Wiktor Sadowski (26 results)

Hard Cover. Condition: NEW. Sadowski, Wiktor (illustrator). First Edition. Hardcover, NEW, no marks or writing. Immediate shipping w/tracking included.

Oprawa wydawnicza kartonowa. Ilustrowal Wiktor Sadowski (illustrator). @ Cover design and illustrations / Projekt okladki i ilustracje: Ilustrowal Wiktor Sadowski; @ Blurb / Notka wydawnicza: Warszawa: Nasza Ksiegarnia, 1984; @ Size of the book block / Wymiar bloku: 24 cm; @ Circulation / Naklad: 30000; @ Comments/ Uwagi: Liczne calostronicowe barwne ilustracje w tekscie; @ Weight / Waga: 330; @ Pages / Strony: 138, [6]s.; @ Thematic categories / Kategorie tematyczne: design grafika uzytkowa oprawy / okladki od 1980, ilustratorzy graficy Sadowski Wiktor, literatura dziecieca powiesc, literatura polska literatura od 1945 / , , literature children?s literature novel / , , Literatur Kinderliteratur Roman; Oprawa bardzo nieznacznie uszkodzona. Pozycja w ladnym stanie.

Oprawa wydawnicza broszurowa. Condition: Pozycja w ladnym stanie. [Ilustrowal Wiktor Sadowski] (illustrator). @ Cover design and illustrations / Projekt okladki i ilustracje: [Ilustrowal Wiktor Sadowski]; @ Blurb / Notka wydawnicza: Warszawa: Krajowa Agencja Wydawnicza, 1987; @ Size of the book block / Wymiar bloku: 20x21 cm; @ Circulation / Naklad: 50350; @ Comments/ Uwagi: W tekscie liczne ilustracje barwne w tym calostronicowe; @ Weight / Waga: 130; @ Pages / Strony: 47, [1]s.; @ Thematic categories / Kategorie tematyczne: design grafika uzytkowa oprawy / okladki od 1980, ilustratorzy graficy Sadowski Wiktor, literatura dziecieca powiesc, literatura polska literatura od 1945 / , , literature children?s literature novel / , , Literatur Kinderliteratur Roman;

Pas de couverture. Condition: Bon. Wiktor Sadowski (illustrator). Dangerous Liaisons by Christopher Hampton, original Polish art poster by Wiktor Sadowski affiche offset originale (68 cm x 97 cm) 1988 Bon état d'usage.

@ Reference / Haslo: plakat filmowy; @ Original Title / Tytul originalny: Dobrodruzství Robinsona Crusoe, námorníka z Yorku; @ Dating / Data powstania: 1983; @ Edition / Wydanie: Wydanie 1, jedyne; @ Publishers and printers imprint / Adres wydawniczy: zrf ZGK, Druk. im. K. Miarki w Mikolowie, zam. 8304/1400/83, 2800 M-65; @ Circulation / Naklad: 2800; @ Signature / Sygnatura: W. SADOWSKI; @ Technique / Technika: offset barwny; @ Size in cm / Wymiary w cm, format: 33x46 cm (B3); @ Condition / Stan: Pozycja w dosc ladnym stanie, slaby slad pionowego zlozenia, nieco uszkodzony lewy dolny rog i nieznacznie uszkodzone marginesy plakatu.; @ Information about an author / Informacje o autorze: Wiktor Sadowski (ur. 30.09.1956 Oleandry) malarz, grafik, plakacista. Studiowal w latach 1976-1981 na Akademii Sztuk Pieknych (ASP) w Warszawie, dyplom 1981 w pracowni projektowania plakatu prof. H. Tomaszewskiego i aneks do dyplomu w pracowni projektowania graficznego ksiazki prof. J. Stannego. Uprawia malarstwo, grafike uzytkowa (wydawnicza) i plakat. W dziedzinie ilustracji i plakatu liczne nagrody. Wielokrotnie bral udzial w Miedzynarodowym Biennale Plakatu (MBP) w Warszawie w tym IX/X 1984 MBP Zloty Medal (plakat do "Goya. Wieczor baletowy") i Biennale Plakatu Polskiego (BPP) w Katowicach w tym 11. BPP 1985 I nagroda, Miedzynarodowy Konkurs Plakatu Teatralnego Osnabrück 1987 I i III nagroda i 1997 II nagroda. Autor ca 40 plakatow filmowych w latach 1983-1996 i licznych plakatow teatralnych.; @ Comments / Uwagi: Plakat malego formatu B3. Wiktor Sadowski jest autorem rowniez tozsamego podstawowego plakatu do tego filmu formatu B1. // Film czechoslowacki 1982; animowany, familijny. // Rezyseria: Stanislav Látal. Scenariusz: Jirí Kubícek, Stanislav Látal. Muzyka: Karel Svoboda. Zdjecia: Jirí Safár, Jan Müller. Scenografia: Adolf Born.; Pozycja w dosc ladnym stanie, slaby slad pionowego zlozenia, nieco uszkodzony lewy dolny rog i nieznacznie uszkodzone marginesy plakatu.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About the film: A group of petty criminals is trying to make some money under the disguise of a musical band in German-occupied Serbia. (IMDB)/ Ready to frame! This poster measures 26 x 38 inches.

