Weld Alison (14 results)

Condition: Fine. 55 pp., Paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Soft cover. Condition: Near Fine. One sheet folded into six pages, featuring 8 Alison Weld paintings, an essay and exhibition list. Size: 10 13/16 x 8 3/8 inches [br 9].

Softcover, 56 pages; very good condition,clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. 147 pages. Features essays by Rachel Elizabeth Jones and Leslie L. Luebbers. Includes numerous color illustrations, list of previous exhibitions, list of pubic collections and other biographical information. A fine copy in French style wrappers.

First Edition. First edition. Softcover. 55 pages. Exhibition catalog for a show that ran March 4 through April 29, 2006. Features a foreword by Mark Chepp, acknowledgements by Alison Weld and an essay by Donald B. Kuspit. Includes numerous color illustrations, chronology, list of previous exhibitions, selected bibliography, and a checklist. A clean very near fine copy in stapled wrapperss.…

Paperback. Condition: New. Dust Jacket Condition: art contemporary painting. . . . . Large 8vo, paperback. NEW. No wear inside or out: crisp, clean - pristine. 55 pp., color illus.

Softcover. Condition: VG+. Softcover scored and folded with color reproductions on the front and reverse. 147 pp, generously illustrated with color reproductions. "Alison Weld has been an abstract painter for more than 30 years. She believes that her work is a visual diary; revealing responses to both the natural and social worlds. Weld looks to abstraction--either creating her works or contemplating those of others--for evidence of a passionate response to life. Searching out the abstract present in all artworks, the artist takes in thoughts of color and line, movement and proportion, surface and scale, ultimately asserting that abstraction is visual philosophy--however intuitive and silent it may appear. She employs both density as well as openness in her works on paper. In these works, she embraces either a state of a fully-worked ground or welcomes the simplicity and sparseness of the paper itself. Many of these works on paper relate to her painting diptychs, such as Home Economics, 1994-2002, through their juxtapositions of an overlay of dots, color, line and form. The works are metaphors for contrast and dichotomy, male and female, external and internal forces, themes central to all her art." -- From publisher's website.…

Softcover staple bound catalog, 24 pages, very good condition except light wear to cover; no internal marks. Includes: Emil Bisttram, Douglas Craft, Norman Lewis, Robert Beck, Ronald Bladen, Ed Emshwiller, Frank Gillette, Nan Hoover, Toshinori Kuga, Mary Lucier, Woody Vasulka, Bill Viola, Ted Victoria.…

Soft cover. Condition: Very Good. No Jacket. First Edition. A clean, unmarked copy in excellent condition. 55 pages.

Softcover, 46 pages; very good condition; small indents to right edge of most pages; no internal marks. (Blank white spine) Foreign shipping may be extra.

Softcover. Condition: VG. White illus. stapled wraps; Unpaginated, 16 pp.; 1 color, 8 bw plates. Accompanied a 1991 exhibition at the Jersey City Museum; Includes an essay by Alison Weld.

Softcover. Quato. Softcover. Brown kraft paper wraps. 43 pages : illustrations ; 26 cm. VG. Light wear along bottom edge.

Softcover,160 pages; very good condition; small crease to lower right corner of cover; no internal marks. Foreign shipping may be extra.

Softcover. Condition: fine. First edition. Oversized in color illustrated softcovers. 159 pp. with index of plates, chronology, bibliography. Illustrated with plates in color and black and white. Accompanied by 10 essays. Retrospective of artworks in the New Jersey State Museum created by African Americans. Artists from the late 18th century (Joshua Johnson, recognized as the earliest known portrait painter of color) through the late 20th century. Fine.…