makes their project so valuable and so much fun at the same time. Sonneman and Weiner have shown only some of the possible "applications" of their simple yet original concept. We can create our own to continue the dialogue between viewer and artist. An absolute "must-have" title for Eve Sonneman and Lawrence Weiner collectors. This copy is very prominently, neatly, and beautifully signed in black ink-pen on the title page (on top of their printed names) by Eve Sonneman and Lawrence Weiner. It is signed directly on the page itself, not on a tipped-in page. This title is a contemporary art photography classic. As far as we know, this is one of only two such double-signed copies of the Limited Edition still available online and is in especially fine condition: Clean, crisp, and bright. The other signed copy is also from us. Please note: Copies available online have serious flaws or are remainder-marked. This is surely an accessible and lovely alternative. A rare signed copy thus. Two of the most brilliant American artist/photographers of our time. A fine copy. ISBN 1576870790. Signed by Author.

Hardcover. Condition: VG+. Blue boards, 164 pp., Very good condition, minimal text. Laid in a 4 x 6" glossy color photo of a Le Va "scattered glass" piece with an inscription to a collector couple on the back and signed "Barry". Ink a tad smudged which carried over a bit onto first blank white page.

Hardcover. Condition: Fine. Signed by Artist SIGNED BY LAWRENCE WEINER. 8vo, (48 pp), fine in printed glossy boards, with ribbon marker, without dust jacket, as issued. Printed in black, red and silver. SIGNED by Lawrence Weiner on the title page and scarce thus.

Broschiert. Neuauflage 2005. Reprint 2005. Kl.-Oktav. 194 S. Broschur (original eingeschweißt) im Schuber. neuwertig. Signatur des Verfassers.

Hardcover. Condition: Very Good. 2014 - Collector's Edition #391 of a limited 1200 copies. Signed by STEVE SCHAPIRO and LAWRENCE SCHILLER. Cloth pictorial boards. Large format 18x13 in clamshell case. Book is in excellent condition, text is unmarked and pages are tight. Case has wear with some scratches, scuffs, smudges, and small stains. Signed by Author.

Hardcover. Condition: Very Good. Collector's Edition, Large format 18"x 13" in cloth covered clamshell case. #391 of a limited 1200 copies. Signed by STEVE SCHAPIRO and LAWRENCE SCHILLER. ISBN 9783836542401. Cloth pictorial boards. Book is in excellent condition, text is unmarked and pages are tight. Case has wear with some scratches, scuffs, smudges, and small stains. Signed by Author.

Softcover. Condition: Wie neu. 1. Auflage. 48 S., zahlr. meist ganzs. Abb., kart., Blockbuchbindung, 32,5 x ,5 cm. Vom Künstler signiert u. datiert (2000 Ex.) Nummeriertes Exemplar - Nr. 93. Signatur des Verfassers.

Printed fabric, 3 x 5 inches; in clear plastic bag; not signed; edition unknown; as new condition; clean and crisp.

Softcover, 272 pages; very good condition, multiple light creases to spine, light rubbing to covers; inscribed and signed by Lawrence Weiner in pencil on first blank page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condition: As New. 1st Edition. Skimming the water [Menage a Quatre] Lawrence Weiner- numbered and SIGNED - Personal Structures Art Project # 01 - 216 pages the book( in turquoise linen hard cover silver lettering) illustrated in some B&W photographs. 24 hour interview with Karlyn de Jongh and Sarah Gold Sophia Thomassen and Lauwrence Weiner in Weiners houseboat in Amsterdam; SIGNED and numbered on the second French end paper: Lauwrence Weiner (in pen)# 025/200 (in pencil) DVD in a separate port folio also turquoise linen with silver lettering - than an aluminium plate with the title : Skimming the water [menage a Quatre] cut out.All in a very fine as new condition in a turquoise linen cassette with silver on the inside bottom. Name of the artist in silver embossed on front and spine. 250 x 180 x 60 mm - in a slightly darker turquoise box. Book.

Hardcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. Exclusive SET "SKIMMING THE WATER [MENAGE A QUATRE]", Framed Aluminium Artwork - DeLuxe edition *** This highly sought-after edition includes following *** Framed ALUMINIUM artwork "SKIMMING THE WATER [MENAGE A QUATRE] professionally mounted on matching blue linen and presented in an exclusive, deep, white wooden frame, hand-crafted in the Netherlands. The work is protected by UltraVue® UV70 museum glass, offering superior clarity and UV protection, with framed dimensions of 30 x 25 x 4 cm *** Blue-cloth cassette box measuring 23 x 16 x 6 cm. Inside, it holds : BOOK with a bleu cloth cover, SIGNED by Lawrence Weiner PLUS DVD in matching bleu cloth folder, adding an audiovisual dimension to the project *** Published by the Global Art Affairs Foundation as part of the Personal Structures Art Projects series (PSAP). This is edition #01. An initiative, which brings together leading contemporary artists exploring themes of time, space, and existence. Initiated by the Global Art Affairs Foundation, PSAP is recognized for its museum-quality exhibitions and collaborations with international art institutions *** Lawrence Weiner (1942 2021) was a leading figure in Conceptual Art, renowned for his text-based works that challenged traditional notions of artistic expression. His bold, typographic installations, often displayed directly on walls or public spaces, transformed language into a sculptural medium. Weiner s works emphasize ideas over physical form, using simple yet profound statements to explore themes of perception, identity, and communication *** Lawrence Weiners groundbreaking conceptual art has been exhibited in major institutions worldwide. His early retrospectives at the Stedelijk Museum, Amsterdam (1988/89) and Hirshhorn Museum, Washington, D.C. (1990) cemented his influence in the art world. The Whitney Museum of American Art (2007 2008) hosted As Far As The Eye Can See, his first major U.S. retrospective, solidifying his impact on contemporary art. His presence at the Tate Gallery, London (2006) and Museum Ludwig, Cologne (1995) highlighted his European influence, while exhibitions at the Dia Center for the Arts, New York (1991) and Deutsche Guggenheim, Berlin (2000) further reinforced his international reach. Weiner s work continues to be celebrated in institutions like the Walker Art Center, Minneapolis (1994) and Kunsthaus Bregenz, Austria (2016), affirming his legacy as a pioneer of text-based and conceptual art ## SHIPPING : Worldwide shipping available ## # CONDITION : artwork, case and book are in very good condition ##. Signatur des Verfassers.

Hardcover. Condition: Fine condition. 1st Edition. The Deluxe Box edition, number 77 of 85 limited edition sets produced, issued in a black cloth clamshell case with white lettering. Includes four numbered sleeves each containing a vinyl record, three numbered sleeves each containing a compact disc, and a folding enclosure containing descriptive text sheets and 16 album-sized limited issue silkscreen prints on Arches paper. Fourteen of the prints are signed by the artist on the front or back; the Dylan and Gordon prints are stamp signed. The silkscreens are individually printed by Alexander Heinrici, one of Warhol's most trusted silkscreen artists. Heinrici created the original silkscreens for Warhol's world-renowned "Mao," "Flowers" and "Merce Cunningham 1," among others. All sixteen prints are numbered and stamped on the back. Each print has a tissue guard. Each print measures 12 x 12 inches (30.4 x 30.5 cm). The box measures 14 x 14 x 2.5 inches (36 x 36 x 5 cm). The publication accompanied an exhibition of the same title at the Andy Warhol Museum October 1, 2011 - January 8, 2012. It was subtitled as "An Exhibition in Sight and Sound." The set includes music, art and recordings created by a diverse roster of artists, writers, and performers who knew, worked with, were associated with, and/or were inspired by Andy Warhol. Spoken word, sound pieces and music recordings by Ivan Karp, Bob Dylan, Path Soong, John Giorno, Billy Name, Ultra Violet, Lawrence Weiner, Vincent Fremont, Brigid Berlin, Patti Smith, Christopher Makos, Yura Adams, Alexander Heinrici, Carter Ratcliff, Connie Beckley, Nat Finkelstein, Susan Breen, and Jeff Gordon. Artworks were provided by all the artists except for Ivan Karp. The audio works juxtapose each artist's visual image all created in homage to Warhol. The vinyl and Compact Disc recordings include Karp's "The First Time", Dylan's "When I Paint My Masterpiece", Soong's "Titles", Giorno's "Thanx For Nothing", Name's "Maha Mantra", Violet's "Light", Weiner's "Vienna", Fremont and Berlin's "Conversation" (two tracks), Smith's "Edie", Makos' "What About Me?", Adams' "Waiting For My 15 Minutes", Heinrici's "Silkscreen", Ratcliff's "Glitch City", Beckley's "Silk Scream Liz", Finkelstein's "Factory", Breen's (with Arto Lindsay) "Warhol Soundfield 467", and Gordon and Warhol's "Uh Yes Uh No." Bonus material not present in other Deluxe Box (or any other) editions: blue and black silkscreen artwork (depicting Path Soong) titled "6.98" number 9/50 and pencil signed by artist Jeff Gordon (image area 6" wide by 8"); Handmade 24-page poetry book titled "Stillness" dated 2012, signed by Path Soong and numbered 7/10; three compact disc recordings (in tin case - unopened) by contributors; and, an original invitation and 2-person ticket to the 2011 exhibition. Fine condition. Size: Quarto (4to). Inscribed by Illustrator(s). Book.

