Will Insley (22 results)

Paper. Condition: Good. ExCat.

Saddle-stapled wraps. Condition: Very Good. First Edition. 8vo - over 7¾" - 9¾" Very Good condition. 12 pp. Illustrated by Illustrated.

Saddle-stapled wraps. Condition: Very Good. First Edition. 4to - over 9¾" - 12" Tall (small). Slight rubbing and browning to wrappers (chiefly at edges); slight internal browning to edges. 12 pages. Catalogue of the museum's exhibition, September - November 1976; chiefly from the series of numbered 'Wall Fragments', 1962-75. Introduction by Stephen S. Prokopoff; artist's own essay ('A Brief History of Fragments').12 b/w Illustrations / Plates; Endpaper Map; b/w decorative title Page.

Saddle-stapled wraps. Condition: Very Good. First Edition. Slight rubbing and browning to wrappers (chiefly at edges); slight internal browning to edges. 12 pages. Catalogue of the museum's exhibition, September - November 1976; chiefly from the series of numbered 'Wall Fragments', 1962-75. Introduction by Stephen S. Prokopoff; artist's own essay ('A Brief History of Fragments'). 12 b/w Illustrations / Plates; Endpaper Map; b/w decorative title Page.

Softcover, 12 pages; staple-bound, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover, 88 pages, in English and Swedish; very good condition, except light edgewear to spine; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. 12 pages. Exhibition catalog for a show that ran September 11 through November 7, 1976. Introduction by Stephen Prokopoff. Essay by Insley. Includes numerous black and white illustrations. A very near fine copy in stapled wrappers.

Paperback. Trade PB. 8vo. Published by The Solomon R. Guggenheim Foundation, New York, 1984. 88 pgs. IIlustrated. Wrappers lightly worn with some light shelf-wear to the extremities present. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. Includes a statement by the artist, as well as an interview with him by Linda Shearer. ; 8vo 8" - 9" tall; 88 pages.

Soft cover. Condition: Very good. No jacket. In great condition. Binding is tight and inside is clean and unmarked.

Soft cover. Condition: Fine. Oblong Format.

Condition: New. Satisfaction Guaranteed or your money back.

Brossura. Condition: ottimo. prima edizione. INSLEY Will (Indianapolis 1929 - New York City 2011) Chicago, Museum of Contemporary Art, 1976, 21,5x25,5 cm, softcover, pp. [12], typographic cover, 12 black and white illustrations with images of the artist's works. Texts by Stephen S. Prokopoff and Will Insley, graphic design by Peter Teubner & Associates. Catalog published on the occasion of the exhibition. (Chicago, Museum of Contemporary Art, 11 September - 7 November 1976).

Softcover, staple-bound, 16 pages very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Encuadernación de tapa dura. Condition: Nuevo. Dust Jacket Condition: Como Nuevo. Interfunktionen, an art journal which published 12 issues between 1968 and 1975 in Cologne, was founded in 1968 as a form of protest by artists who had no affinity with the critical lines that were redrawn at Documenta that year. The review was of considerable importance as a vehicle for propagating pro-European ideas and as a union between artists in Europe and the United States, irrespective of the predominating movements of the time. It contained both theoretical and practical contributions, with the intervention of creators who defined and illustrated their artistic strategies. Directly linked to the most prominent figures in the Düsseldorf Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar Polke, it also boasted the involvement of the most spirited and reflexive artists of the times, from Vito Acconci and Marcel Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as its name indicates, was an inter-disciplinary publication, open to all artistic genres and with no restrictions as to media. This book is produced in collaboration with Fritz Heubach, the review's first editor, and depicts the experience of those years by means of original documents--some of them hitherto unpublished--artworks, and artists' writings.

Softcover. Condition: Sehr gut. 36 S. Mit Abbildungen. Kartonierter Original-Umschlag mit Illustrationen von Will Insley. - Erste Ausgabe. - Mit einem Text von Paul Wember. (Deutsch/Englisch) - 36 S. With illustrations. Original paperback cover with illustrations by Will Insley. - First edition. - With a text by Paul Wember. (German/English).

Kein Einband. Condition: Gut. 8 S. Doppelt gefalteter illustrierter Bogen. - Originalausgabe. - Umschlag minimal fleckig. - 8 S. Double-folded illustrated sheet. - Original edition. - Cover minimally stained.

broschiert. Condition: Gut. 29,5 x 21 cm ; Mit Texten von Tilman Osterwold, Paul Wember und Gisela Fiedler. Softcover, Text in deutscher und zum Teil auch in englischer Sprache, 36 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. pwRegal-HH.

[unpaginated]; 23.2 x 14.8cm.; glue bound; other special feature[s]; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed TriQuarterly issue 32, edited by Lawrence Levy and John Perreault. Features artists projects by "Anti-Object" artists Ira Joel Haber, Lawrence Weiner, Joseph Beuys, Christo, Agnes Denes, Marjorie Strider, Douglas Huebler, Gregg Powell, Brenda Miller, John Baldessari, Gilbert & George, LeAnnn Bartok Wilchusky, Vito Acconci, Hans Haacke, Richard Serra, Will Insley, Phil Berkman, Michael Crane, Michael Kirby, Spephen Zaima, Eleanor Antin, Jan Sullivan, Nancy Holt, Adrian Piper, Robert Barry, Richard Long, Sol LeWitt, Robert Smithson, Joseph Kosuth, Alice Aycock, A. Ribé, Daniel Buren, Rafael Ferrer, Scott Burton, and Les Levine. Cover features 5 loose wallet-size photos of Tri-Quarterly 32 (imagined with printed rather than corrugated cardboard covers) featuring a cover with Robert Smithson's "Spiral Jetty" housed in a pocket affixed to corrugated cardboard covers. Includes contributor biographies. Very Good / Fine. 7 mm. tear and 4 mm. loss to tipped in envelope on recto. 8 mm. light soiling of recto. Light edgewear and wear to corners. 8 cm. crease with 1 mm, tear to bottom right corner of title page. Contents clean and unmarked.

paperback. Condition: Fine. cm 21x29; pp. 96; BW ills.; paperback.

senza rilegatura. Condition: ottimo. prima edizione. INSLEY Will (Indianapolis 1929 - New York City 2011) Zürich, Annemarie Verna Galerie, 1976, 29,6x21 cm., invitation sheet with texts by the artist, published on the occasion of the exhibition (Zurich, Annemarie Verna gallery, 4 March - 8 April 1976. Invitation folded in three parts.

Cardboard box with paper title label affixed to top of box and list of artist's labels affixed to all 4 sides of the box top; includes 44 loose pages of xerox quality that reproduce the proposals of the artist's land art and performance projects for the NJ site and a text by Lenore Malen; very good condition except the top of the box is slightly crushed; 2 of the side labels are not firmly attached to the box; contents fine and untorn. I can only locate 4 copies of this item in US libraries; a very rare group exhibition catalog on land / conceptual art.

[1] pp.; 38 x 45.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster / announcement published in conjunction with show held September 18 - October 12, [1966]. Artists included Edwin Ruda, Leo Valledor, David von Schlegell, Will Insley, Peter Forakis, Jon Baldwin, Dean Fleming, Tamara Melcher, Mark di Suvero, Anthony Magar, Robert Grosvenor, and Peter Hutchinson. Very Good. Mailed copy with mailing marks and wear. Folded in eight as issued. Overall handling wear and edge wear, otherwise clean and unmarked.