No Binding. Condition: Good. About the Artist:Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About the play: Janulka, Fizdejka's daughter. Tragedy in 4 acts - a drama by Stanislaw Ignacy Witkiewicz written in 1923. It tells the story of the Neo-Teutonic Knights who, under the leadership of Grand Master Gottfried, attack and colonize barbaric Lithuania. The untamed and backward Lithuanians are supposed to help the civilized and progressive Neo-Teutonic Knights satisfy their metaphysical hunger and feel the so desired strangeness of existence. The main topics discussed by Witkacy in this drama are the decay of civilization and the all-encompassing human degeneration./ Ready to frame! This poster measures 26 x 38 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About the play: Turandot or the Whitewashers' Congress is an epic comedy by the German modernist playwright Bertolt Brecht. It was written during the summer of 1953 in Buckow and substantially revised in light of a brief period of rehearsals in 1954, though it was still incomplete at the time of Brecht's death in 1956 and did not receive its first production until several years later. The story is loosely based on Count Carlo Gozzi's commedia dell'arte play Turandot (1762), a production of which Brecht saw in Moscow in 1932, directed by Yevgeny Vakhtangov. From 1930 onwards, Brecht began to develop a version of his own, which became part of a wider complex of projects exploring the role of intellectuals (or "Tuis," as he called them) in a capitalist society. Brecht's protagonist is coarse, lacking the whimsical charm of Gozzi's portrayal and the aspiration to nobility in Schiller's adaptation (1801)./ The poster has a minor rip in the left margin. Ready to frame. This poster measures 26.5 x 38.5 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically,  this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About Opole: The classics do not have to be stale. The classics are still alive and well. The classics are still worth coming back to. This is the premise of the annual "Polish Classics" Opole Theatre Confrontations festival, which takes place in April and has earned the admiration of both the theatre community and its spectators. The event has taken place in the Jan Kochanowski Theatre in Opole since 1975, that is since the venue was first built. During the Confrontations, the greatest Polish classics are staged by artists vying for the Grand Prix and a range of other awards. The event is the largest festival dedicated to classic Polish plays and, as emphasised by its organisers, it constitutes a constant dialogue between modern theatre and older plays, demonstrating how they resonate with modern audiences. It is a long-standing tradition of looking back at the Polish theatre canon and coming up with fresh ideas. Zealously faithful recreators meet with those who prefer to reinterpret the classics, make them more modern and revitalise them. (opole.pl)/ The poster has some minor ruffling in the top right corner. Ready to frame! This poster measures 26 x 37 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically,  this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ Ready to frame! This poster measures 26 x 36 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About Opole: The classics do not have to be stale. The classics are still alive and well. The classics are still worth coming back to. This is the premise of the annual "Polish Classics" Opole Theatre Confrontations festival, which takes place in April and has earned the admiration of both the theatre community and its spectators. The event has taken place in the Jan Kochanowski Theatre in Opole since 1975, that is since the venue was first built. During the Confrontations, the greatest Polish classics are staged by artists vying for the Grand Prix and a range of other awards. The event is the largest festival dedicated to classic Polish plays and, as emphasised by its organisers, it constitutes a constant dialogue between modern theatre and older plays, demonstrating how they resonate with modern audiences. It is a long-standing tradition of looking back at the Polish theatre canon and coming up with fresh ideas. Zealously faithful recreators meet with those who prefer to reinterpret the classics, make them more modern and revitalise them. (opole.pl)/ Ready to frame! This poster measures 26 x 38.5 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically,  this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About Opole: The classics do not have to be stale. The classics are still alive and well. The classics are still worth coming back to. This is the premise of the annual "Polish Classics" Opole Theatre Confrontations festival, which takes place in April and has earned the admiration of both the theatre community and its spectators. The event has taken place in the Jan Kochanowski Theatre in Opole since 1975, that is since the venue was first built. During the Confrontations, the greatest Polish classics are staged by artists vying for the Grand Prix and a range of other awards. The event is the largest festival dedicated to classic Polish plays and, as emphasised by its organisers, it constitutes a constant dialogue between modern theatre and older plays, demonstrating how they resonate with modern audiences. It is a long-standing tradition of looking back at the Polish theatre canon and coming up with fresh ideas. Zealously faithful recreators meet with those who prefer to reinterpret the classics, make them more modern and revitalise them. (opole.pl)/ Ready to frame! This poster measures 27 x 37 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About Opole: The classics do not have to be stale. The classics are still alive and well. The classics are still worth coming back to. This is the premise of the annual "Polish Classics" Opole Theatre Confrontations festival, which takes place in April and has earned the admiration of both the theatre community and its spectators. The event has taken place in the Jan Kochanowski Theatre in Opole since 1975, that is since the venue was first built. During the Confrontations, the greatest Polish classics are staged by artists vying for the Grand Prix and a range of other awards. The event is the largest festival dedicated to classic Polish plays and, as emphasised by its organisers, it constitutes a constant dialogue between modern theatre and older plays, demonstrating how they resonate with modern audiences. It is a long-standing tradition of looking back at the Polish theatre canon and coming up with fresh ideas. Zealously faithful recreators meet with those who prefer to reinterpret the classics, make them more modern and revitalise them. (opole.pl)/ The poster is slightly ruffled and has a rip in the top margin. Ready to frame! This poster measures 26.5 x 38.5 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ Ready to frame! This poster measures 26 x 37.5 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ Ready to frame! This poster measures 38 x 26 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ Ready to frame!

