White Cube (11 results)

Hardcover. Condition: Used - Good. Eberhard Havekost: Background16 Mar-14 Apr 2007. Hoxton Square. Eberhard Havekost, one of the most innovative surveyors of figuration in contemporary painting, exhibited a body of new work for his exhibition at White Cube Hoxton Square. Eberhard Havekost makes dense, anti-gestural paintings that explore the tension between a highly mediated image and the visceral immediacy of a seductively painted surface. Upper right corner bumped, otherwise in fine shape.

Condition: Good. 8vo. Soft Cover Thread Sewn Binding [ca. 100 pp.] B&W and Color Plates, Very good.

Bd.1: 342 nichtnumerierte Seiten, Bd. 2: 160 Seiten mit jeweils zahlreichen Abbildungen. Katalog in zwei Bänden zum 10jährigen Bestehen der Galerie "White Cube", Dokumentation der Ausstellung von Mai 1993 bis September 2002. Künstler u.a. Richard Phillips, Ellsworth Kelly, Lucien Freud, Nan Goldin, Katharina Fritsch, Terry Winters, Sophie Calle, Esko Männikkö, Damian Hirst, Thomas Ruff, Nobuyoshi Araki, Jeff Wall, Tracey Emin (gutes Exemplar, der Schuber minmal berieben, der Vorderdeckel von Band 2 mit winzigen Flecken. Insgesamt sehr gutes Exemplar). Sprache: Englisch Gewicht in Gramm: 3500 4°. 27,5 x 23 cm. Orig.-Leinen im schwarzen Orig.-Pappschuber.

Fuchs, Rudi et al. DAMIEN HIRST: For the Love of God - The Making of the Diamond Skull. 78 pp., illustrated throughout in color and b&w, including 1 fold-out. 4to, boards. London, Other Criteria and White Cube Gallery, 2007. Published to accompany the 2007 exhibition "Beyond Belief" at White Cube in London. It gives pictorial insight into how the piece, "For the Love of God", was conceived and produced.

Shani, Annushka (essay). DAMIEN HIRST: Romance in the Age of Uncertainty. 144 pp., roughly 50 illustrations, most in color. 4to, wraps. London, White Cube, 2003. The first solo exhibition of new work in London since 1995, these new sculptures and paintings examine the story of Jesus and his Disciples.

Hardcover. Condition: Used - Very Good. Absence of God', was the artist's first exhibition at the gallery. In the main space Shaw exhibited seven spectacular paintings, including his largest to date, which measures over 7m wide. The first-floor gallery was dedicated to Adam, his first large-scale sculptural installation. Born in Kashmir, Raqib Shaw left India in 1998 for London where he studied for both his BA and MA at Central St Martins School of Art. Shaw has exhibited internationally, including the group shows 'Without Boundary', Museum of Modern Art, New York (2006); 'Around the world in Eighty Days', Institute of Contemporary Arts, London (2006); '6th Gwangju Biennale', South Korea (2006); with solo exhibitions at 'Art Now', Tate Britain (2006) and the Metropolitan Museum, New York (2009). Very nice clean, tight copy free of any marks. Corners slightly bumped. No dj as published.

Soft cover. Condition: New. 1st Edition. 189 pages : illustrations (chiefly colour) ; 31 cm. Published to mark the exhibitions held at White Cube Bermondsey, 3rd July-11th September 2016 and at Glyndebourne, Sussex, 21st May-28th August 2016. Contents: Temptation and infestation / by James Hall Self portraits Feasts, fools and fairies : Raqib Shaw's otherworldly visions / by Andrea Schlieker White Cube at Glyndebourne.

Fuchs, Rudi et al. DAMIEN HIRST: For the Love of God - The Making of the Diamond Skull. 78 pp., illustrated throughout in color and b&w, including 1 fold-out. 4to, boards. London, Other Criteria and White Cube Gallery, 2007. Signed edition.

Condition: Good. 4to. Stapled Wrap [ca.30 pp.] Color Plates. Very good. Sunned.

London. White Cube. MONA HATOUM. Text by Andrew Renton; 80 pp., illustrated in color and b&w. 8vo, boards. 2006. Accompanies an exhibition.

4to. 9.5 x 12.5 inches. [4] + [2] blank + 55 pp., including some blank verso pages + [4] pp. (2 blank). Text on rear endpaper. In card covers. A very good copy. Illustrated throughout in colour and black and white. Catalogue of an an exhibition at the White Cube, curated by Susan May and coordinated by Honey Luard. ''Kupferstichkabinett is the term used to describe the department of drawings and prints in a number of significant museums across German-speaking Europe.Between Thought and Action opens a door to this overlooked room, offering a range of intimate conversations between the artists' and their beautiful, unpolished thoughts.' ART / LITERATURE PRINTS ARTS- DRAWINGS PRINTS CATALOGUES LONDON 20TH CENTURY ART / LITERATURE.