Condition: Fine. First printing. Signed first edition of Ruscha and Weiner's photo-novel, starring Shelley Chamberlain, Suzanne Chandler, and Susan Haller in a captivatingly oblique visual drama. The last of Ruscha's artist's books and one of only a few to admit a plausibly narrative reading, HARD LIGHT is also Ruscha's broadest collaboration: with Lawrence Weiner, credited as co-author, but also with Chamberlain, Chandler, and Haller, who, like actors in motion pictures, cannot help but interpret the direction given to them, and who drink coffee, wear jeans, and drive cars like the stars they are. (Haller is also noted as a third photographer by Engberg & Phillpot, though not in the book's sparse credits.) Buquet strains to see a "barely veiled reference to feminist demands" and potential "derisive" dialogue with Lynda Benglis, while Ruscha himself, interviewed while in the process of making the book, said only "We went out and got a few girls and shot some pictures." Critics are cautious and the author silent, but the book speaks. Uncommon signed. 7'' x 5''. Original glossy color wrappers. 65 photographic illustrations by Ruscha, Weiner, and Susan Haller. [120] pages. Signed by Ruscha in pen on front free endpaper. PROVENANCE: From the collection of longtime MIT Press editor Roger Conover, who published several books by and about Ruscha. Trace edgewear. Else clean, bright, and sharp. Signed.

Condition: New. As issued. [8] pp.; 32 x 28 x 3 cm.; loose leaves; monochrome; edition size 125 (plus 20 AP, 1 ICE); signed and numbered; letterpress "DO-IT-YOURSELF" is a kit containing paper, pencil, stencil, overhead transparency, diagrams and complete instructions for one work each by JESSICA DIAMOND, SOL LEWITT, and LAWRENCE WEINER. In a good-humored way, "DO-IT-YOURSELF" captures the essence of conceptual art. Each artist has contributed a concept, the execution of which is left to the collector. By selecting artists of three successive generations, the project emphasizes the adaptability and strength of the movement. The elements of "DO-IT-YOURSELF" are housed in a black cloth-covered box measuring 32 x 28 x 3 cm. In this version of the edition each work is signed by the corresponding artist. Reference : "Some Things Brought to Hand : The Multiples of Lawrence Weiner" by Lawrence Weiner. New York, NY : Marian Goodman Gallery, 1996.

Lawrence Weiner & Brigitte March Galerie, Stgt., 1994. 16 S. mit Abbildungen und Tafeln, kartoniert--- - gutes Exemplar/original von Brigitte March signiert - 60 Gramm.

