Wijck Thomas (13 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Fine. Thomas Wyck (Wijck) (illustrator). This important etching was published as part of John McCreery's "A Collection of Original Etchings". It was published in London by McCreery in 1816. Each etching was pasted to backing paper. The original copper plates were believed to be destroyed after this publication. --- Most of the etchings are printed from the original plates of the artist. It features original plate etchings from the artists: Corenlius Bega (1654), Claude Lorraine (1660), Dominique Barriere (and Lorraine) (1651), Horizonti, Hollar (1641-1647), Theodore Van Kessel (1654), Peter de Laer (1636), Rembrandt, some after Rembrandt by Vivares, Van Vliet (1632), Thomas Wyck (1670), and Ruysdael (1668). The work also featured etchings after the artwork of Rembrant, Ruysdael, Du Jardin, Della Bella, and more. --- The work is in very good to excellent condition overall. There may be a few minor imperfections to be expected with age. Please review the image carefully for condition and contact us with any questions. --- Paper Size ~ 9 1/2" by 16 1/2".

A well in front of a house; a woman and a donkey on the right. Monogrammed on the top right: TW. l Etching on paper, trimmed within plate mark; total: 77 x 119 mm; Hollstein 10 (copy); yellowed paper, with some foxing; mounted on cardboard.

senza rilegatura. Condition: ottimo. Acquaforte misure: mm 132 x 120 Pittore e incisore, soprannominato "Tommaso fiammingo", attivo a Roma intorno al 1640, ad Haarlem e per un breve periodo a Londra. Il suo stile rientra in quello dei Bamboccianti, pittori olandesi operanti a Roma nel pieno Seicento. E' ricordato per le scene di genere ambientate in paesaggi italianizzanti, rovine o contesti urbani. Il soggetto è tratto da La vita di Lazarillo di Tormes, delle sue fortune e avversità. Racconto spagnolo di autore anonimo scritto in prima persona come un'unica lunga lettera. Vi è narrata la vita di un giovane accattone, Lazzaro di Tormes,  ambientato nella Spagna del XVI secolo. Ne è una feroce critica con risvolti anticlericali, bollata come eretica dall'Inquisizione. Al centro della scena l'anziano mendicante cieco, che Lazzarillo accompagna e sfrutta in una serie di furti e sotterfugi, è inseguito da un cane e va a sbattere contro una colonna. Tre figure osservano la scena riparandosi dietro la colonna, a destra alcune donne presso una fontana. Lo sfondo è occupato da una scalinata, alcuni edifici e la facciata della chiesa romana di Santa Maria in Aracoeli. Il segno corto e vibrante, mai incrociato, si infittisce nelle zone in ombra quasi a simulare l'effetto di un disegno. In basso a sinistra sulla colonna inciso il monogramma TW. Probabile III/III stato come indicato nell'esemplare conservato al MET. Ottima impressione ben contrastata su carta leggera priva di vergelle. Tiratura postuma. Piccoli margini oltre la battuta. Ottimo stato di conservazione eccetto qualche piega agli angoli visibile per lo più al verso. Al verso scritta a penna: Fochy Enacht (?) 1817 X 12. Bibliografia: Hollstein 11; Bartsch IV.147.11; Weigel 1843 171.11.

Seascape with round tower and figures working by the sea. Monogrammed on the top right: TW; on verso collector's marks: Pieter Willem van Doorne (1896-1971) [L. 4731] and Richard Holkott (1866-1950) [L. 4266]. l Etching on paper, trimmed within plate mark; total: 81 x 121 mm; Hollstein 7 (copy); in elegant passepartout.

Seascape with round tower and figures working by the sea. Monogrammed on the top right: TW. Etching on paper, trimmed within plate mark; total: 81 x 122 mm; Hollstein 7 (copy); yellowed paper, mounted on cardboard.

Etching/printdrawing after a drawing by Thomas Wijck. A traveller and his mule just ouside a city (Rome?) gate. From a series of landscapes and seescapes after Dutch masters of the 17th century, published under the supervision of Cornelis Ploos van Amstel. Possibly from Christiaan Josi's series: 'Collection d'imitations de dessins d'après les principaux maîtres hollandais et flamands, Londen, C.Josi, 1821'. The prints from this edition bear on the verso the arms of Cornelis Ploos van Amstel, the patron of this edition. l Printdrawing on paper in brown ink, mounted on cardboard; total: 147 x 230 mm; state II/2; small ter on top right corner; Laurentius 35.

River landscape with figures on the side of the river. Monogrammed on top left corner. l Etching on paper pasted on cardboard, total: 123 x 116 mm; state III/4, Hollstein 17, Dutuit 17.

River landscape with a standing woman spinning beside a fisherman.Monogrammed on the top left: TW.From a set of four plates with Mediterranean Landscape Scenes.[NL] Een spinster en een visser langs de oever van een rivier. Aan de overzijde een kerk en andere gebouwen. Antieke prent door Thomas Wijck. Etching on paper, trimmed close to plate; total: 118 x 122 mm; state III or IV/4; some rubbing and traces of handling, fair stains at corners - traces of glue used as previous mounting. Overall in fair condition. Hollstein 18, Dutuit 18.

An oriental merchant stands among merchandise on the wharf. Across the river a warehouse.Monogrammed above, to the left: JW.From a set of four plates with Mediterranean Landscape Scenes.[NL] Oosterse koopman bij een rivier. Een oosterse koopman staat tussen koopwaar op de kade. Aan de overkant van de rivier een pakhuis. Antieke ets gemaakt door Thomas Wijck Etching on paper, with tiny margin; total: 124 x 118 mm; state III or IV/4; in good condition. Mounted on paper passepartout. Hollstein 15.

River landscape with a standing woman spinning beside a fisherman. Monogrammed on the top left. l Etching on paper, trimmed close to plate; total: 116 x 123 mm; state II/4; mounted on cardboard, pasting four corners; Hollstein 18, Dutuit 18.

An alchemist in his workshop. He is sitting in the middle of the composition, gazing at the viewer. His assistant is standing beside him carrying a vase, trying to draw the alchemist's attention. Scattered in the large room are books, leaves of paper, bottles, cages are hanging from the ceiling as well as other curiosa. Inscribed on the bottom: 'Tiré du Cabinet de M.r le Brun. / D'apres le Tableau Original de Thomas Wyck de la Grandeur de 24 pouces sur 22 de large. / A Paris chez Chereau rue des Mathurins au coin de celle de Sorbonne'; signed on the bottom of the composition: 'Thomas Wyck Pinxit / L. Le Grand. Sculp.'. From J.B.P. Le Brun, Galerie des Peintres Flamands, Hollandais et Allemands, published in Paris and Amsterdam between 1792 and 96. This engraving was included in the second volume as opposite to page 45. l Engraving and etching on paper with broad margins; plate mark: 239 x 190 mm; total: 428 x 271 mm; some stains on the external margins otherwise in very good conditions.

River landscape with a standing woman spinning beside a fisherman.Monogrammed on the top left: TW.From a set of four plates with Mediterranean Landscape Scenes.On verso collector's mark: Richard Holkott (1866-1950) [L. 4266].[NL] Een spinster en een visser langs de oever van een rivier. Aan de overzijde een kerk en andere gebouwen. Etching on paper, trimmed close to plate; plate mark: 114 x 119, total: 119 x 124 mm; state II/4, Hollstein 18, Dutuit 18. Vertical fold on the right side.