Werner Robert Bob (16 results)

hardcover. Condition: Good.

hardcover. Condition: Good.

Condition: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condition: good. Signs of wear and consistent use.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: new.

hardcover. Condition: New. Hardcover Book,

hardcover. Condition: Good. Ships Out Tomorrow!

Condition: New. NEW! hardcoverNew2019.

DVD. Condition: New. NEW/Sealed; 0.7 X 7.5 X 5.4 inches.

Hardcover. Condition: Very Good. Not dated, but 1907 or 1908 based on library catalogues. Bound in publisher's cloth, with printed boards. Hardcover. Clean, unmarked pages.

Hardback. Condition: New. Joe Maneely, Robert Q. Sale, Gene Colan, Art Peddy, Mort Lawrence, Werner Roth, Bob Powell, Don Heck (illustrator). Hard Cover. Fantagraphics 2025. Book condition: New. Full Colour illustrations. Pre-Code cops and robbers' action from the early 1950s! The fifth stand-alone genre-themed collection in Fantagraphics' archival series of mid-century Marvel Comics. Before focusing on tales of justice via superheroes under the Marvel banner, the publisher covered ground-level crime across a range of comics titles and true-crime magazines. Under the Timely imprint from 1947, and Atlas from 1951, up to eleven graphic series including Justice Comics, Official True Crime Cases, All-True Crime, Crime Cases, Crime Can't Win, Crime Must Lose, and Crime Exposed all muscled each other and competitors for space on the newsstands. For the first crime-themed volume in Fantagraphics' ongoing project to restore and resurrect pre-Marvel pulp classics, the Atlas Library has selected a book that debuted as the genre peaked, just before a Senate hearing and the institution of the Comics Code banned the use of the word "Crime" from even appearing in a comic's title. Escaping that fate, Police Action had a seven-issue run of violent and noir-ish morality plays, pitting the officers of the law against the forces of urban malevolence, and was produced by the cream of the Atlas freelance roster, including Joe Maneely, Robert Q. Sale, Gene Colan, Art Peddy, Mort Lawrence, Werner Roth and Bob Powell. Rounding the volume off, also presented is a post-Code one-shot, Police Badge #479, a snapshot of the industry's attempts to adapt to new strictures on the genre: here we view "our boys in blue" in the fight against rank corruption, highlighting the work of Don Heck and Joe Maneely. 254 pages. Size: 8" x 12" (198mm x 297mm). ISBN: 9798875000058. (2.5 ATLASLIB5).

Hardcover. Condition: Brand New. 844 pages. German language. 7.87x5.59x2.05 inches. In Stock.

Thick folio. 14.75 x 12 x 3.5 in. [166 pp (unpaginated).], most original folio sized beige paper, other smaller mylar sleeves with photos & clippings inserted, many pages with significant manuscript in ink. With 230 total photographs tipped-in, some in corners, some inserted into archival sleeves, occasional old scotch tape mountings (over 30 in colour), sized from 2.5 x 3.5 in. up to 8 x 10 in., and even 6 x 14 in., most with pencil, ink, typed, or printed captions beside, in the lower margins, or amongst the 200+ clippings mounted and tipped-in to the sheets (many large folding), two original dealer's catalogues for the Sabreliner aircraft, including dealer literature, and business cards. Original padded post-binder, embossed & raised decorations in gilt & silver on front cover, typed title label taped to upper fore-edge (some scuffing, edgewear, chipping & tears to some leaves, toning to newspaper clippings, offsetting and ghosting from tape, some photos w/ minor tears, occasional offsetting from clippings) still an excellent exemplar. This impressive and well-documented photo album/scrapbook filled with 230 photographs provide an incomparable visual and textual record for the aviation company, Remmert-Werner, Inc. from World War II to the 1960s. Remmert (1913-1989) was a high school dropout working at the Curtiss-Wright hangar at Lambert Field in St. Louis where his father worked as a Watchmen in the 1930s. He quickly rose in the company, becoming the Curtiss-Wright Company Tech Rep in China during the opening years of World War II, and in 1943 became a Naval Officer, inspecting material production for aircraft until 1945. As shown in the photographs, and explained through clippings, and manuscript notes in Remmert's bold hand, Remmert-Werner Air Service was founded at Lambert Field following World War II, selling Beechcraft and Cessna Aircraft, and buying up war surplus airplanes for conversion. The images depict the Air Ambulance charter service with a fleet of three Beechcraft airplanes from 1945-1946, as well as the Air Service establishing themselves as dealers for Motorola, Piper, Swift, and Fairchild Aircraft, founding a Flight Training School, and contracting with Texaco to sell aviation fuel at the field. The images also portray Remmert-Werner quickly buying up a couple surplus PT-19 biplane trainers, when their flight school expanded to Starling Airport by 1947. They would later begin selling and leasing Beechcraft, Lodestar, and eventually the Sabreliner corporate jets. The photographs also display their twin engine Beech D18S aircraft setting in front of the Remmert-Werner hangar with Texaco signage and Texaco oil truck, the Cessna 140 winner of the Miami Air Races, Motorola Radio J3 Cub aircraft, their Vultee BT-13 Valiant trainer aircraft, and even a Convair B-36 Peacemaker, which was the largest mass-produced piston-engined aircraft ever built on display at an Army air show on Lambert field with the Remmert-Werner hangars in the background. Remmert-Werner quickly moved into converting aircraft for corporate clients in 1946, and over the next two decades would convert over 200 aircraft, service 1000s of planes, and became famous for their luxurious flying penthouses for corporate and wealthy clients. Not only are their images showing the clients visiting the Remmert-Werner hangars and airfields, with clippings specifying and promoting their clients, but also many images of the company dog named Myrtle setting on discarded parts, or nosing her way into photos. Remmert & Werner began their career by converting a surplus C-47A to the DC-3 "Prairie Wings" by enlarging the windows, installing luxurious seats, galley operations, and upon completion took the whole company to the Indianapolis Air Races in 1948, which were the first following World War II. They also converted and maintained the corporate fleet for the Gaylord Container Corporation, by buying up a number of surplus B-25 aircraft, and turning them into.

[1] pp.; 78.2 x 17.7 cm.; loose leaves; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Sixth Annual New York Festival of the Avant Garde which took the form of a parade down Central Park West in New York City on September 14, 1968, from 7pm to 10pm. Organized by Charlotte Moorman. Artists include Ay-o, Jacque Bekaert, Robert Breer, Robert Burridge, Luis Camnitzer, Philip Corner, Douglas Davis, Ken Dewey, John Giorno, Don Heckman, Al Hansen, Dick Hogle, Takehiko Iimura, Joe Jones, Allan Kaprow, Robin Kenyatta, Kenneth Knowlton, Gilles Larrain, Les Levine, Jackson Mac Low, Max V. Mathews, Tom Molholm, Preston McClanahan, Jim McWilliams, Max Neuhaus, Peter Neumann, Michael Noll, Ralph Ortiz, John Pierce, Dick Preston, Ely Ramen, Steve Rettew, Jean Claude Risset, Carolee Schneemann, Willoughby Sharp, Bob Schuller, Ed Summerlin, Jean Toche, John Van Saun, Joyce Wieland, Kenneth Werner, Emmett Williams and Jud Yalkut. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. Light bumping of corners. Two small thumb tack holes to poster: one near the center of the upper edge and one near center of the bottom edge.