92 nnSeiten, 8°, titelgeprägter orangefarbener Leineneinband, mehrfarbiger Druck. Text in deutsch und englisch. Von Weiner auf dem Vorsatzblatt signiert. Sehr gutes Exemplar. Ausstellung vom 15. Juli - 8. Oktober 2000. Wohl ungelesen. Selten. Handsigned by the artist. Actually it is not possible, sending books to the USA. Aktuell können keine Bücher in die USA versandt werden. Sprache: Deutsch Gewicht in Gramm: 1000.

No Binding. Condition: Near Fine. Color Photo on 8 1/2" x 7 1/2" heavy bonded paper sheet - SIGNED and inscribed by American conceptual artist. Lawrence Weiner below photo. . sheet has one fold. SIGNED PHOTO.

Paperback, 48 pages, very good condition, yellow cover is clean and crisp, bright, binding is tight. Signed in pencil on first blank page Voor Johan, Lawrence Weiner .

Herausgegeben von Reiner Speck und Gerhard Theewen.Salon Verlag, Köln 1996. 16°. 16 Blatt. OBroschur. Mit 23 Abbildungen. Eines von 1000 nummerierten Exemplaren. Mit eigenhändiger Signatur von Weiner auf dem Titelblatt.

No Binding. Condition: As New. 1st Edition. This is one diecut bookmark that is hand SIGNED by Lawrence Weiner with his initials encircled; these are limited to about 60 unnumbered initialed copies; size: 7 x 2in (18 x 5 cm.); with cut-out in center of marker; offset printed in yellow on tan thin cardboard, text in black. text on front reads "Learn to Read Art". back text "Books do Furnish a Room"; PROVENANCE: purchased directly from Printed Matter; in EXCELLENT COND. Signed by Author(s).

17 x 11 cm. 30 n.n. S. Originalbroschur. Schwarz Books Nr. 5. - Originalausgabe. - Von Weiner auf der Titelseite signiert. - Auflage, nach Schwarz 1136 Exemplare. Hergestellt und übersetzt ins Italienische, Französische, Dänische, Spanische, Deutsche und Holländische durch Studenten des Colleges. - Umschlag mit ganz schwachen kaum wahrnehmbaren Stockflecken. Sprache: n.

[272] pp. Thick 8vo, printed softcover, title on spine (a little creased). Hamburg: Anatol AV und Filmproduktion, 1977. Signed copy of this collection of works from 1967-77 by Lawrence Weiner (1942-2021); inscribed by the artist to "Carl" on the title-page. "This volume containing works completed during the period 1967-1977 was brought up (initiated) by Paul Bianchini, Paris/New York and was brought about due to the efforts of Leo Castelli, Peter Downsbrough, Janelle Riering and Irena von Zahn." A near fine signed example of this important book in conceptual art. N.B. the numbering in the lower corner of each page is not the pagination, but the number of the work collected in the volume. ? D. Schwarz, ed., Lawrence Weiner: Books 1968-1989, Catalogue Raisonné (1989), Books no. 2.

18x14 cm. 36 n.n. S. mit s/w Fotos. Originalbroschur. Schwarz Books, Nr. 22. - Originalausgabe. - Erschien in einer Auflage von 780 Exemplaren. - Übersetzt und herausgegeben von Rolf Preisig, Basel. Fotos von Beate Nilsen. - Von Weiner auf dem Titel handschriftlich signiert. - Erste Blätter lose. Sprache: n.

28 x 21 cm. 24 n.n. S. mit 83 s/w. Fotos von Frank Vellenga. Grüne Originalbroschur. Schwarz Books Nr. 32. - Auflage: 500 Exemplare. - Mit handschriftlicher Widmung von Lawrence Weiner auf der ersten Seite. - Fotoroman. Sprache: n.

