Willem Morelis (8 results)

Gebunden. Condition: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -In her thirty-fifth book, the eminent Dutch cultural theorist Mieke Bal (\*1946 in Heemstede) explores the new language that Indian artist Nalini Malani (\*1946 in Karachi) has been developing since early this century with her shadow plays. The result of Malani's new art is an extremely powerful application of the idea of the (multiple) moving image-past, present, and future. An iconic, politically engaged art form that has made waves at exhibitions such as Paris, Delhi, Bombay at the Centre Pompidou in Paris (2011), Documenta (13) in Kassel (2012), and Scenes for a New Heritage at the Museum of Modern Art in New York (2015-16). Mieke Bal conducts a unique dialogue between five of Malani's shadow plays and theoretical issues concerning art. It examines the complexity, layering, and multiplicity of images, thoughts, sound, and movements: technologies and poetic fragments, narratives and archives, as effective politically as it is artistically.Exhibition: 18.3.-18.6.2017, Stedelijk Museum, Amsterdam 440 pp. Englisch.

Buch. Condition: Neu. Neuware -A pioneering artist in film, photography, video art and performance, Indian artist Nalini Malani is a transition figure between the modern and contemporary art of her country. Her work, which criticizes the political situation in India, is based not only on an iconography typical of the subcontinent's culture, but also on Western artistic and literary tradition. The Centre Pompidou is staging France's first retrospective of the Indian artist Nalini Malani. In the exhibition as well as the corresponding catalogue, the artist presents works from 1969-2017, covering almost five decades of her oeuvre. On this occasion, she also reactivates a spectacular work from the museum's collections: the 'video shadow theatre' Remembering Mad Meg (2007). Through this circuit Nalini Malani evokes the concepts underlying her work: utopias, dystopia, and her vision of India and the position of women throughout the world.Exhibition: 18.10.2017-8.1.2018, Centre Pompidou, Paris (Part I); 17.9.2018-6.1.2019, Castello di Rivoli, Turin (Part II) 240 pp. Französisch, Englisch.

Buch. Condition: Neu. Neuware -In her thirty-fifth book, the eminent Dutch cultural theorist Mieke Bal (\*1946 in Heemstede) explores the new language that Indian artist Nalini Malani (\*1946 in Karachi) has been developing since early this century with her shadow plays. The result of Malani's new art is an extremely powerful application of the idea of the (multiple) moving image-past, present, and future. An iconic, politically engaged art form that has made waves at exhibitions such as Paris, Delhi, Bombay at the Centre Pompidou in Paris (2011), Documenta (13) in Kassel (2012), and Scenes for a New Heritage at the Museum of Modern Art in New York (2015-16). Mieke Bal conducts a unique dialogue between five of Malani's shadow plays and theoretical issues concerning art. It examines the complexity, layering, and multiplicity of images, thoughts, sound, and movements: technologies and poetic fragments, narratives and archives, as effective politically as it is artistically.Exhibition: 18.3.-18.6.2017, Stedelijk Museum, Amsterdam 440 pp. Englisch.

Buch. Condition: Neu. Neuware -A pioneering artist in film, photography, video art and performance, Indian artist Nalini Malani is a transition figure between the modern and contemporary art of her country. Her work, which criticizes the political situation in India, is based not only on an iconography typical of the subcontinent's culture, but also on Western artistic and literary tradition. The Centre Pompidou is staging France's first retrospective of the Indian artist Nalini Malani. In the exhibition as well as the corresponding catalogue, the artist presents works from 1969-2017, covering almost five decades of her oeuvre. On this occasion, she also reactivates a spectacular work from the museum's collections: the 'video shadow theatre' Remembering Mad Meg (2007). Through this circuit Nalini Malani evokes the concepts underlying her work: utopias, dystopia, and her vision of India and the position of women throughout the world.Exhibition: 18.10.2017-8.1.2018, Centre Pompidou, Paris (Part I); 17.9.2018-6.1.2019, Castello di Rivoli, Turin (Part II) 240 pp. Französisch, Englisch.

Buch. Condition: Neu. Neuware -In her thirty-fifth book, the eminent Dutch cultural theorist Mieke Bal (\*1946 in Heemstede) explores the new language that Indian artist Nalini Malani (\*1946 in Karachi) has been developing since early this century with her shadow plays. The result of Malani's new art is an extremely powerful application of the idea of the (multiple) moving image-past, present, and future. An iconic, politically engaged art form that has made waves at exhibitions such as Paris, Delhi, Bombay at the Centre Pompidou in Paris (2011), Documenta (13) in Kassel (2012), and Scenes for a New Heritage at the Museum of Modern Art in New York (2015-16). Mieke Bal conducts a unique dialogue between five of Malani's shadow plays and theoretical issues concerning art. It examines the complexity, layering, and multiplicity of images, thoughts, sound, and movements: technologies and poetic fragments, narratives and archives, as effective politically as it is artistically.Exhibition: 18.3.-18.6.2017, Stedelijk Museum, Amsterdam 440 pp. Englisch.

Buch. Condition: Neu. Neuware - A pioneering artist in film, photography, video art and performance, Indian artist Nalini Malani is a transition figure between the modern and contemporary art of her country. Her work, which criticizes the political situation in India, is based not only on an iconography typical of the subcontinent's culture, but also on Western artistic and literary tradition. The Centre Pompidou is staging France's first retrospective of the Indian artist Nalini Malani. In the exhibition as well as the corresponding catalogue, the artist presents works from 1969-2017, covering almost five decades of her oeuvre. On this occasion, she also reactivates a spectacular work from the museum's collections: the 'video shadow theatre' Remembering Mad Meg (2007). Through this circuit Nalini Malani evokes the concepts underlying her work: utopias, dystopia, and her vision of India and the position of women throughout the world.Exhibition: 18.10.2017-8.1.2018, Centre Pompidou, Paris (Part I); 17.9.2018-6.1.2019, Castello di Rivoli, Turin (Part II); Zweisprachige Ausgabe.

Buch. Condition: Neu. Neuware - In her thirty-fifth book, the eminent Dutch cultural theorist Mieke Bal (\*1946 in Heemstede) explores the new language that Indian artist Nalini Malani (\*1946 in Karachi) has been developing since early this century with her shadow plays. The result of Malani's new art is an extremely powerful application of the idea of the (multiple) moving image-past, present, and future. An iconic, politically engaged art form that has made waves at exhibitions such as Paris, Delhi, Bombay at the Centre Pompidou in Paris (2011), Documenta (13) in Kassel (2012), and Scenes for a New Heritage at the Museum of Modern Art in New York (2015-16). Mieke Bal conducts a unique dialogue between five of Malani's shadow plays and theoretical issues concerning art. It examines the complexity, layering, and multiplicity of images, thoughts, sound, and movements: technologies and poetic fragments, narratives and archives, as effective politically as it is artistically.Exhibition: 18.3.-18.6.2017, Stedelijk Museum, Amsterdam.

Condition: Good. Originele geà llustreerde hardcover, geà llustreerd met veel foto's voornamelijk in kleur, gedrukt in 50 genummerde en gesigneerde exemplaren (dit is nummer 35), Nederlandstalig, ongepagineerd, oblong (circa 21,5x28cm).