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically,  this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ Ready to frame! This poster measures 26 x 37 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About the Opera: The Haunted Manor is an opera in four acts composed by Polish composer Stanislaw Moniuszko in 18611864. The libretto was written by Jan Checinski. Despite being a romance and a comedy, it has strong Polish patriotic undertones, which made it both popular with the Polish public and unpopular to the point of being banned by the Russian authorities of Congress Poland./ The poster is slightly ruffled, ready to frame. This poster measures 27 x 38 inches.

No Binding. Condition: Good. About Polish Posters: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio. / About the Play: The Balcony (French: Le Balcon) is a play by the French dramatist Jean Genet. It is set in an unnamed city that is experiencing a revolutionary uprising in the streets; most of the action takes place in an upmarket brothel that functions as a microcosm of the regime of the establishment under threat outside. (wikipedia)/ The poster is in good condition and ready to frame. This poster measures 27 x 39 inches.

No Binding. Condition: Good. About Polish Posters: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ This is a poster for the 1985 film Magnat (The Magnate) which was directed by Filip Bajon./ The poster is in good conditions with some ruffles. Ready to frame. This poster measures37 x 26 inches.

No Binding. Condition: Good. About Polish Posters: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Play: Candide, ou l'Optimisme is a French satire written by Voltaire, a philosopher of the Age of Enlightenment, first published in 1759. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizan optimism by his mentor, Professor Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow and painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes Candide with, if not rejecting Leibnizian optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best" in the "best of all possible worlds"./ The poster is in overall good condition and ready to frame. This poster measures 26.5 x 37 inches.

No Binding. Condition: Good. About Polish Posters: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent. This poster measures 26.5 x 37 inches.

No Binding. Condition: Good. 1st Edition. About the Poster: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Play: Mikhail Afanasyevich Bulgakov was a Russian, later Soviet writer, medical doctor, and playwright active in the first half of the 20th century. He is best known for his novel The Master and Margarita, published posthumously, which has been called one of the masterpieces of the 20th century./ This vintage poster is unlined and in very good condition. Ready to frame. This poster measures 26.25 x 39 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ Ready to frame! This poster measures 18 x 27 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About the play: This is a poster for a play about gender, identity, sexuality, social mores, and conservatism. Written in 1973, by Tadeusz Różewicz, White Marriage, was considered controversial and obscene. An innovative, experimental and creative playwright, Różewicz changed the traditional definition of a theatrical form. He posed questions about the individual's attempt to overcome the norms, conventions, clichés, and schemes to which one is, from an early age, exposed./ Ready to frame! This poster measures 26 x 39 inches.

No Binding. Condition: Good. About the Artist: Wiktor Sadowski is a Polish artist working in poster, illustration and painting. He was born in Oleandry, Poland in 1956. He graduated in 1981 at the Academy of Fine Arts in Warsaw in Tomaszewski's studio./ About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically,  this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ The poster is slightly ruffled and ready to frame! This poster measures 32 x 23 inches.