Four black & white illus. [30], [30] pp. 8vo, blank softcover, orig. pink pictorial dust-jacket (spine sunned). Bremerhaven: Kabinett für aktuelle Kunst Bremerhaven, 1975. A signed Lawrence Weiner (1942-2021) artist's book, published by Jürgen Wesseler's exhibition space in Bremerhaven, Germany; edition of 700 copies. Presented in parallel German and English bound dos-à-dos, the book marked the artist's second solo presentation with Wesseler. Illustrated with stills from a film by Larry Williams and Alice Weiner. Near fine; faint shelfwear and sunning to spine. Signed on recto of first blank leaf. ? D. Schwarz, ed., Lawrence Weiner: Books 1968-1989, Catalogue Raisonné (1989), Books no. 14.

No Binding. Condition: As New. 1st Edition. This screenprinted fabric patch/multiple is by Lawrence Weiner, and issued with a hand SIGNED & numbered paper certificate: sheet size: 8-1/4 x 5-3/4in; limited edition to 900 numbered copies; the fabric patch is silkscreened on cotton, printed in 4 colors (orange, gray, black, & blue), patch size: 6 x 5in (136x114mm OR 13.6 x11.4cm.); stamped on verso of the cloth patch is Weiner's initials "LW"; text in English and Japanese: short Synopsis: "Weiner's studio in Amsterdam is a boat house. Text is from the scene he saw several times from his boat. Tension and dynamic movement in the text arouse our imagination. You can enjoy this multiple putting inside your coat or shirts."; Major solo exhibitions of the artist s work have been mounted at the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (1990), Institute of Contemporary Arts, London (1991), Dia Center for the Arts, New York (1991), Musée d Art Contemporain, Bordeaux (1991 and 1992), San Francisco Museum of Modern Art (1992), Walker Art Center, Minneapolis (1994), Philadelphia Museum of Art (1994), Museum Ludwig, Cologne (1995), Deutsche Guggenheim in Berlin (2000), Museo Tamayo Arte Contemporáneo in Mexico City (2004), and Tate Gallery in London (2006). In 2007, the Whitney Museum of American Art organized the first major retrospective of the artist s work in the United States. In addition to publishing numerous books, Weiner has produced various films and videos, including Beached (1970), Do You Believe in Water? (1976), and Plowman s Lunch (1982). His works are in the PERMANENT COLLECTIONS: Art Institute of Chicago; Guggenheim Berlin & Guggenheim Museum, New York City; Museum of Modern Art, NY City; Whitney Museum of American Art, NY City; Centre Pompidou, Paris; Harvard University Art Museums, MA; Kunstmuseum Wolfsburg, Germany; Mildred Lane Kemper Art Museum, St. Louis, Missouri; Museum of Contemporary Art, Los Angeles; Rijksmuseum Twenthe, Enschede, Netherlands; Tate Gallery, London, UK; The Renaissance Society at The University of Chicago; Walker Art Center, Minnesota; and numerous others.; the paper certificate has few dings, otherwise the patch in EXCELLENT COND. Signed by Author(s).

No Binding. Condition: As New. 1st Edition. This color print is by Lawrence Weiner and includes a Certificate of Authenticity that is hand SIGNED (with his initials); Limited Edition to 250 numbered copies; print size size: 8 x 10in; signed Certificate of Authenticity size: 5-1/2 x 2-1/4in; printed on archival pigment; ARTIST STATEMENT: "I do not subscribe to explaining what my intentions are, rather I prefer to present an existing fact and let the judgement of the receiver rest upon that. Epsecially with the use of language explanatory verbiage is gilding a lily which is not necessary unless the subject is gilt."; Major solo exhibitions of the artist s work have been mounted at the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (1990), Institute of Contemporary Arts, London (1991), Dia Center for the Arts, New York (1991), Musée d Art Contemporain, Bordeaux (1991 and 1992), San Francisco Museum of Modern Art (1992), Walker Art Center, Minneapolis (1994), Philadelphia Museum of Art (1994), Museum Ludwig, Cologne (1995), Deutsche Guggenheim in Berlin (2000), Museo Tamayo Arte Contemporáneo in Mexico City (2004), and Tate Gallery in London (2006). In 2007, the Whitney Museum of American Art organized the first major retrospective of the artist s work in the United States. In addition to publishing numerous books, Weiner has produced various films and videos, including Beached (1970), Do You Believe in Water? (1976), and Plowman s Lunch (1982). His works are in the PERMANENT COLLECTIONS: Art Institute of Chicago; Guggenheim Berlin & Guggenheim Museum, New York City; Museum of Modern Art, NY City; Whitney Museum of American Art, NY City; Centre Pompidou, Paris; Harvard University Art Museums, MA; Kunstmuseum Wolfsburg, Germany; Mildred Lane Kemper Art Museum, St. Louis, Missouri; Museum of Contemporary Art, Los Angeles; Rijksmuseum Twenthe, Enschede, Netherlands; Tate Gallery, London, UK; The Renaissance Society at The University of Chicago; Walker Art Center, Minnesota; and numerous others.; the print is in EXCELLENT COND. Signed by Author(s).

No Binding. Condition: As New. This print is by Lawrence Weiner; hand SIGNED by artist on an accompanying Certificate of Authenticity; Limited Ed. to 500 numbered copies; Archival pigment print on 100% cotton rag matte paper with matte finish; print size: 10in x 8in (25x20cm); Certificate of Authenticity size: 5-1/2 x 2-1/4in; Major solo exhibitions of the artist s work have been mounted at the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (1990), Institute of Contemporary Arts, London (1991), Dia Center for the Arts, New York (1991), Musée d Art Contemporain, Bordeaux (1991 and 1992), San Francisco Museum of Modern Art (1992), Walker Art Center, Minneapolis (1994), Philadelphia Museum of Art (1994), Museum Ludwig, Cologne (1995), Deutsche Guggenheim in Berlin (2000), Museo Tamayo Arte Contemporáneo in Mexico City (2004), and Tate Gallery in London (2006). In 2007, the Whitney Museum of American Art organized the first major retrospective of the artist s work in the United States. In addition to publishing numerous books, Weiner has produced various films and videos, including Beached (1970), Do You Believe in Water? (1976), and Plowman s Lunch (1982). His works are in the PERMANENT COLLECTIONS: Art Institute of Chicago; Guggenheim Berlin & Guggenheim Museum, New York City; Museum of Modern Art, NY City; Whitney Museum of American Art, NY City; Centre Pompidou, Paris; Harvard University Art Museums, MA; Kunstmuseum Wolfsburg, Germany; Mildred Lane Kemper Art Museum, St. Louis, Missouri; Museum of Contemporary Art, Los Angeles; Rijksmuseum Twenthe, Enschede, Netherlands; Tate Gallery, London, UK; The Renaissance Society at The University of Chicago; Walker Art Center, Minnesota; and numerous others.; the print is in EXCELLENT COND. Signed by Author(s).

[13] leaves & ads. Square 4to, pictorial wrappers, staple-bound. Aachen: 1970. A very nice signed copy of this scarce Lawrence Weiner (1942-2021) "catalogue as exhibition." To the shock and ridicule of attendees to Weiner's exhibition, there was only the catalogue to read through, no paintings, drawings, etc. Weiner has signed the present example on the upper left corner of the inside wrapper. "One of the most controversial exhibitions presented at Gegenverkehr was Lawrence Weiner's An Exhibition in May 1970, as Klaus Honnef summarizes: 'Larry Weiner's exhibition was the fifth or sixth in the chronology, consisting only of a catalogue. Larry wanted us to give it away for free, but we objected to that. Was nichts kostet, ist nichts (what costs nothing, is nothing), as we say in the Rhineland. Visitors were only allowed to look through it.' Weiner's exhibition led to a hitherto unprecedented wave of resignations by outraged members from Gegenverkehr."Brigitte Jacobs van Renswou, "1968-1970: Gegenverkehr Zentrum für aktuelle Kunst," Sediment 30: Klaus Honnef, From Conceptual Art to Photography, (2019), p. 21. A signed copy, in near fine condition. We find just a handful of North American institutions holding this catalogue. ? D. Schwarz, ed., Lawrence Weiner: Books 1968-1989, Catalogue Raisonné (1989), Catalogs no. 4.